Modern Jazz

2061

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ARO 21LP

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31.00
Tracklist: 

Side 1
1. Global Warning
2. The Mystery Of Monolith
3. Ain't No Mercy
4. Dead Silence
Side 2
1. Conscious Breathing
2. Human Hero
3. Lucifer (The New Sun)
4. The Odyssey Of Dr Heywood Floyd
5. A Farewell To Mother Earth (feat Jan Ptaszyn Wroblewski)

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The Upturned Glass

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BCRLP 01

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27.00
Tracklist: 

Side 1
1. 6,000 Drunks Clinging To A Landslip (Part I)
2. Morning Walk
3. Pool In The Rose
4. The Upturned Glass (Part I)
Side 2
1. The Upturned Glass (Part II)
2. Evening Song
3. 6,000 Drunks Clinging To A Landslip (part II)

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ON OUR OWN CLOCK

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Pre-pandemic, there was a plan. The plan was for musicians from South Africa and Senegal to travel to London’s in uential Total Refreshment Centre to make an album with musical kindred spirits in the UK. Like so many plans, it had to be adapted. Album features an array of high profile players from the burgeoning nu-jazz scenes in London and Johannesburg, including Theon Cross, Asher Gamdeze, Siya Makuzeni (SPAZA), The Comet Is Coming’s Danalogue & Alabaster dePlumeDuring the first wave of COVID-19 lockdowns, groups of heavy-hitting musicians met for a day of intense recording in their home cities then sent the music to their compadres across the oceans. They returned to the studio a month later to respond to the music they’d been sent. The result is ‘On Our Own Clock’, a sonic testament to trenchant and collaborative creativity which digs into layers of South African jazz, traditional Senegalese instrumental music and London’s rich diaspora-informed musicality. Individually these are powerful strands of music. Collectively, they are super-sized.The 14 players are individually stellar and include tuba don Theon Cross; Alabaster dePlume, whose album ‘To Cy & Lee’ has been a pandemic panacea to so many people (including Bon Iver, who sampled it); top South African players including Siya Makuzeni (SPAZA), Zoe Molelekwaand Asher Gamedze, who appears on Angel Bat Dawid’s critically-acclaimed ‘The Oracle’ and whose debut album, ‘Dialectic Soul’, received universal acclaim upon its release in 2020; The Comet Is Coming’s Danalogue; Senegal’s highlyrespected Kora player, Tarang Cissoko as well as Balimaya Project’s Yahael Camara Onono. Collectively they’ve ascended their individual brilliance into an album that is variously warm and layered, full of tuff grooves, and steeped in moments of reflective transcendence.

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M3H 008/TRC008LP

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30.00
Tracklist: 

Side 1
1. How To Make Art In A Pandemic (part 1)
2. Be The Light
3. Cuts & Pieces
4. Ngikhethile
5. Good Are Good
Side 2
1. How To Make Art In A Pandemic (part 2)
2. 808 O'clock
3. Dune Dance
4. How To Make Art In A Pandemic (part 3)
5. (Tell The Gods) We Still Building
6. Revelation

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Aspects

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BWOOD 240LP

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35.00
Tracklist: 

Side 1
1. Aspects
2. Rhythm In Your Mind
3. Dance Desire
4. We Like It
Side 2
1. Steppers Crusade
2. After The Rain
3. Kinshasa FC
4. Vision 9

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Absence

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ANGIS 333

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12.00
Tracklist: 

Side 1
1. Moon Crab
Side 2
1. Absence

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Other Mirror

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KU 081

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27.00
Tracklist: 

Side 1
1. Cat Scratch
2. Psychic Horizon
3. Saturn's Child
4. Aguirre
Side 2
1. More Alive
2. Mystery Of Mars
3. Love In A Way
4. Journeys

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Sunset Tapes

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JCKBRWN006

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13.00
Tracklist: 

Side 1
1. Welcome
2. Shark
Side 2
1. Malo Pivo
2. Brooklyn
3. Chilly

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Brume

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CHUWANAGA 007

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18.00
Tracklist: 

Side 1
1. Triple B
2. Tonik Gin
Side 2
1. Brume
2. Gare De L'Ouest

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BMM Records Vol. 1

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BMM 046

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25.00
Tracklist: 

Side 1
1. La Récré - Intro
2. The Natural Yogurt Band - White Spirits
3. The Brothers Nylon - Under The Moon (Feat. Ghosts In The Tapes)
4. LTF - Mystic Brew
5. M.A BEAT! - Dominos
6. Domotic - Economy Intelligence
Side 2
1. Leon - Velvet (Feat. NCY Milky Band)
2. Franck Flower - Trivial
3. The Storm Watchers - Versus
4. Guillaume Poncelet - Casa
5. Leopard Da Vinci - Shit To Do vs. Good Times

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Can You See What I'm Trying To Say

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Lascelle 'Lascelles' Gordon - the driving force behind Vibration Black Finger – astonishes us yet again with a magnificent second album. Once more his inspiration is drawn from the obscure spiritual jazz collectives of the 1970s where he employs a vast array of like-minded collaborators to create a listening experience infused with an ever-present undercurrent of personal expression and cultural empowerment that's as enriched with ideas as it is progressive in its form.Having earned his chops as founding member of the Brand New Heavies, Campag Velocet and Heliocentric World, Lascelle's latest album Can You See What I'm Trying to Say bursts with energy and vivid contrasts, flowing effortlessly between beat-laden grooves, oscillating improvisations, soulful recitations, audio verité and moody atmospherics. The album drops like a post-hip-hop reimagining of foundational genres, with a prayer to the future.''Can You See What I'm Trying to Say' is a quote from Marion Brown, the great alto saxophonist' explains Gordon. 'The album was put together over the last three years, not in the conventional way of going into the recording studio with musicians, but starting from ideas I had on various formats (cassettes, mini disc, DATs & reel to reel). I also used field recordings. I did a lot of home recording with long time musical friends Ben Cowen & Diana Gutkind, some of them going back 20 years. The voices of my nieces (heard on Law of the Universe) were recorded 25 years ago. 'Only in a Dream' and 'Empty Streets' are the only songs that were recorded live in the studio.' 'I was blown away by the New Life Trio 'Empty Streets' (from 1978) and was fascinated by the vocals' continues Lascelles. 'I always thought it would be great to cover this tune'. Such is the power of this song, it's used to open the album, with vocalist Ebony Rose turning in a thoroughly haunting vocal performance. While not a concept album as such, Lascelles has nonetheless conceived and presented Can You See What I'm Trying to Say to be heard as a complete listening experience, with each track blending into the next, resulting in a seamless expression of music.Following 'Empty Streets', some instrumental interludes segue into a dimensional drift of beats, space synths, horns and electronics; there's a vocal reprise of 'Acting For Liberation', sung with gusto by Maggie Nichols, and then there's the album's momentous finale, 'Only In A Dream', which takes off as an ominous drone before a delicious bassline from the late Ken Kambayashi transforms it into an intense, soaring epic which finally descends onto another world.In a career spanning several decades, Lascelle Gordon remains an omnivorous musical force, whether as DJ, collaborator or radio broadcaster. As amply demonstrated on Can You See What I'm Trying to Say, he refuses to rest on his laurels and continues to impress with music that is as rich, vital and contemporary as anything he's done before, covering an incredible amount of musical ground in the process.

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JMANLP 121

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26.00
Tracklist: 

Side 1
1. Empty Streets
2. Adrianna
3. Gutkind's Dream
4. Acting For Liberation (part 1)
5. Law Of The Universe
6. Can You See What I'm Trying To Say
Side 2
1. Acting For Liberation (part 2)
2. Persia & Cornelius
3. The Glory
4. Soul Fire
5. Twelve Wire Byrd
6. Only In A Dream

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