SEALED

The long awaited repress of this lebanese gemm.

Recorded live concert by National Belgian Broadcast Company (BRT/VRT) at Palais des Beaux-Arts (Bozar, Brussel) on March 10, 1963.Limited to 2000 copies wolrdwide.This deluxe 180 g vinyl edition comes with a reproduction of the concert poster. RSD 2020 exclusivity

The Uptown Funk Empire’s album The Empire Strikes Back was released in the year 2009 and it has quickly become a sure value of the modern Soul-Funk scene. This album composed and produced by Bruno Hovart aka Patchworks still sounds really funky 10 years after its initial release. The success of its 2019’s reissue confirmed that it got a timeless flavor.The full-length version of this album contained 16 tracks in the CD & Digital format but for technical reasons only 10 tracks were included in the vinyl edition. And due to public demand, we are now happy to release the missing tracks in vinyl with an exclusive track, the rightly titled « Party ». The Empire Strikes Back Again, so let’s have an other funky good time with Uptown Funk Empire...Tracks as « Boogie », « You’ve got to have Freedom » or « N.O.W. » have now become anthems. They have brought back the Funk to the dancefloors from around the world and this with the help of Dj’s such as Kerri Chandler, Moodyman, Joey Negro, Ashley Beedle, Tony Humphries, Mr V, Dj Simbad, Femi Fem, Dj Cam, Dj Bobbito, Jazztronik, Recloose, Rich Medina, Rainer Truby, Kid Loco, Yam Who, Mad Mats, Dj Kawasaki, Dj Junior...just to name a few.But this album is not only dance-floor oriented, one important part of its charms is due to a bunch of good ballads and tasty down tempo tracks as: « I’m A Manchild », « I Guess That You Don't Mind », « Celestial Blues », « Please Mister Postman » playlisted by radios as Jazz Fm, BBC6, Radio Nova, KCRW, Deutschland Radio Kultur, Couleur 3, WBAI, FM4, KX Radio, Superbly FM...and enjoyed by a lot of Soul Boys & Girls in their bedrooms.And last but no least, the Uptown Funk Empire’s track « I’m A Manchild » was included in the soundtrack of the film « Focus » with Will Smith...and it was greatly cool for a funky cat to have shared a movie with the Prince of Bel Air !This album is a pleasant proof that funk & soul Music can always sounds good & alive in our time, once again thanks to Patchworks and its Uptown Funk Empire alias.

Exclusive "Love Record Stores Day" release, intended for RSD 2020.Limited to 1200 hand numbered copies.

Record store day (UK/EU) 2020 Exclusive .Limited 180g vinyl edition (500 copies) .First vinyl reissue since 1984 .Come with two bonus tracks.

En 2002, 113 sort l’album 113 Fout La Merde. Parmi les titres de l’album, on trouve notamment le single qui porte le même nom. Ce titre produit par Thomas Bangalter deviendra le single de l’album et aussi une des plus belles collaborations de la moitié de Daft Punk avec un groupe de rap. Ce single était disponible uniquement sur l’album et sur un rare 12” promo (113 Fout La Merde !). Nous vous proposons aujourd’hui une réédition de ce single 12” jamais sorti auprès du grand public, et qui contient notamment une version dub (2ème titre de la face B) jamais sortie auparavant.Discobag imprimé 12” + sous-pochette blanche.

Pour fêter les 25 ans de la sortie de l’album “Paris Sous les Bombes”, nous vous proposons une réédition du maxi single 12” qui contient les titres “Pass Pass Le Oinj” et “Paris Sous les Bombes”.Cette version sera limitée et numérotée à 1000 exemplaires avec un vinyle vert “weed”.

New import label from Seance Centre & Smiling C, Toronto.Eros’ Go For It is a fearlessly original take on Paradise Garage disco, mixed in a way that feels equally Mad Professor and Walter Gibbons.The story of Eros begins in a high school in Vauxhall, New Jersey in the mid 70s when four kids began a friendship based around their mutual love of soul, funk, rock, disco, and bands like Earth, Wind & Fire and Funkadelic. Assanouan G’Bado, Fletcher Gaines, Bobby Jones and Mike Freeman started off jamming after school, playing occasional gigs in New York and honing in on an original sound. When the group graduated, Assanouan and Bobby went off to the service and Fletcher went to university.Eros reunited in the late 70’s and began taking things more seriously, producing a set of songs with the intention of getting a deal with Motown. The morning after recording a full album’s worth of material, the group flew to Detroit hoping to sign a record deal. The legendary label was interested in the songs, but made them an offer that didn’t feel right for the group. The songs were shelved and Fletcher and Bobby moved on to new ventures.Mike and Assanouan pursued a self-released single on their own DAP records, reinterpreting two of their Motown demos with drum machines and overdubs to fill in for their two missing bandmates. Go For It was their individual take on disco, and the new 1985 remake took the AOR-oriented demo version, and transformed it into a transcendent dance floor illusion, that, in an alternate universe, would have turned dancers at the Paradise Garage upside down. Similar to Stephen Encinas’ un-classic, the song mutates deftly at the half-way point, opening up into a stripped-down and dubbed-out denouement, adorned in cascading electronics and the soaring vocals of Barbara Green.Go For It is the first of two releases from Eros on Mixed Signals, and pairs the group’s expanded electronic remake with the original Motown version, rescued from the last surviving demo cassette. Stay tuned for the unreleased demo album Motown missed out on, slated to come out later this year.