Jazzman

Lost In Abstraction

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JMANLP 132

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34.00
Tracklist: 

Side 1
1. Abstraction
2. Lost
3. Venus Fly Trap
4. Temptation
5. Too Much
Side 2
1. Where Would We Be
2. Up There
3. Discarded
4. Suspended
5. Got It?

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Disco Party

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1
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30.00
Tracklist: 

Side 1
1. Reality
2. Road
3. Disco Party (Let's Have A)
4. Welcome
Side 2
1. Movin' & Groovin'
2. Let's Party People
3. You Keep Me Holdin' On
4. Clap & Hustle

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Little Sunflower

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From Wales, the home of the harp, Amanda has taken her classical roots and forged them in the path of jazz harpist Dorothy Ashby.She has toured extensively with Matthew Halsall and the Gondwana Orchestra performing at Jazz festivals around the world. More recent collaborations have included recording with DJ Yoda and Chip Wickham and touring Wickham's latest album including upcoming appearances at Ronnie Scotts and Le Petit Halle, Paris.Whiting's first album was recorded as a trio for CD in 2013, and pays tribute to Coltrane and Ashby with her own take on standards. She's joined by Deej Williams (bass) and Tony Robinson (drums). Here we've taken a selection of tracks for inclusion on vinyl, the best medium for serious music lovers.

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JMANLP 124V

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23.00
Tracklist: 

Side 1
1. Little Sunflower
2. Libertango
Side 2
1. In A Sentimental Mood
2. Can't Get You Out Of My Head
3. Caravan

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The Glitter Of The City

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Numbered edition and limited to 1500 copies only.180g heavyweight vinyl & tip-on US style sleeve. Comes with printed inner sleeve with full liner notes & photos. Download card inside includes 3 previously unreleased bonus tracks.

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JMANLP 100

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30.00
Tracklist: 

Side 1
1. Royal Walk
2. Glitter Of The City
3. Tipsey Lady
4. Mood Two Latin For You
Side 2
1. Pretty Little Girl
2. New Rock Joy
3. Let Your Spirits Be Free

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Shades Of Blue (Mono)

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JMANLP 107X

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28.00
Tracklist: 

Side 1
1. Blue Mosque
2. Latin Blue
3. Just Blue
4. Sailin'
Side 2
1. Garrison '64
2. Blue Doom
3. Shades Of Blue
4. Big City Strut

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Can You See What I'm Trying To Say

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Lascelle 'Lascelles' Gordon - the driving force behind Vibration Black Finger – astonishes us yet again with a magnificent second album. Once more his inspiration is drawn from the obscure spiritual jazz collectives of the 1970s where he employs a vast array of like-minded collaborators to create a listening experience infused with an ever-present undercurrent of personal expression and cultural empowerment that's as enriched with ideas as it is progressive in its form.Having earned his chops as founding member of the Brand New Heavies, Campag Velocet and Heliocentric World, Lascelle's latest album Can You See What I'm Trying to Say bursts with energy and vivid contrasts, flowing effortlessly between beat-laden grooves, oscillating improvisations, soulful recitations, audio verité and moody atmospherics. The album drops like a post-hip-hop reimagining of foundational genres, with a prayer to the future.''Can You See What I'm Trying to Say' is a quote from Marion Brown, the great alto saxophonist' explains Gordon. 'The album was put together over the last three years, not in the conventional way of going into the recording studio with musicians, but starting from ideas I had on various formats (cassettes, mini disc, DATs & reel to reel). I also used field recordings. I did a lot of home recording with long time musical friends Ben Cowen & Diana Gutkind, some of them going back 20 years. The voices of my nieces (heard on Law of the Universe) were recorded 25 years ago. 'Only in a Dream' and 'Empty Streets' are the only songs that were recorded live in the studio.' 'I was blown away by the New Life Trio 'Empty Streets' (from 1978) and was fascinated by the vocals' continues Lascelles. 'I always thought it would be great to cover this tune'. Such is the power of this song, it's used to open the album, with vocalist Ebony Rose turning in a thoroughly haunting vocal performance. While not a concept album as such, Lascelles has nonetheless conceived and presented Can You See What I'm Trying to Say to be heard as a complete listening experience, with each track blending into the next, resulting in a seamless expression of music.Following 'Empty Streets', some instrumental interludes segue into a dimensional drift of beats, space synths, horns and electronics; there's a vocal reprise of 'Acting For Liberation', sung with gusto by Maggie Nichols, and then there's the album's momentous finale, 'Only In A Dream', which takes off as an ominous drone before a delicious bassline from the late Ken Kambayashi transforms it into an intense, soaring epic which finally descends onto another world.In a career spanning several decades, Lascelle Gordon remains an omnivorous musical force, whether as DJ, collaborator or radio broadcaster. As amply demonstrated on Can You See What I'm Trying to Say, he refuses to rest on his laurels and continues to impress with music that is as rich, vital and contemporary as anything he's done before, covering an incredible amount of musical ground in the process.

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JMANLP 121

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1
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26.00
Tracklist: 

Side 1
1. Empty Streets
2. Adrianna
3. Gutkind's Dream
4. Acting For Liberation (part 1)
5. Law Of The Universe
6. Can You See What I'm Trying To Say
Side 2
1. Acting For Liberation (part 2)
2. Persia & Cornelius
3. The Glory
4. Soul Fire
5. Twelve Wire Byrd
6. Only In A Dream

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Spiritual Jazz

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'Esoteric, modal and deep jazz from the undergound, 1968-77'Jazzman Records presents the sound of the unsung musicians who – in the midst of the Vietnam War and the fallout of the Civil Rights struggle – created some of the most beautiful Spiritual and meditative music of the era.Sometimes funky, sometimes mellow, but always trying to say something about the world in which we live.Existing completely under the critical radar and largely ignored or unknown by music fans and critics alike, most of the musicians featured in this album won't be familiar to even the most seasoned aficionado. Their records, frequently turned down by distributors and record stores, saw little attention when first released - and have seen even less since. But in this era of musical apathy, where so many music junkies look to the past for their musical fix, we have re-discovered hidden, obscure and esoteric jazz musicians who looked to the four corners of the earth - and beyond - for inspiration. Here we evaluate Spiritual Jazz€“ music that is a snapshot of the era after Coltrane, a time which saw the evolution of an underground jazz that spoke about the reform of the soul, the reform of the spirit, and the reform of society: a music which was local and international at once, which was a personal journey and a political statement, and which was religious and secular in one non-contradictory breath.The music on this album reflects the social and historical forces at work during the closedown of the '60s dream; music made by close-knit collectives and individual visionaries, by prisoners and eccentrics, by mystics and political radicals. It includes music by acknowledged masters, and moments of brilliance by unsung figures known to us from just one or two recordings. It is the jazz music of America in the age of civil rights, brutal repression, political assassination and war; a music that would guarantee the survival of the spiritual dimension in a society that was angry and traumatized, but nevertheless had seen hope of better days to come. Soul jazz; Black jazz; Spiritual jazz.Remastered limited 2019 repress due to overwhelming demand that has seen the price of the original issue from 2008 tip the scales to over £100 on the secondhand vinyl market

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JMANLP 020

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30.00
Tracklist: 

Side 1
1. James Tatum Trio Plus - Introduction
2. Lloyd Miller - Gol-E Gandom
3. Morris Wilson Beau Bailey Qunitet - Paul's Ark
4. Mor Thiam - Ayo Ayo Nene
Side 2
1. Ndikho Xaba & The Natives - Nomusa
2. The Positive Force - The Afrikan In Winter (with Ade Olatunji)
3. Salah Ragab & The Cairo Jazz Band - Neveen
Side 3
1. The Frank Derrick Total Experience - No Jive
2. Hastings Street Jazz Experience - Ja Mil
3. Ronnie Boykins - The Will, Is Now
Side 4
1. Leon Gardner - Be There
2. Ohio Penitentiary 511 Jazz Ensemble - Pysch City

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Spiritual Jazz 10: Prestige

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'Esoteric, modal and deep jazz from Prestige Records, 1961-73'The tenth edition of our Spiritual Jazz series takes a closer look at the music Prestige was recording at the start of the 1960s. This was the period when the modal jazz sound pioneered by Miles and Coltrane was starting to percolate through the jazz underground.In its heyday, Prestige was the only jazz label that could hold a candle to Blue Note. Prestige was always quick off the mark to record new artists, and in the years after Kind of Blue the label was quick to release some of the most innovative early explorers of the new style.Founded as New Jazz in 1949 by 20-year old jazz fan and entrepreneur Bob Weinstock, Prestige was the only other imprint besides Blue Note to capture the iconic jazz sounds of the 1950s, and like its rival it grew to be an icon itself.If Blue Note documented the sound of hard bop in its most carefully crafted and beautifully presented form, the low-key, jam-session approach that Weinstock preferred meant that the music captured by Prestige has a tough, unfiltered energy that was a lot closer to way it was being played live, night after night, by New York's most prominent jazz musicians.Featuring Afro-Eastern visions from Yusef Lateef and Ahmed Abdul-Malik, deep modal excursions from Mal Waldron and Walt Dickerson, and essential spiritual jazz grooves from Gary Bartz and Idris Muhammed, Spiritual Jazz vol. 10 documents the sound of modal jazz in full flight, unabashed and authentic from the pioneers!2LP gatefold with comprehensive liner notes & pics

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JMANLP 117

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25.00
Tracklist: 

Side 1
1. Ahmed Abdul-Malik - Song Of Delilah
2. Roy Haynes - Dorian
3. Latin Jazz Quintet - Rip A Dip
4. Roy Haynes - Modette
5. Walt Dickerson - Death & Taxes
6. Yusef Lateef - Love Theme From Spartacus
7. Moondog - Organ Rounds
8. Ahmed Adul-Malik - Summertime
9. Mal Waldron - Warm Canto
10. Idris Muhammad - Peace (edit)
11. Gary Bartz - I've Known Rivers

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Spiritual Jazz Vol 9 - Blue Notes, Part Two

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The Blue Note Record label needs little introduction. Musically, graphically and sonically iconic, the label created and defined the golden age of modern jazz on record. Founded in 1939 by German émigré Alfred Lion, the label's roster of artists is a litany of giants – Thelonious Monk, Sonny Rollins, Horace Silver, Lee Morgan, Art Blakey, Lee Morgan, Herbie Hancock and many more. With peerless musicians in the grooves, the legendary Rudy Van Gelder behind the boards, and graphic design genius Reid Miles creating emblematic artwork for every release, Blue Note – 'the Cadillac of the jazz lines' – was outstanding in every way.Volume 9 of Jazzman's Spiritual Jazz series takes a close look at the deeper side of Blue Note – from the experimental avant-garde explored by younger musicians such as Bobby Hutcherson, Joe Henderson and Pete La Roca, to the exciting new developments in modal sounds put forward by stalwarts Hank Mobley, Jackie McLean and Duke Pearson. The music we have selected shows how musicians working with the label responded to a period of dramatic social and sonic change, charting the route toward the esoteric and spiritualised sounds that would dominate the deepest jazz of the 1970s.As ever, Blue Note had lit the path, and this new Spiritual Jazz collection shows that the progressive and underground jazz sound of the 1960s was not only the preserve of obscure artists and private pressings. Blue spirits and heavy sounds on Blue Note – the finest in jazz since 1939, brought to you by Jazzman.

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JMANLP 104

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28.00
Tracklist: 

Side 1
1. Joe Henderson - El Barrio
2. Jackie McLean - Plight
3. Duke Pearson - Cristo Redentor
Side 2
1. Wayne Shorter - Indian Song
2. Hank Mobley - The Morning After
Side 3
1. Pete La Roca - Malaguena
2. Freddie Hubbard - Blue Spirits
Side 4
1. Booker Ervin - Gichi
2. Solomon Ilori - Igbesi Aiye (Song Of Praise To God)

Second_hand: 
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Non
Origine: 
Original
Newsletter: 
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Spiritual Jazz Vol 9 - Blue Notes, Part One

photo: 
a propos: 
The Blue Note Record label needs little introduction. Musically, graphically and sonically iconic, the label created and defined the golden age of modern jazz on record. Founded in 1939 by German émigré Alfred Lion, the label's roster of artists is a litany of giants – Thelonious Monk, Sonny Rollins, Horace Silver, Lee Morgan, Art Blakey, Lee Morgan, Herbie Hancock and many more. With peerless musicians in the grooves, the legendary Rudy Van Gelder behind the boards, and graphic design genius Reid Miles creating emblematic artwork for every release, Blue Note – 'the Cadillac of the jazz lines' – was outstanding in every way.Volume 9 of Jazzman's Spiritual Jazz series takes a close look at the deeper side of Blue Note – from the experimental avant-garde explored by younger musicians such as Bobby Hutcherson, Joe Henderson and Pete La Roca, to the exciting new developments in modal sounds put forward by stalwarts Hank Mobley, Jackie McLean and Duke Pearson. The music we have selected shows how musicians working with the label responded to a period of dramatic social and sonic change, charting the route toward the esoteric and spiritualised sounds that would dominate the deepest jazz of the 1970s.As ever, Blue Note had lit the path, and this new Spiritual Jazz collection shows that the progressive and underground jazz sound of the 1960s was not only the preserve of obscure artists and private pressings. Blue spirits and heavy sounds on Blue Note – the finest in jazz since 1939, brought to you by Jazzman.

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format:

label:

référence du label: 
JMANLP 103

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état pochette:

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0
Prix panier: 
25.00
Tracklist: 

Side 1
1. Bobby Hutcherson - Verse
2. Pete La Roca - Basra
Side 2
1. Wayne Shorter - Footprints
2. Elvin Jones - At This Point In Time
3. Andrew Hill - Poinsettia
Side 3
1. Eddie Gale - The Rain
2. Duke Pearson - Empathy
3. Bobby Hutcherson - Searchin' The Trane
Side 4
1. Duke Pearson - The Phantom
2. Freddie Hubbard - Assunta

Second_hand: 
Non
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Non
Origine: 
Original
Newsletter: 
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