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Kalita are honoured to release for the first time Emerson's mythical 1988 unreleased boogie masterpiece 'If You Need Me, Call Me', accompanied by extensive interview-based liner notes and never-before-seen photos.'If You Need Me, Call Me' includes both the issue and unreleased demo versions of Emerson's extremely sought-after single 'Sending All My Love Out', originally privately released and distributed in 1988 in a run of just 500 copies on LAS Records.Although 'Sending All My Love Out' arguably failed at the time to receive the recognition that it deserved, since release the single's desirability has increased exponentially, and is now highly sought-after by collectors and DJs alike who find themselves spending eye-watering prices to secure their own copy.The musical product of the visionary couple Emerson and Leora Sandidge, 'If You Need Me, Call Me' is a personal collection of synthesizer and drum-machine-led boogie of the highest quality. Recorded over the space of just one week at Real To Reel Studios in Stockbridge, Georgia, Emerson and Leora intended to release 'If You Need Me, Call Me' as a follow up to 'Sending All My Love Out'. However, due to familial responsibilities and health complications the album was never released to the public, and the original master tapes have remained locked away until now.In partnership with Emerson and Leora, we now think it high time to satisfy the demand and to share this masterpiece with the world.- First ever release of this mythical boogie album by Georgia-based musician Emerson Sandidge- Accompanied by extensive interview-based liner notes and never-before-seen photos- Includes both the issue and demo versions of the sought-after single ‘Sending All My Love Out’

It's that time again. The skies are calling and its time to board our trusty jet for the 5th outing of Africa Seven's premiere class compilation Africa Airways. For volume 5 its time to brace yourselves for 10 slices of Afro boogie goodness.We up the boogie time groove with The Black Bells Group (the first band of lead singer Sidney 'Patrick Duteil' who went on to become the godfather of French hip-hop and a well know TV presenter. Here the groove is swinging... the perfect opener. Next up is German-based Cameroonian musician and cousin of Manu Dibango, Charly Kingson with this bass-synth boogie stomper. Big brass and jazzy trumpets add layers of sparkle too.Next its time for some highlife inspired boogie from Ghanian Gyedu Blay Amboley. Highlife fused with reggae, disco, boogie and jazz just as the lyrics say.Next we pair up with Africa Seven friend Eko once more under his Dikalo guise. The Cameroonian master musician is on fine form with his heavy brass and deep percussion with a driving afro boogie groove. To round off Side A its off to Cameroon again to groove with Jean 'Mekongo President'. Think Bernard 'Chic' Edwards on the bass with some African style and you can see it's the bottom end groove and afrobeat drums that power this gem along.We open the second side slowly and purposefully with the highly sought after 'French Girl' from Fotso. Drippy bass synth grooves and a wondrous percussion and drum shuffle pair with piano riffs to make this a unique sounding track. Our friend Tala AM is next with the foot-stomping 'Sugar Lump'. JK Mandengue is next with most definitely the catchiest chorus you will hear today. Nigerian Jide Obe gets synth and clavinet rich with his doe to sensible dating advice 'Too Young'. We close off the album with a track from label good friend Jo Bisso under his Mulamba guise. Sounding like a long lost TV theme from a late night TV show circa 1977. Let's get down and boogie with the brand new dance in town folks... the Dashiki.Until Volume Six takes flight it is time to unbuckle those seat belts folks.

Born in the 1940s in Istanbul, Italian painter and percussionist Wilfred Copello had, from the onset, a predisposition for exotic sounds.Indeed, his interest for latin music was manifest early on in his career. In 1970 he was an uncredited member of the Italian band Latins 80 who released the same year the LP Foglie Gialle All’Imbrunire which has now gained cult status. From that period onwards, Wilfred settled in Rome where he gained an excellent reputation as a studio player; he participated in a large number of projects and albums, especially on the jazz scene with his friend Romano Mussolini (The Latin Taste, Jam Session , Soft & Swing, etc.).But it is the music from Brazil that had the greatest impact on Wilfred. In 1974 he recorded ‘Viva Brasil’ with the group Expo 80, an album which was an ode to Brazilian music.A few years later, at the turn of the 80s, he formed the band Wilfred Percussion. He brought with him an all-star cast of the jazz and Latin scene in Rome which included Argentinean drummer Osvaldo Mazzei and respected trumpet player Cicci Santucci. It was actually in Cicci Santucci’s Audio Sound Studio that was recorded Wilfred Percussion’s only album.Recorded in 1983, the album is a musical gem. Self-produced, Wilfred Percussion is composed of covers and original compositions. Covers include original titles by the unclassifiable Hermeto Pascoal as well as Milton Nascimento, and are reinterpreted here in a totally unique fashion with that distinctive Italian groove.Wilfred Percussion is an album which allies funk to MPB with jazz undertones, introducing the listener to a singularly fresh and evocative opus.Lovely crafted tip-on sleeve.Remastered. 600 copies.

Sho is Funky Down Here and The Grodeck Whipperjenny are a pair of albums that are the result of an unlikely but highly productive musical relationship between James Brown, a superstar at the creative and commercial peaks of his long career, and David Matthews, a then young arranger-musician whose limited professional experience had little or nothing to do with the funk and soul of his collaborator. The Grodeck Whipperjenny A psychedelic classic, created by his James Brown’s bandleader David Matthews, the first album issued on Brown’s famed People imprint. As progressive as it is funky, this album was issued in tandem with another Matthews project issued under Brown’s name – Sho Is Funky Down Here. One of the deepest albums in the Brown catalog, its story is finally told. Both albums were lacquered directly from the original master tapes at Capitol Studios. This is the first official reissue of both of these rare titles. Each album contains an extensive booklet with full annotation, liner notes by Brown historian Alan Leeds and never-before-published photos.

For its 2nd release, NANGA BOKO Records is very proud to present you « Ye Mot Ai Kare Mot », the official 40 years anniversary reissue of the first album of the Cameroonian musician Atangana Pascal « Quelqu’un ».7 raw Bikutsi & Soukous tracks (+ one exclusive bonus track !), recorded after midnight in a single recording session in a nightclub of Yaoundé.DELUXE HAND NUMBERED EDITION, LIMITED TO 300, INCLUDES A BONUS TRACK NEVER RELEASED ON VINYL BEFORE !!!Each record comes with an insert that includes exclusive pictures and very detailled biographies in both English and French langages, an HQ Digital Download Card and a A2 format (40 x 60cm) poster !Approuved by the artist himself, 100 % legit, all 8 tracks are under exclusive license of Nanga Boko Records.Transfert, Restoration & Mastering : Baptiste Pataut at " "VRAI SON".Lacquer cutting : André ‘Dédé’ Perriat at La Villa / Mastering Studio.Sleeve Restoration & Inner Sleeve Design : Eazy-Ni.Liner Notes & translation : Armand de Preseau & Guillaume Le Clerc.

Previously Unreleased Cinematic Jazz-Funk for Film & Television by Arranger/Composer J.J. Johnson. 21 tracks featuring music from Across 110th Street, Top Of The Heap, The Fuzz Brothers, The Bold Ones.Funky Moog modulations, car chases, moody library cues and a righteous soul sister preaching universal truths all revealed in these recently discovered recordings.Masterful arranging and lush orchestration by one of the giants of the Jazz & Soul/Funk Genres.Cut direct to vinyl from the reference tapes.