LP

Reissue from this soul/jazz-funk fusion album originally released in 1982 on Poet Records. 500 copy LTD edition!This sought-after album is an amazing and unique creative project produced and composed by David Eric Tillman including outstanding performances by some of the highest-level musicians whose common thread was their ability to kill up tempo and modal bop and excel in this jazz-funk/fusion style thanks to their up bop think quick knowledge.This gem contains nothing but brilliant tracks like “…Space…Rapture”, “Love Is How”, “New Anniversary Waltz”, “It Must Be E.S.P.” and “(Sing) A Simple Song Of Praise”. Incredible golden lead and backing vocals, a super tight rhythm section, forward thinking arrangements, and an amazing combination of piano, Rhodes and various remarkable synthesizers makes this recording timelessly fresh. The beautiful “Time Is Love”, a tune of positive outlook written during her jazz composition studies, is performed by the one and only Carmen. Killer from the beginning to the end, one of our all-time favorite soul/jazz-funk LPs.Drummer, percussionist, producer and composer Andrew Scott Potter started playing jazz with Malauwi, Fred Anderson and Bill Brimfield in 1968. In addition to his collaboration with David E. Tillman, he has also played with Minnie Riperton, Michael Wolff, Alex Foster, John Scofield, Chip Jackson, Walter Bishop Jr., and Marcus Miller.Pianist, vocalist, composer, producer and arranger David Eric Tillman, notably played with Dadisi Komolafe being featured on his highly sought after Hassan’s Walk LP. He also worked with Malauwi which is how he met Andrew Potter. Together they formed the Poet label and prior to this offering released the sublime “N.Y. To L.A.: Coasting” LP in 1980.Jazz vocalist and composer Carmen Lundy is one of today's most talented and respected jazz singers having performed and recorded with musicians such as Kenny Barron, Ray Barretto, Courtney Pine, Roy Hargrove, Ron Carter, and Robert Glasper. In Harlem NYC in the late 1970s she was also part of a group of emerging young musicians formed by Walter Bishop Jr. with Marcus Miller on bass, Mayra Casales on congas, Ricky Ford on sax, and Kenny Washington on drums who was later replaced by Andrew Potter. Potter fell in love with Carmen’s work and decided to include “Time Is Love” on this album.The rest of the band is no less a dream team: bass player, producer, arranger, composer & vocalist Brad Bobo who wrote & arranged for the Notations, Willie Williams, the Procedures and The Lost Family, also recorded with Eddie Harris, Wilton Felder, The Crusaders and Natalie Cole. Vocalist Lillian Tynes recorded with Donny Hathaway, D.J. Rogers, Norman Connors, Jean Carn and Bobby Womack. Adam Rudolph went on to play and record with Yusef Lateef & Pharoah Sanders. Gary Bias on sax, went on to play with Earth Wind and Fire.

After a successful first collaboration for a 12" in 2016, Zimbabwean mbira maestro Jacob Mafuleni and his wife percussionist / singer Martha Thom have teamed up once again with French electro-funk producer Gary Gritness, this time for an album recorded in Paris during the last RED BULL MUSIC ACADEMY festival.

His very last name, Dinleten, means 'listen'. So back to Anatolia once more and hear the unhinged guitar and electric baglama behind Turkish psychedelia's charismatic singer Ersen. He was discovered by Cem, was connected to Mogollar and 3 Hür-El, and even switched backing bands with Cem before finally hitting the charts with his own group Dadaslar. There's loads of B-sides and burly moves on these 70s singles which make his second LP, released in 1978. Wicked funk drums, fuzzy guitars,organs and the poweful voice of Ersen. Includes "Zalim", the killer psych-funk track made famous by the Gaslamp Killer's edit.

Debut album, released in 1977, by one by one of Anatolian Rock's most sheerly talented vocalists.Turkish psych-rock with some amazing funk drums and fuzzed out guitars. Ersen spent time in Mogollar, 3 Hür-El, and Cem Karaca's Kardaslar before cementing his reputation as the frontman of Dadaslar. His voice can range from one that has a soft edge (where he swallows his notes a bit, like a muezzin would), to growling belt-outs that could have fronted any 80s metal act.Ersen and his ever-changing backup band wore Slade haircuts and loud jackets with rainbow pants or silver platform shoes, and they grew their moustaches just as long as the Beatle bangs of their Western counterparts.Get the synth-wizz, funk breaks and fuzzed-out prog riffage behind one of Anatolian Rock's best vocalists!Original gatefold artwork, insert with liner notes by Angela Sawyer (Weirdo Records), remastered sound.

LP + 7" + booklet

LP + insert

LP + insert

OFFICIAL REISSUE //FULLY LICENSED

Indonesian concern Midnight Runners know a thing about quirky, utterly funky boogie and disco variations played out with real world heart and soul. This third album Rare Essence is the most complete look into the world of bandleader Munir Septiandry to date, not least when reveling in the heavyweight groove of "Pyramids Of The Moon". There's a lighter disco touch to "Paraswara Harmoni", but equally a cosmic force guides the track skywards in a manner that calls to mind the sweetest 70s library music. "Cyber Crimes" is a sassier affair that makes its club intentions clearer, but at every turn Midnight Runners display a keen proficiency for party music that you can equally chill to.

Awesome Tapes From Africa continues to unearth must-hear gems for a wider audience with its reissue of South African bubblegum music stars Umoja's 1988 EP 707.Bubblegum music was defined by its call-and-response vocals and catchy synthesizer-led melodies. Helmed by 'Om' Alec Khaoli, who turned to the pure pop form as an escape from apartheid in the mid-80s, Umoja's EP 707 was a chart-topping, radio-friendly hit for the genre in 1988 that achieved double-platinum status.Umoja translates as 'oneness' or 'unity' in Swahili. 'Bubblegum music was about escape', explains Khaoli in the press release. 'If you had grown up in South Africa at the time, there was nothing more in your life than oppression. It was even in your dreams. Anything that was a way out was welcome 'When this music was playing everyone just wanted to dance, just have a good time.'