SEALED

My Soul Sensation

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An album of compositions by Nicole Willis & Banda Palomita who are Ndioba Gueye (electric bass), Julius Heikkilä (electric, acoustic guitars), Antti Kujanpää (keyboards, synths and sequencer), Ilari Larjosto (drums) & Luiz Orlando Sá Do Carmo (percussion). Jimi Tenor appears on the title track My Soul Sensation on tenor saxophone.Produced by Nicole Willis with Ilari Larjosto. Recorded by Ilari Larjosto with Nicole Willis at Suomenlinna Studio. Vocals recorded by Nicole Willis at Persephone Studio except Free (at Suomenlinna Studio). Mixed by Ilari Larjosto at Suomenlinna Studio. Mastered by Sam Irl & Daniel Pfitscher. Executive Producer: Nicole Willis.

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PERSE 005LP

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Tracklist: 

Side 1
1. Save It
2. Reparate
3. Free
Side 2
1. My Soul Sensation
2. I Call Your Name
3. My Reflection

Second_hand: 
Non
Forthcoming: 
Oui
Origine: 
Original
Newsletter: 
Non
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Changin' Times

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“Changin’ Times” was released in 1976 on L.A. International and Trio Records and was the only album Ike White released. It was written at Tehachapi State prison where Ike White was an inmate at the time.The sleeve notes at the back of the sleeve were written by Stevie Wonder and confirm he was in jail at that time : “There are many Ike White in this world, let’s give these men a fair chance making not the color of his skin final fate for being behind the bars” – Stevie WonderThe song “Love and Affection”, a real dancefloor burner, has been compiled on many rare groove compilations (included the Ultimate Breaks & Beats series).“Changin’ Times” is an album for life for all soul and funk fans !- 1970’s lost soul / funk Masterpiece !!!- Unique record by Ike White, “Changin’ Times” is a pure gem- Never re-issued since original release in 1976- 180g vinyl pressing- Original artwork- Remastered

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OTS 127

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Tracklist: 

Side 1
1. Changin' Times
2. Comin' Home
3. Antoinette
Side 2
1. I Remember George
2. Happy Face
3. Love & Affection

Second_hand: 
Non
Forthcoming: 
Oui
Origine: 
Re-Issue
Newsletter: 
Non
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Voyaging Bird (feat Jowee Omicil)

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As menacing and unhinged as ever, the pride of Staten Island is back with their fifth full-length offering, V. Raw and absent of modern technological trappings, the Budos pick up where they left off with 2014’s “Burnt Offering,” and finds the Budos expanding on the brooding, fuzz-fueled riffs, whilst harkening back to the Ethiopian inspired rhythms and percussive proclivity that put Budos Band on the map. “Old Engine Oil,” a rocker at heart, kicks things into gear and delivers a high-octane burst of Budos mayhem. “The Enchanter” serves up a classic dose of upbeat afro-soul, drenched in a venomous assault of wall-melting proportions that leads you to the “Spider Web,” a rumbling ode to the Cowbell Colossus whose punctuated horn stabs take you on an untamed ride to the dark side of the spoon. The side closes with “Peak of Eternal Night,” whose odd time signature and haunting horns transport the listener to the peak of a menacing otherworldly landscape that’s further explored in the final track “Ghost Talk” – a guitar driven groover that gives way to an organ-washed space ritual beneath sun-summoning trumpet blasts.Side Two opens with “Arcane Rambler,” an interstellar ramble across space and time that leaves the listener in cosmic purgatory. “Maelstrom,” released as a single shortly after the release of “Burnt Offering,” boasts waves of furious sonic power that batter the listener via a maw of snarling sea-foam bubbling with the power of the Budos. Soon darkness falls as “The Veil of Shadows” is draped across the land – in this realm of twilight one quickly loses their way, only to find themselves at a dusk-to-dawn pyre of budonian proportions. “Rumble from the Void” then pulls you into a percussive black hole of formless beat-worship. There are no horns to help you here, just the tentacles of rhythm that tirelessly pull you back into the void. “Valley of the Damned” closes the record, it’s twisting groove coupled with hypnotic drones of synth and horns transports you to a place of little hope and and even less reason.You’ve been warned…- Album cover features a linoleum print by Budos Band Drummer, Brian Profilio, a NYC public school art teacher- Previous PR/Radio coverage: Wired, Pitchfork, NPR Music, NY Times, Last Call w/ Carson Daly, CBS Saturday Session, WNYC Soundcheck, KUTX, WFUV, WFMU...- Tour Dates confirmed in Seattle, Portland, San Francisco, Brooklyn & New York- Official music for “Old Engine Oil”- Radio campaign by Distiller Promo + PR campaign by Girlie Action- "A punishing set of instrumentals...an uncompromising visceral appeal...party music with a scary edge" - Billboard- "Spooky, funky, freedom-loving fun: The chance to embrace something like that doesn’t come along often, and it’s to be cherished" - Pitchfork

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DAPT 57

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0
Tracklist: 

Side 1
1. Old Engine Oil
2. The Enchanter
3. Spider Web (part 1)
4. Peak Of Eternal Night
5. Ghost Talk
Side 2
1. Arcane Rambler
2. Maelstrom
3. Veil Of Shadows
4. Rumble From The Void
5. Valley Of The Damned

Second_hand: 
Non
Forthcoming: 
Oui
Origine: 
Original
Newsletter: 
Non
Partager: 

Love And Ka Dance

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Reissue of the legendary first album by the band Kassav'A fusion funk and traditional guadeloupean rhythms,includes the killer disco of the title track "Love And Ka Dance" !2LP set, includes the original LP plus the US version,with 4 different tracks

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HS 191VL

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1
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26.00
Tracklist: 

Side 1
1979 - French Edition
1. Kassav' Dedicated To Saint-Jean
2. Fascination
Side 2
1. Nouvel
2. Love And Ka Dance
1980 - US Edition
Side 3

1. Africa (Kassav Vocal Version)
2. Don't Be A Fool
Side 4
1. Attention
2. Africa (Instrumental Version)
3. Fascination

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Non
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Non
Origine: 
Re-Issue
Newsletter: 
Non
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Je Suis Un Sauvage

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Probablement peu connu parce que porté par des textes dits en français, Je suis un sauvage / Le Moral nécessaire mérite plus que l’assentiment récent des seuls amateurs de grooves rares. Car aujourd’hui encore, ce disque à ne pas négliger demeure un brûlot séminal subtilement militant et par endroits non dénué d’humour. Il représente un grand moment de Great Black Music au même titre que Seize The Time d’Elaine Brown, Nation Time de Joe McPhee, There’s A Riot Goin’ On de Sly & The Family Stone ou Attica Blues d’Archie Shepp. Pas moins.

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FFL 055

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1
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10.00
Tracklist: 

Side 1
1. Je Suis Un Sauvage
Side 2
1. Le Moral Necessaire

Second_hand: 
Non
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Non
Origine: 
Re-Issue
Newsletter: 
Non
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Wahala Wahala

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PVS 005VL

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1
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26.00
Tracklist: 

Side 1
1. For My People
2. Money
3. Suro Nipa
Side 2
1. Medowo
2. Imela
3. Home
4. Agoro
Side 3
1. Mona Lisa
2. Transmission
3. Mad Up
Side 4
1. Wahala
2. Dr Mensa
3. Wonderful Life
4. Sahara

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Non
Forthcoming: 
Oui
Origine: 
Original
Newsletter: 
Non
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Wilfred Percussion

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Born in the 1940s in Istanbul, Italian painter and percussionist Wilfred Copello had, from the onset, a predisposition for exotic sounds.Indeed, his interest for latin music was manifest early on in his career. In 1970 he was an uncredited member of the Italian band Latins 80 who released the same year the LP Foglie Gialle All’Imbrunire which has now gained cult status. From that period onwards, Wilfred settled in Rome where he gained an excellent reputation as a studio player; he participated in a large number of projects and albums, especially on the jazz scene with his friend Romano Mussolini (The Latin Taste, Jam Session , Soft & Swing, etc.).But it is the music from Brazil that had the greatest impact on Wilfred. In 1974 he recorded ‘Viva Brasil’ with the group Expo 80, an album which was an ode to Brazilian music.A few years later, at the turn of the 80s, he formed the band Wilfred Percussion. He brought with him an all-star cast of the jazz and Latin scene in Rome which included Argentinean drummer Osvaldo Mazzei and respected trumpet player Cicci Santucci. It was actually in Cicci Santucci’s Audio Sound Studio that was recorded Wilfred Percussion’s only album.Recorded in 1983, the album is a musical gem. Self-produced, Wilfred Percussion is composed of covers and original compositions. Covers include original titles by the unclassifiable Hermeto Pascoal as well as Milton Nascimento, and are reinterpreted here in a totally unique fashion with that distinctive Italian groove.Wilfred Percussion is an album which allies funk to MPB with jazz undertones, introducing the listener to a singularly fresh and evocative opus.Lovely crafted tip-on sleeve.Remastered. 600 copies.

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LVLP-1803

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30.00
Tracklist: 

Side 1
1. Cravo E Canela
2. Ulri
3. Ragazza Dell Est
4. Papo Furado
Side 2
1. Circo
2. Tudo
3. Bamba
4. Andei
5. WP

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Non
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Re-Issue
Newsletter: 
Non
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I Wanna Dance/Blown It

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Started out as a reggae, lovers rock band in the late 70's, The Cool Notes consolidated their reputation in the 80s, after turning towards more soulful sounds and have signed different hits, all finished straight into the upper parts of the charts. "I Wanna Dance" and "Blown It" released for the Sour Grape label owned by Patrick Mulpeter and Danny Ryan, both former member of the band Gold, are two gems inexplicably left in the shadows, but as often happens, later appreciated as essential spins, in the selection of various DJs

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OMAGGIO 009

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1
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14.00
Tracklist: 

Side 1
1. I Wanna Dance
Side 2
1. Blown It

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Non
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Non
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Re-Issue
Newsletter: 
Non
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Boomerang

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Crown Ruler Records returns with a slab of unreleased disco-funk from Miami musician, Aaron Broomfield. HEAVY tune, in two mixes.“Boomerang” was first recorded in 1979, when the Broomfield Corporate Jam leader was attempting to plot a solo career. It was the first cut Aaron Broomfield recorded under his own name – Initially, at the family band’s home studio, Kilimanjaro, and later at professional studios in L.A and Miami – but it was never released.“I always wanted to be able to share ‘Boomerang’ with my fans some day – I didn’t release it back then because I thought the time wasn’t right,” Broomfield explains. “It was so different to what was considered commercial then and felt ahead of its time.”Before deciding against releasing it, Broomfield had two test pressings made. It was the accidental discovery of the one remaining record by digger Arun Brown (the other perished when Broomfield’s Kilimanjaro studio was damaged by a fire in 1996) that set in motion the chain of events that finally led to its release.The jacket boasts a written essay by Broomfield himself, telling the remarkable story behind the song. The wax features the two versions of Boomerang, of which both were meticulously restored and re-mastered by celebrated Australian sound engineer, Dan Elleson.Head to side A for the “test press” version, a cosmic, starry-eyed chunk of elastic Miami disco-funk where the Broomfield family’s killer instrumentation – all rubbery bass, deep space synths and crunchy Clavinet motifs – arcs around the sound space like a boomerang in flight. The vocal arrangement, in which Aaron Broomfield’s conscious lyrics come through loud and clear, brings it home. On the flipside, you’ll hear how dynamic the band was through the “Demo Version” - a relaxed, loose and spacey groover that sounds as ahead of its time in 2018 as it would have when it was recorded in 1979.

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CR 002

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1
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16.00
Tracklist: 

Side 1
1. Boomerang
Side 2
1. Boomerang (demo version)

Second_hand: 
Non
Forthcoming: 
Oui
Origine: 
Original
Newsletter: 
Non
Partager: 

Egyptology 0.5

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Left Ear are issuing two previously unreleased Full-Length versions of Space Farm’s mid 90’s Egyptian inspired tracks. Both, ‘The Dawn of Birds’ and ‘Camels in Desert Air’ were initially cut short to allow for additional remixes on the original release. For their 2019 issue, Left Ear have decided to focus only on these downtempo original songs allowing the heavy percussion and synth workouts to shine through on a loud 45RPM press.Space Farm is the story of three friends Darrin, Bill and Waleed their love for 80’s NY culture, Egyptian music and a cross continental business plan that never materialised. Darrin and Bill grew up in North New Jersey only a few miles from NY city and met while studying in ’90. Bill spent his formative years listening to the emerging sounds of 80’s left-leaning New York radio stations, while Darrin immersed himself in the DJ and B-Boy culture. Fast-forward to ’94 and the two found themselves living in Boulder, Colorado. By this time the tag-team had started producing music and would look to their NJ roots for a group name, deciding on the title ‘Space Farm’ after a kooky local petting farm they often cracked jokes about. Armed with an open mind and a bunch of old studio gear the duo began producing music inspired by 80’s NY, however after a budding friendship began with Egyptian native Waleed they were inspired to start experimenting with Egyptian and Arabic sounds. After hearing their output Waleed pushed for the release of an Egyptian inspired record saying “it would sell like crazy in Egypt”, that “he would bring it back to Egypt on his next visit and get it to all the right people that need to hear it”. The record got done but, due to circumstances beyond their control it never made it over to Egypt. The duo performed live a few times in Boulder before finally returning to NJ. Darrin recalls playing their final party in Boulder in which the Space Farm record was played from start to finish, “Some joker ran up to us while we were playing and kept signalling to up the tempo we were like F Off! raver boy”.

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LER 1018

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1
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18.00
Tracklist: 

Side 1
1. The Dawn Of Birds
Side 2
1. Camels In Desert Air

Second_hand: 
Non
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Non
Origine: 
Original
Newsletter: 
Non
Partager: 

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