House

The regular Bobby Donny producer gets his groove in check with 4 uk garage style edits of 90’s era songs. Comes as a vinyl only, hand numbered series. Limited to an 800 run.

Soul Clap launch their new club music imprint with the duo's first EP of 2019. Two party tested instrumentals filled with that signature electronic funk ready to work any freaky dancefloor.Jupiter Crush takes us on a ride around the moons of the gas planet, sound tracked by the sounds of Roland's Jupiter 8 over a broken-beat house groove. While Natural Bliss brings us back to earth, with warm percussion setting a gentle mood, before evolving into a feel-good, disco influenced house joint.Everybody's Freaky Under Nature's Kingdom.

For their 8th release Alélah Records teams up for a family affair.After releasing tape albums and mixtapes since two years now, the label offers a debut record from the ‘’ Organic means ‘’ featuring boss label LB aka LABAT & Polow along side Mr.Fries from Dortmund and Kamoony in Paris. Presenting a four track record freshly demonstrating each artists vibe for the dance floor. «Do your Thang EP « deli-vers a good balance between massive banger like “ No-words“ and a more deep house side with “ Nu Dreamz “. On the other hand , side b of the record features a debut release on wax for Polow with “ Darious “ a late night joint with dreamy vocals.To conclude the various Kamoony presents us a soulful and spiritual piece of music influenced by the 3 chairs vibes andthe Rotating Assembly.Definitely a record that will stay in bags for a while... watch-out !

Returning after a long-lasting hiatus is no mean feat - how to stay relevant, to plug the gap and come back as strong as where things were left off. A Man Called Adam’s return however, is as emphatic as it is endearing. Sally Rodgers and Steve Jones are back with a brand new album of melodic, emotional, pop-not-pop tracks, bringing fresh layers of feeling, from warmth and passion, to sentimentality and sorrow.Displaying a wealth of knowledge gained through two lifetimes spent immersed in music, Farmarama showcases a myriad of styles and richness in arrangements. Moving from soulful slow jams to lo-fi disco, Balearic house to dub, post-rock electronica and art-house ambience, there are glistening horizons and windswept beaches conjured up at every turn.Take to the likes of ‘Mountains & Waterfalls’, ‘Farmarama’ and ‘Michael’ and hear dancefloor, disco tinges that marry live percussion, sultry Rhodes and hearty basslines, oozing emotion. But venture deeper to uncover a pensive, yet equally expressive side to the record through tracks like ‘Higher Powers’ and ‘Top Of The Lake’. Take the later as an example, a neo-classical slice of magical ambience, that wouldn’t be out of place soundtracking sweeping views of shimmering scenery. Or ‘Spots Of Time’, beginning as a frenetic, glitched out piece of electronica, before opening into a brooding breakbeat journey.Full of vintage warmth, analogue synths and intricate textures, Rodgers, Jones and new collaborator, Paul Smith, combine experimental touches with an undeniable catchiness, balancing electronic elements, with acoustic sparkles. In harmony with this, the contemplative, poetic verses, that considers life as a hi-definition, Westworld-like simulation, a Farmarama, and disco as a way of being, meld and morph a conceptual narrative that tugs on the heartstrings of life.Farmarama, then, isn’t your archetypal album. It’s an emotionally charged, intelligent and enlightening body of work that’s Balearic to the bone.

“Growing up in the 80’s opened doors to the imagination. Like many of us, I watched a lot of music videos just when cable television was on the rise. It introduced me to a new way of storytelling – and because of that, I’ve always liked the idea of cinematic concepts and visual movement.” Ron Trent’s 30+ year oeuvre has encompassed many genres of dance music with a signature, cinematic sound – organic, powerful, and emotive. His new EP WARM treads surprising territories, which to the listener may encompass unexpected influences, while maintaining that sense of space and narrative.Balearic opener On A Journey feels equal parts Cluster and Yo La Tengo, with cosmic guitars and elastic bass entwining around a strutting drum line, while closer Exhale is a slow, heavy number with New Age and soft rock overtones, pairing natural percussion with subdued bass and deep, emotive guitar. Night Ride has the most familiar sound to listeners – those piano lines, synths, chord progressions, and earthy vocal refrains and percussion – sounding like a long lost production finally seeing the light of day.Listeners may wonder “This is Ron Trent?” – and upcoming works are bound to also provoke this question; works that are dreamed up and created by one of the most unique and important figures in dance music. Whatever direction Ron Trent may take, what he makes will always be something special.