Italy

MERIDIO originates from an idea by Gerardo Frisina and a collaboration forged over the years with Francesco Borrelli, a sound engineer, musician and performer who has shaped Gerardo’s recordings for the last ten years and more. It embodies the natural evolution and fulfillment of a shared journey, a dedicated pursuit of sound and vision, and a creative dialogue where concept and execution become one.“Meridio” primarily defines the project’s geographical roots: Francesco, from Naples, and Gerardo, with ties to southern Calabria, carry a Mediterranean sensibility that emerges organically, not as a mere reference but as an attitude: a sense of fluid rhythm, a constant tension between order and improvisation, between elegance and instinct. The titles of the two tracks included on this 7-inch single – ‘Partenope’ and ‘Ligea’, muses and symbols of the Mediterranean Sea – draw on mythological imagery and further reinforce the connection to a profound cultural dimension.The result is a dense yet layered sound that openly embraces the funk and progressive aesthetics of the 70s and 80s, reprocessing them in a contemporary spirit; a language effortlessly moving between arrangement and production, between timbral exploration and rhythmic immediacy.

Nicola Conte and Nico Lahs’ Tema Due project finally comes to full realization in a double LP entitled “Universo Astratto”, adding a wealth of new musical shades and ideas to the two EPs released on Schema Records in 2025. The album represents not only the natural evolution of their artistic dialogue, but also a statement of intent in terms of sound. Fans of the most sophisticated and refined club music, elevated by the fusion of exquisite electronica with spiritual jazz (it is no coincidence that the opening track evokes the baseline of “A Love Supreme”), African-American rhythms and tribal percussion, will be thrilled by this complex and multi-layered album, which unveils new hidden details upon each listen. A meticulous selection of exceptional musicians contributes in a distinctive and significant way to broadening the scope of the project: Giovanni Guidi, Pietro Lussu, and Dario Bassolino on keyboards, Gabriel Prado and Abdissa Assefa on percussion, Magnus Lindgren on wind instruments and Hammond organ, and Pasquale Calò on saxophone. On vocals we have Lalin St. Juste, Siya Makuzeni, Nina Miranda - for what is probably the best track on the album, “Share Your Love” - and Toco - for a new and previously unreleased version of the track “Macumba de Oxalà” featured on the first EP. In “Universo Astratto”, Tema Due’s vision is finally fulfilled: a world of ancestral grooves, cosmic jazz, and electronic music conceived for clubs as a type of “active experience” in which one is transcended by music. This record is an invitation—to move, to feel, to elevate—and a manifesto for those who see the dance floor not just as a location, but as a shared experience of awareness and rhythm.

After the success of "Bar Mediterraneo", Nu Genea return with "People Of The Moon", expanding their sound into a broader, more exploratory dimension.Sung across multiple languages (Neapolitan, Arabic, English, Spanish, and Portuguese), the album weaves together diverse influences, from Afro-Cuban rhythms and Anatolian textures to highlife, flamenco, and bossa nova, all filtered through the duo’s distinct Italian perspective."Sciallà", released in 2025, offered an early glimpse into this direction: looking up at the giant mirror ball above us, we catch reflections of our best selves, realizing that "People Of The Moon" is not an imagined cosmic species, but a dimension within us all.A quiet resilience runs throughout the record, never loud or triumphant, but rooted in persistence. This sense of motion defines "Onenon", where Tom Misch shapes a Mediterranean brit-funk groove recalling the basslines of Pino D’Angiò. In "Acelera", María José Llergo channels the urge to chase the moon as if it were an unattainable ideal, in this Andalusian-tinged track featuring her vocals (also present in "Celavì"), supported by flamenco palmas that bring a languid yet propulsive feel.With its driving momentum, "Puleza" recalls the spirit of "Nuova Napoli", enriched by vintage synths and expansive delays, while Fabiana Martone embodies another of the album’s “lunar dwellers.”

Jazzprint is a curated compilation by Italian label and collective Beat’s Tailors featuring 20 instrumental tracks by 23 producers from around the world, connected by a shared approach to jazz-influenced beatmaking. Blending jazz elements with hip hop, chillhop and instrumental beats, the record offers a smooth and cohesive listening experience across both sides, showcasing a wide range of moods and contemporary production styles.

A nocturnal ride through the magnetic waves of an imaginary club that never sleeps, where groove becomes ritual and the dancefloor an extension of the body. Francisco & Cosmo Dance – aka Francesco De Bellis and Cosimo Mandorino – orchestrate a mechanical and naif dance between man and machine, where synths chase each other and drum machines dictate tight, unrelenting beats. “Go Go Dance” is a concentrated dose of analog groove, electronic funk, no-wave pulses, and retro-futurism.The Extended Mix transcends radio boundaries, diving into a hypnotic, fluid, body-driven dimension: a sonic tide echoing cosmic italo, primitive house, and off-kilter disco, shaping a soundscape for dancefloors from another dimension.The House Mix, finely edited by Whodamanny, is a manifesto for the floor: pure rhythmic dynamite, made to ignite bodies and let them vibrate freely. A shared and refined vision of house music, where instinct and style fuse into a single voice. “Go Go Dance” doesn’t aim studio perfection; it craves sensory truth – the kind born of urgency, space, and the pleasure of repetition. An anthem to the most authentic and lived-in club culture, where music becomes sweat, fantasy, and freedom once again.

Raffaele Arcella, known under the moniker Whodamanny, is a hyper-prolific producer and remixer who has been active for many years within the independent underground electronic scene and beyond. Closely associated with the Neapolitan label Periodica Records, he has released and co-produced numerous projects, and since 2023 he has been curating his own imprint, Biloba, conceived as a platform to carry forward the legacy of the Latin Italo-Disco trend that marked many Italian productions from the late 1980s through the 1990s. Onda Biloba stands as a kind of album–compilation, bringing together the results of Arcella’s ongoing exploration in recent years — both in stylistic development and studio experimentation. The record offers a diverse and vibrant selection, shifting between potential “hit-not-hit” dancefloor bangers and more laid-back, downbeat digressions for blue-hour moments.