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Limited Gatefold 2xLP + MP3 Download Code + Stickers RSD edition of the third album by Blundetto, the man behind French radio station Radio Nova. *postponed Record Store Day Item* We regret to inform that this no longer comes with a 7" record. A limited edition poster has been inserted into the sleeve instead.For this album, he digs further his own musical way : soulful reggae, with a cinematic, latin or African vibes and the same team of musicians around him.As usual he invited some guests on vocal, some big names of the French reggae scene (Biga Ranx or PupaJim), NY MC Jahdan Blakamoore or some new comers as John Milk and Marina PWith his first two albums, Blundetto has built a strong fan base of music lovers around the world.Once again in parallel of the quality of the music, the quality of the packaging will be there : Double LP replica cover with stickers and download card included.

Two steaming Afro Funk rollers from Togo .. TIP!Hailing from the capital city, the Togo All Stars display a vigorous rhythm section and three sturdy voices deeply rooted within the afropop traditions stemming from the independence era, be it high-life, afrobeat, funk, reggae or even gospel music.A passionate man with a cause, Serge Amiano has been living in Lomé for a few years now. Thanks to his musical vision, he’s the mastermind behind Togo All Stars’ meeting of two generations. He confronts younger musicians playing in the shadows with older voices long thought to be tarnished under elusive limelight. Tireless talent scout and energy catalyst, Amiano paved the way for the Togo All Stars to happen; in the same manner he did it for Fanga, a celebrated French afrobeat collective in the last decade. Korbo, Fanga’s singer is featured on the Togo All Stars’ first album to be released this spring, under Kindred spirits record label. Nested behind its sea front lined with tentative palm trees, Lomé is an unsung Atlantic Africa city. The city mixes the energy of a restless youth with displays of genuine emotions that were once the soundtrack of the country’s independence, from April 27th 1960 to this day.Set in a country where cultural preservation is almost pointless, Serge Amiano had the idea to bring together rough voices from the past with the supreme rhythms of young lions dedicated to any kind of repertoire they lay their hands on. A true electric shock between generations, the Togo All Stars combine dignified and vintage singers with youthful musicians, exuberant rhythm section, liquid guitars and devastating horns.Genuine Togolese afro funk pioneer, charming Napo de mi Amor brings his solid vocal experience to the front of the orchestra. Aguey Cudjoe is Amiano’s true discovery. He stumbled upon this veteran singer doing high-life numbers in one of Lomé’s rare clubs. He became effortlessly one of the All Stars main voices, also adding sweet percussive touches in the distance.Experienced and mature, Dama Damawuzan learnt his trade within As du Bénin, the great and main Togolese orchestra from the 1970’s. He confronts his vocal prowesses to his own percussions but also to young drummer Gbetoglo Efoevi’s fierce groove. On this album, each of the All Stars’ eight musicians joins in for vocal harmonies. Legendary Otodi Studio was reopened for the sole recording of this first Togo All Stars album, giving exquisite analog warmth to the songs.Unappreciated for the time being, these gathered stars from Togo set bridges between the past, the present and the future of an always moving afro music. Fresh and raw energy combined with vintage singers, the Togo All Stars’s music embodies a true international musical elegance, looming large over the Atlantic and giving Togo its first big band since the 1970’s.

Gatefold Blue Vinyl 2xLP With Obi Strip + Poster + MP3 Download Code, Lizzy Mercier Descloux may have come of age in Paris, but it’s in New York’s Lower East Side that she really came alive. Great overvieuw of her work here - check!!The French punk pioneer, a friend of Patti Smith and Richard Hell, moved to New York in 1977 and soon immersed herself in avant-garde poetry, performance art, and punk music.Closely associated with the founders of ZE Records (home to Was (Not Was) and Kid Creole & The Coconuts), Descloux released her debut album, Press Color, in 1979, revealing a punk-funk sound that positioned her as the French answer to the UK group The Slits or New York’s own ESG. Just as The Slits gave "I Heard It Through The Grapevine" a makeover fit for warehouse parties on their celebrated Cut LP, Descloux’s album revealed a penchant for the unexpected cover version too. It kicks off with a brilliantly rhythmic take on The Crazy World Of Arthur Brown’s Fire–a hit, like Marvin Gaye’s in 1968. There’s also a version of Lalo Schifrin's theme from Mission Impossible that appears to predate the breakbeat scene by a good twenty years. Elsewhere, we hear echoes of Serge Gainsbourg’s Afrobeat-influenced work, Blondie’s disco-inflected punk, and Talking Heads’ world music-inspired art pop.Βacked by guitarists/bassists D.J. Barnes and Erik Elliasson plus drummer Jimmy Young, Descloux creates a naïve musical world in which rhythm is everything—not a byproduct of the song but the reason for its existence. It’s neither played nor sung with any great skill, but it has feel and character in spades and a looseness that’s all too rarely achieved.Of course, an artist with song titles including “Tumor" (a cover of “Fever" with amended lyrics) and "Herpes Simplex" is never a shoo-in for mainstream acceptance, and like many a No Wave classic, the album sold little. Now regarded as a cult classic, this Light In The Attic reissue is presented in an extended 18-track edition, collecting much of Descloux’s work, including "Morning High," recorded with Patti Smith.Descloux returned to Paris upon scoring a contract with CBS and soon found herself travelling to Africa to research the Afrobeat sound experimented with–from afar–on Press Color. The hit single "Mais où Sont Passées les Gazelles?" and album Zulu Rock followed. By the 1990s, Descloux had turned her back on music in favor of painting and writing, which she continued until her death in 2004. Her playful spirit lives on in this album.

"Endeavors", the 4th compilation from Voltaire Records, explores the vibes of boogie, disco, modern funk, and whatever the hell type of music is also on there that doesn't fit into those aforementioned genres.It's the music that a bunch of nasty psychotic animals would be jamming in a festering urban back alley, as shown on the compilation cover, illustrated by Oakland- based artist, Jessie CaliforniaHarvey Sutherland, hailing from Melbourne, kicks off the compilation with “That’s The Fact, Jack” a drifting G-Funky/Rhodes composition that glides smoothly along like a cutlass supreme in the slow lane. K-Maxx, of the Sweater Funk crew, next takes on production and MC duty on “Wake Up”, and churns out a heavy boogie-soul testament to the female persuasion. XL Middleton closes out the A side with “One and Only” an uptempo boogie-slapper accompanied by his signature shredding keyboard lead. On the B Side, Social Lovers start it off with the deep disco cut “Can’t Let It Go”, which dubs along as vocalist Megan D weaves her sultry vocals between polyrhythmic percussion. Moon B next challenges the dancefloor to pinpoint his sound to a specific era, location, or vibe...and comes up with the atmospheric groove of "Back On". Timothy Fairplay closes out the comp with the sinister rolling sci-fi cut “Rooftop Meeting”; an altruistic anthem of computer hardware mayhem, that defies time and space

Last year we launched Audessey & ACatCalledFRITZ through their debut single “By Design/The Hop”, which was followed by the digital release of their album Beats Per Minute. This jazzy and soulful album has now been pressed in limited numbers to 160 gram vinyl, with killer art design by FRITZ himself.

Limited! Repress of this Surinamese cult funk album!With an estimated 500.000 inhabitants, Surinam has always had a lively music scene. Although the country is little known internationally, it has a very strong influence on the Netherlands, where many Surinamese people live. Music from Surinam is mainly known for its kaseko (which evolved out of the traditional kawina music) and soul music, but the Surinamese have also been active in other genres such as pop, funk & jazz.Between 1976 and 1983, Surinam had a lively soul scene, with the output varying from eccentric soul tracks to more uptempo disco and boogie cross-overs. Nowadays, these tracks are becoming increasingly rare and hard to find. Kindred Spirits' compilation “Surinam! Boogie & Disco Funk From The Surinamese Dancefloor ’76 – ‘83” gave a proper introduction to these hidden gems and included the tune "Soul With Milk", from Sumy’s “Tryin To Survive” LP. Rush Hour now continues its uncovering mission by making this 80s boogie and disco-funk album available again to a wider audience. "Tryin To Survive" is truly one of a kind... Expect a-typical pounding rhythms, striking guitars, and stabbing keyboards and synths.After "Trying To Survive", the digging efforts continue... More Surinamese funk tracks will hit the surface, as we dig deeper in the vaults. Another "Surinam!" compilation is currently in the making, and will be released somewhere in 2015...

Rare funk & Avant-Garde soul from a seven years old kid singer featuring the best of French and Cameroonian musicians diaspora, recorded in Paris in 1977. Deluxe LP in tip-on jacket + linernote. Tip!The album contains two nicely dramatic tracks:“Look Up in the sky (Negro nature)” is a stretched funk groove with psyche synth by Michel Morose, bubbling bassline by the great Victor Edimo, the famous Toto Guillaume on guitar, and a brilliant poetic song by Francis The Great, who at that time studied in Menilmontant (Paris).“Ravissante Baby (Negro Phasing)” is a long hypnotic funky soukous track with a tremendous lead guitar and a long spoken-word and soulful kid vocal about the beauty of nature.Originally produced by his father, a great impresario of African artists in Paris during the 70s, and coordinated by his mother, this album is unique, fresh and out of genre in a way! It’s universal Funk!