Brasil

Guilherme Coutinho E O Grupo Stalo

auteur:

photo: 
a propos: 
Repress from highly sought after brazil album !Guilherme Coutinho started playing at the age of five and, at the age of seventeen, he was already part of "Os Mocorongos" and "Os Iguanos", both as an amateur. But he soon became a group leader, playing in several nightclubs in Belém (Pará), until he settled in the Paraense Assembly, where he lived for more than 15 years. He was a musician who played for high society, he was a businessman who had the best instruments, besides always making his own arrangement for the songs. His favorite formation was piano, bass, and drums, as well as a singer. But, for some time, he even used a recorder as playback to give greater sound texture.The first performance was at Pinheirense in Icoaraci. The 1970s were at the height of the clubs in Belém, such as the Tuna, Yacht Club and the Paraense Assembly.At the carnival, there was Guilherme at the head of his group, with rhythmists and a brass section, playing not only the greatest hits but supporting local composers. He was the musical director of Leila Pinheiro's first professional show, at Teatro da Paz. In his career, he released three albums: "Guilherme Coutinho and Curtição", "Busca-se" and "Guilherme Coutinho and Grupo Stalo".Guilherme's last two shows took place on Friday, August 19, 1983, at the Theatro da Paz, through the Pixinguinha Project, and at the old Gemini Blues nightclub. On the morning of Saturday, August 20, Guilherme Coutinho died of a heart attack."Guilherme Coutinho e o Grupo Stalo" was released on the ''Erla', an obscure Brazilian label, which curiously pressed only 7" singles, but this Guilherme Coutinho album is an exception. An LP that became one of the most sought after in Brazilian music. It was generating a cult around you for sound innovation, a kind of Lo-Fi Tropicalism

pays:

Année:

format:

label:

référence du label: 
MAR 022

genre:

état disque:

état pochette:

stock: 
0
morceaux: 
As Feras
Rio Corrente
Macareu
Listen/Ecoute :
Tracklist: 

Side 1
1. Atalala
2. As Feras
3. Foicera
4. Rio Corrente
Side 2
1. Macareu
2. Fuga
3. Flauta De Bambu
4. Tema Pro Alvarito

Second_hand: 
Non
Forthcoming: 
Oui
Origine: 
Re-Issue
Newsletter: 
Non
Partager: 

Werther

auteur:

photo: 
a propos: 
Amazing Bossa Nova LP.. Subtle arrangements, pure, honest and beautifully crafted Brazilian music!The list of musicians born or raised in the Tijuca district of Rio de Janeiro is long and illustrious and includes names that have shaped Brazilian music: Tom Jobim, Roberto Carlos, Tim Maia, Milton Nascimento, Jorge Ben or Erasmo Carlos – to mention but a few. We can now add to that list another name: Werther. In 1970, a man by that name recorded an album unique in its personality, its honesty, and its lack of pretense. In a time when Bossa Nova had become a global phenomenon and its main characters were already household names in Brazil, Werther assembled a collection of songs that uncannily – almost naively – remind us of the time when Bossa Nova was just a group of youngsters making music. His songs are about simple things: bohemian life, the sea, love.Despite Werther and his friends being only in their teens, without any previous experience recording music, those working behind the scenes were not equally amateur. Producer Peter Keller had already worked with Aloysio De Oliveira in the quintessential Bossa Nova label Elenco, and was also an initial partner in Roberto Quartin’s cult label Forma. Studio owner Bill Horne was a very loved character in the Rio jazz scene who had regularly taken part in the legendary meetings in Nara Leão’s apartment and befriended some of Brazil’s most respected musicians. Some of these musicians were, for example, Naná Vasconcelos and Edison Machado, who provided small contributions to Werther’s album.It was only in the 1990’s that Werther’s album was rediscovered by a handful of collectors and Brazilian music enthusiasts, who recognized in it a purity that had already vanished from the mainstream Bossa Nova recordings. But due to the haziness around the original release and the relative anonymity of its instigators, many questions surrounding these recordings were left unanswered. Today we are finally able to disclose the full story behind Werther’s short-lived contribution to Brazilian music.

pays:

Année:

format:

label:

référence du label: 
ALT 007

genre:

état disque:

état pochette:

stock: 
1
morceaux: 
Mudanca
Litoral
Lenda
Listen/Ecoute :
Prix panier: 
26.00
Tracklist: 

Side 1
1. Terca Feira
2. Leilao
3. Catavento
4. Mudanca
5. Litoral
6. Estuario
Side 2
1. Mararia
2. Lenda
3. Apresentacao
4. Rei Do Chao
5. Dimensao
6. Ave Maria

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Re-Issue
Newsletter: 
Non
Partager: 

Marcos Valle

auteur:

photo: 
a propos: 
CLASSIC LP, featuring the Brazil boogie slammer, Estrelar. "Marcos Valle is one of the few artists you cannot miss if you have the slightest interest in Brazilian music. Whether your taste is focused on bossa jazz, samba, psych folk or soul, Valle has surely recorded a great album for you. By the late 60s he had already put out enough quality records to secure a place within the top Brazilian songwriters of all time, but his career luckily did not stop there and he continued releasing amazing music over the following decades until this day. He settled in Los Angeles in the mid-70s, tired of living under Brazil’s military dictatorship, and started to collaborate with such talented artists as Leon Ware or Chicago.This self-titled LP from 1983 is the follow-up to the great “Vontade de rever você” (1981) and his second album after moving back to Brazil. It shows all the music influences received during his US years, especially boogie, soul and funk, featuring stellar collaborators: Lincoln Olivetti & Robson Jorge on keyboards and guitar and Leon Ware on backing vocals.The opening track, the Brazilian boogie anthem ‘Estrelar’, is Marcos Valle’s biggest hit from the 80s and one of the most celebrated songs in his entire career, making clear that what he accomplished while in LA would now make its way into Brazil. ‘Estrelar’ is devoted to workout exercises under the sun and Valle pictures a beach lifestyle and summertime vibe across the entire album that pretty much describes his surfing days in Southern California.A couple of early Valle’s classic songs, ‘Samba De Verao’ and ‘Viola Enluarada’, are updated here to sit nicely next to soaring disco tracks, ‘Para Os Filhos De Abraao’, killer vocal boogie numbers, ‘Dia D’, and blissing instrumentals, ‘Naturalmente’. And the list goes on and on over a well-balanced tracklist that satisfies both the listening pleasure and the dancefloor needs.This is an essential album for lovers of 80s cool sounds and the work of Leon Ware, who is the co-writer of three songs in the LP, including the massive ‘Estrelar’ that was first drafted when both artists were working together in the States and then recorded again when Valle returned to Brazil.

pays:

Année:

format:

label:

référence du label: 
VAMPI 215

genre:

état disque:

état pochette:

stock: 
0
morceaux: 
Estrelar
Para Os Filhos De Abraao
Naturalmente
Listen/Ecoute :
Prix panier: 
23.00
Tracklist: 

Side 1
1. Estrelar
2. Fogo Do Sol
3. Samba De Verao
4. Para Os Filhos De Abraao
5. Naturalmente
Side 2
1. Tapa No Real
2. Tapetes Guardanapos Cetins
3. Dia D
4. Mais Que Amor
5. Viola Enluarada

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Re-Issue
Newsletter: 
Non
Partager: 

Origens Da Luz

auteur:

photo: 
a propos: 
Music From Memory is delighted to announce a retrospective of an artist long-loved by the label, Brazilian composer and multi-instrumentalist Priscilla Ermel. Origens Da Luz brings together a selection of recordings drawn from a body of work that was originally recorded between 1986 and 1994.Priscilla was raised in a musical family in São Paulo and learned the cello and guitar at an early age. She then embarked on a deeply personal musical journey that would travel from origins rooted in Tom Jobim and Chico Buarque to recording the music of the natural world and the communities around her. A film-maker and anthropologist by training, Priscilla is a lifelong student of a universal music. Disillusioned with contemporary European classical music, she spent long periods living with indigenous populations in Brazil, collecting instruments that she would later combine with synthesizers and field recordings. After studying with the renowned Taoist master Liu Pai Lin, she integrated the slow-moving pace of Tai Chi into a music that connects intimately with a multiplicity of cultures at the same time that it unmistakably reflects her Brazilian soul.Combining sounds drawn from the history of Brazil with her own explorations of analogue sound technology, Priscilla’s music opens up a mystical space, where ancient and modern evolves into a new language. Compiled by John Gómez and released on 2xLP, Origens Da Luz offers a panoramic view of this artist’s unique and mesmerizing sound world.

pays:

Année:

format:

label:

référence du label: 
MFM 046

genre:

état disque:

état pochette:

stock: 
1
morceaux: 
Luar
Origens Da Luz
Sete Quedas
Listen/Ecoute :
Prix panier: 
21.00
Tracklist: 

Side 1
1. Luar
2. Martim Pescador
3. Campo De Sonhos
4. Origens Da Luz
5. Meditacao
Side 2
1. Americua
2. Cine Mato Grafico
3. Cristal De Fogo
4. Sete Quedas
Side 3
1. Corpo Do Vento
2. Meia Noite
Side 4
1. Sonho De Cacador
2. Folia Do Divino
3. Floresta
4. Mensageiro

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Original
Newsletter: 
Non
Partager: 

Maria Maria

auteur:

photo: 

pays:

Année:

format:

label:

référence du label: 
FARO 215LP

genre:

état disque:

état pochette:

stock: 
1
morceaux: 
Maria Maria
Os Escravos De Jo
Pai Grande
Listen/Ecoute :
Prix panier: 
21.00
Tracklist: 

Side 1
1. Maria Maria
2. Cozinha
3. Pilar (Do Pila)
4. Trabalhos (Essa Voz)
Side 2
1. Lilia
2. A Chamada
3. Era Rei E Sou Escravo
4. Os Escravos De Jo
5. Tema Dos Deuses
Side 3
1. Santos Catholicos X Candomble
2. Pai Grande
3. Seducao
Side 4
1. Francisco
2. Maria Solidaria
3. De Repente Maria Sumiu
4. Eu Sou Uma Preta Velha Aqui Sentada No Sol
5. Boca A Boca
6. Maria Maria

Second_hand: 
Non
Forthcoming: 
Oui
Origine: 
Original
Newsletter: 
Non
Partager: 

Vontade De Rever Voce (Record Store Day 2017)

auteur:

photo: 
a propos: 
BACK IN STOCK !!!First vinyl reissue of this fantastic 1981 album by Marcos Valle, one of the essential artists of Brazilian music.

pays:

Année:

format:

label:

référence du label: 
MRSSS 546

genre:

état disque:

état pochette:

stock: 
0
morceaux: 
A Paraiba Nao E Chicago
Garimpando
Campina Grande
Listen/Ecoute :
Prix panier: 
27.00
Tracklist: 

Side 1
1. A Paraiba Nao E Chicago
2. Bicho No Cio
3. Velhos Surfistas Querendo Voar
4. Campina Grande
Side 2
1. Sei La
2. Pecados De Amor
3. Garimpando
4. Nao Pode Ser Qualquer Mulher

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Re-Issue
Newsletter: 
Non
Partager: 

E Deixa O Relógio Andar!

auteur:

photo: 
a propos: 
The outstanding 1971 debut by piano player and arranger Osmar Milito features his amazing cover of Herbie Hancock's ‘Cantaloupe Island’ plus several classic Brazilian songs by Marcos Valle, Jorge Ben and Ivan Lins among others. Fierce samba jazz and bossa all the way through! The line-up of performing artists could hardly be more impressive: Quarteto Forma on vocals, Luis Eça, Marcos Valle, Pascoal Meirelles… This brilliant album is up there with the best work of Arthur Verocai and Marcos Valle.During the 90s, a walk around London’s Camden Market inevitably meant listening to the music with groove that the most popular DJs had made fashionable at the time: soul jazz instrumentals and Brazilian music targeting the club dancefloors. Among all those songs that ended up becoming classics of the scene was the amazing cover version of Herbie Hancock’s ‘Cantaloupe Island’ that Osmar Milito had recorded in 1971. This song was probably the main reason that made his LP for Som Livre one of the most sought after Brazilian records by collectors from all over the world. Now we finally have a new opportunity to enjoy this album, reissued on vinyl for the first time.Along with the aforementioned version of Herbie Hancock’s song, this first album by piano player and arranger Osmar Milito is full of versions of Brazilian classics, from Marcos Valle to Jorge Ben or Ivan Lins. Fierce samba jazz and bossa all the way through! Note that Milito spent the first years of his career as a member of the backing band of big artists such as Elis Regina, Jorge Ben, Nara Leão... and after two years working with Sergio Mendes in the United States, he returned to Brazil and recorded his first LP.The line-up of performing artists on this album could hardly be more impressive: Quarteto Forma on the vocals, Luis Eça, Marcos Valle, Pascoal Meirelles (what an amazing drummer he is!)... and both sides of the record hide a seamless sequence of solid tune after solid tune with similar doses of instrumental and vocal tracks. Just listen to the magnificent ‘Garra’, ‘Que bandeira’ or ‘Rita Jeep’, or the sweet samba that gives its name to the record, and you will see why this LP should be up there, next to the best works of Arthur Verocai and Marcos Valle.

pays:

Année:

format:

label:

référence du label: 
MRSSS 557

genre:

état disque:

état pochette:

stock: 
1
morceaux: 
Que Bandeira
Cantaloup Island
Garra
Listen/Ecoute :
Prix panier: 
32.00
Tracklist: 

Side 1
1. E Deixa O Relogio Andar
2. A Famous Myth
3. Que Bandeira
4. Cantaloup Island
5. Garra
6. Chovendo Na Roseira
Side 2
1. Rita Jeep
2. What Are You Doing For The Rest Of Your Life?
3. To Rio For Love
4. Mercy Mercy Mercy
5. Mudei De Ideia
6. Ta Falado
7. Joao Bello

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Re-Issue
Newsletter: 
Non
Partager: 

Brasilian Sound

auteur:

photo: 
a propos: 
L’ALBUM 60-70’S DE MUSIQUE BRÉSILIENNE MADE IN FRANCERÉÉDITION À L’OCCASION DES 50 ANSA la fin des années 60/début des années 70, le Brésil faisait rêver. Il était à la mode, un peu partout en Europe, et donc aussi en France. On pense à "Samba Sarava" sur la BO du film Un Homme et Une Femme, à Françoise Hardy avec son album produit par Tuca, à Isabelle Aubret et son "Casa Forte" ou à France Gall avec "Zozoi". Trois musiciens brésiliens exilés en France, Edson Lobo (basse), Fernando Martins (piano) et Nelson Serra (batterie), forment le Trio Camara. Ils rencontrent un groupe d’amis amoureux de la musique brésilienne, tous professionnels de la musique, mais qui souhaitaient rester anonymes, d’où le nom de leur groupe : Les Masques. Claude Germain (Les Double Six), José Bartel, Marie Vassiliu, Pierre Vassiliu... les chanteurs formant Les Masques sont loin d’être des inconnus. En 1969 ils entrent donc au Studio Davout avec le Trio Camara pour enregistrer Brasilian Sound.Composé de 11 titres, c’est un superbe album, magistralement produit et enregistré, qui s’écoute d’une traite et nous transporte dans des ambiances à la fois légères et naïves, si propres à cette époque. Tiré à 500 e xemp l a i r e s s u r C B S l ’a l b um n e s e r a malheureusement pas un succès et il est aujourd’hui quasiment impossible de trouver le pressage original français (sonnant bien mieux que le pressage canadien paru à la même époque). Cette réédition du Très Groove Club est donc la bienvenue, pour que 50 ans après sa parution, un plus large public puisse découvrir ce magnifique album, écho d’une époque définitivement révolue.

pays:

Année:

format:

label:

référence du label: 
LTGC 005

genre:

état disque:

état pochette:

stock: 
0
morceaux: 
Il Faut Tenir
Initiation
Dis Nous Quel Est Le Chemin
Listen/Ecoute :
Prix panier: 
25.00
Tracklist: 

Side 1
1. Echo
2. Il Faut Tenir
3. Un Regard... Un Sourire...
4. Enfer
5. Bal Chez Le Baron
6. La Grosse Bosse A Casanova
Side 2
1. Mais Un Jour...
2. Initiation
3. Dis Nous Quel Est Le Chemin
4. L'Oiseau
5. Les Filles Et Les Garcons

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Re-Issue
Newsletter: 
Non
Partager: 

Si Voce Pensa/Birimbao

auteur:

photo: 
a propos: 
Matasuna Records is thrilled to reissue another musical jewel from Peru on vinyl for the first time. The songs were recorded by the band Bossa 70 and released on a 7inch EP and the self-titled album in 1970. Both are much sought-after collector's items and impossible to find. The songs were transferred from the original master tapes and got a new mastering.Nilo Espinoza Vascones or better known under his artist name Nilo Espinosa is without doubt a Peruvian saxophone and flute legend. After a classical musical education he entered the music scene in the early 1960s. In 1966 he founded the band Los Hilton's with some of the best Peruvian musicians including the gifted piano player Otto de Rojas. In 1967 they recorded the first and only LP of the group, which was released in a small edition in Peru.Their concerts were more and more influenced by Jazz and Bossa Nova, so in 1968 they changed the band's name to Bossa 70. In the record label's office Nilo met the Afro-Peruvian Carmen Rosa Basurco, who also loved Bossa Nova and could sing in Portuguese and English. From then on she was the main singer of the band.Bossa 70 recorded four songs for a 7-inch EP in an edition of only 100 copies, which was given away for promotional purposes at concerts and to friends & family. In 1970 they recorded their self-titled LP which reflected a mixture of Bossa Nova, Latin Jazz and Funk. The label pressed only 300 copies, which were sold out very quickly. This LP was the band's only album and is a rare piece of Peruvian music history.Si Voce Pensa on the A-side is a great cover version of the same named song by famous Brazilian musician Roberto Carlos from 1968. Bossa 70 adapted the song for the dancefloor, which is driven by an uplifting rhythm and the expressive voice of the singer. Of course, the great interplay of the other musicians must not go unmentioned. A fantastic track that will heat up everywhere!Birimbao on the flipside is another fantastic Brazilian cover version. The song was written in the 1960s by Baden Powell, one of the most important Brazilian guitarists and one of the pioneers of Bossa Nova. Bossa 70 set their own stamp with a new instrumentation with brass, wah wah guitars, piano, flute parts and trumpet solos. The percussion section is also a brilliant backup for this one. Another winner!

pays:

Année:

format:

label:

référence du label: 
MSR 014

genre:

état disque:

état pochette:

stock: 
0
morceaux: 
Si Voce Pensa
Birimbao
Listen/Ecoute :
Prix panier: 
15.00
Tracklist: 

Side 1
1. Si Voce Pensa
Side 2
1. Birimbao

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Original
Newsletter: 
Non
Partager: 

Ninguem Vai Me Segurar

auteur:

photo: 

pays:

Année:

format:

label:

référence du label: 
FARO 212LP

genre:

état disque:

état pochette:

stock: 
0
morceaux: 
Agora Ou Nunca Mais
Roda Mundo
Eu Sou Mais Eu
Listen/Ecoute :
Prix panier: 
22.00
Tracklist: 

Side 1
1. Agora Ou Nunca Mais
2. Roda Mundo
3. Acalanto
4. Cordao
5. De Um Jeito So
Side 2
1. Eu Sou Mais Eu
2. Canto De Meditacao
3. Feel Like Making Love
4. Bairro Negro
5. Sou

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Re-Issue
Newsletter: 
Non
Partager: 

Pages

S'abonner à RSS - Brasil