NMINT

Gatefold double LP.On February 28, 2012, Robert Glasper Experiment will release Black Radio (Blue Note Records/EMI), a future landmark album that boldly stakes out new musical territory and transcends any notion of genre, drawing from jazz, hip hop, R&B and rock, but refusing to be pinned down by any one tag. The first full-length album from the GRAMMY-nominated keyboardist's electric Experiment band-saxist Casey Benjamin, bassist Derrick Hodge, and drummer Chris Dave-Black Radio also features many of Glasper's famous friends from the spectrum of urban music, seamlessly incorporating appearances from a jaw-dropping roll call of special guests including Erykah Badu, Bilal, Lupe Fiasco, Lalah Hathaway, Shafiq Husayn (Sa-Ra), KING, Ledisi, Chrisette Michele, Mos Def, Musiq Soulchild, Meshell Ndegeocello, and Stokley Williams (Mint Condition).Throughout the Experiment wears its eclecticism on its sleeve, presenting new collaborative originals and surprising cover songs. They transform the Afro-Cuban standard ''Afro Blue'' with Erykah Badu, Sade's ''Cherish The Day'' with Lalah Hathaway, David Bowie's ''Letter to Hermione'' with Bilal, and Nirvana's ''Smells Like Teen Spirit'' with Casey Benjamin's vocoder vocal.Glasper has long kept one foot planted firmly in jazz and the other in hip hop. His gig at the Blue Note Jazz Club earlier this year became a freestyle jam session when Kanye West, Mos Def and Lupe Fiasco crashed the stage. The Los Angeles Times once wrote that ''it's a short list of jazz pianists who have the wherewithal to drop a J Dilla reference into a Thelonious Monk cover, but not many jazz pianists are Robert Glasper,'' adding that ''he's equally comfortable in the worlds of hip-hop and jazz,'' and praising the organic way in which he ''builds a bridge between his two musical touchstones.''Growing up in Houston, Texas, Robert Glasper had a strong musical influence in his mother, who played piano and sang gospel music in church as well as in jazz and blues clubs in Houston. By the age of twelve, he was playing piano in church and often accompanied his mother in clubs. Raised on gospel, Motown, and R&B, by his teens he was listening to jazz, rock, pop and hip hop. He attended the Houston High School for the Performing Arts and moved to New York City to study at New School University. While still in school he was already playing with Christian McBride and Kenny Garrett, and went on to play with Nicholas Payton, Terence Blanchard, and Roy Hargrove.After releasing his debut album Mood on the Fresh Sound label in 2003 followed by two buzzed about Blue Note albums with his acoustic Trio - Canvas (2005) and In My Element (2007)-Glasper perfectly captured his unique duality with Double-Booked (2009), an album that juxtaposed his Trio and Experiment bands, and earned the keyboardist his first GRAMMY nomination.He's worked extensively with Q-Tip, playing keyboards on the rapper's GRAMMY-nominated 2008 album The Renaissance and co-writing the album single ''Life Is Better'' which featured his labelmate Norah Jones. Glasper also serves as the Music Director in rapper Mos Def's touring band, and has toured with the multi-platinum R&B singer Maxwell. New York Magazine has called his music ''direct, forceful, inventive, and accessible without pandering.''

BEAUTIFUL COPY...IN SCHRINK WITH ORIGINAL STICKER ...VERY LIGHT SCUFFS...PLAYS GREAT

Limited Edition, Test Pressing It's already been a strong year for Diego Krause, with releases on Apollonia and Made Fresh Daily picking up nicely where last year left off. This latest release finds Krause back on home turf with the third chapter in the Unison Wax story, providing an ideal platform for exploring all the different shades of groove the Berlin producer loves turning his hand to. "Track 1" marches forth with an uptempo house purpose that sports a perfect balance of deep melodic tones and punchy beats, while "Track 2" gets into a downtempo groove that would sound right at home on Mo Wax. "Track 3" slips back into the upbeat thrust of the dance without losing that wistful lilt in the keys, and then "Track 4" heads into sublime dubbed out house territory.

Instrumentals of Little Brother's debut album "The Listening"

Taken from the 1974 movie directed by Stelvio Massi. Release with the collaboration of Pierluigi Valentini, Elisabetta Biganzoli, Daniela Durazzini, Giuseppina Morello, Paola Cacciarelli (Sugar).Limited edition 300 copies.

In shrink with original sticker

Sleeve close to Near Mint

Rob "Roy" Raindorf, born on the 13th of May 1949 in Accra, is definitely one of the most enigmatic artists to come out of Ghana. He appeared from nowhere with a unique and twisted sound. An admirer of American artists Otis Reading, James Brown, Wilson Pickett and Ray Charles, Rob began his trade by learning the piano at a music school in Cotonou, Benin.When his education ended, he ventured out to make what money he could by getting gigs with the movers and shakers of the Beninese music scene, namely Orchestre Poly-Rythmo as well as the Black Santiagos. Absorbing and learning the intricacies of music composition, Rob returned to Ghana where he began to write his own songs and eventually sought the backing of a band, specifically one which possessed horns.In 1977, a young Rob travelled to the city of Takoradi in western Ghana to approach an army band named Mag-2 whom he had seen perform in Accra. Mag-2 had an entire section of its ensemble dedicated to horns and some of the sophisticated music equipment available in Ghana at the time - Hofner guitars, Yamaha keyboards and the like.Belonging to the "magnificient" second battalion of the Takoradi-based army unit, original founder Amponsah Rockson decided to aptly name the band "Mag-2." Joining the army during the 1970s was often an easy decision, particularly for musicians, since the army provided not only good music equipment but basic services such as food and medical care.Mag-2 was essentially filled with the best elements of "The Parrots," a highlife band in which Amponsah was the lead guitarist. Their primary task was to entertain soldiers and with the army tour bus, perform from town to town as well as in reputable venues in the captial. Enticed by the style of music Rob had proposed, Mag-2 backed the Ghanaian sensation on two of his most astonishing records - his first and second albums -"Funky Rob Way" and "Make it Fast, Make it Slow," both of which were recorded at Essiebons studios in Accra.Despite Rob's training and musical education, Amponsah was responsible for the vast majority of the compositions, such as building the chord progression and arranging the horns that Rob craved. Rob would even wait for the Mag-2 maestro's cue to begin singing. Despite early successes, a once-unflinching interest in Afrobeat began to wane by the early 1980s and Disco Boogie rapidly became the vogue style around which label owners and music producers sought to capitalize upon. The style Rob had shaped his career around was in decline and an adequate income consequently became a major concern, forcing him to travel to Hamburg, Germany in search of a financial backer.

Limited Edition of 1000 Numbered Copies.Licensed Courtesy Of Ricardo Marrero.

Gatefold Double LPArranged And Composed By Piero Umiliani.Taken from the 1973 movie directed by Luigi Scattini.