SEALED

Sugar Daddy

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Strut present the first in a series of essential original LP reissues exploring rare and under-rated African, Latin and Caribbean music classics, curated by Duncan Brooker. In January 2017, the series kicks off with ‘Sugar Daddy’, an experimental highlife / disco outing by Nigerian highlife guitarist Joe King Kologbo. Building his career as a composer and player with Eastern Star Dance Band at their residency at the Atlantic Hotel in Aba, Eastern Nigeria, Joe King Kologbo was forced to flee to Ghana when the Biafran War broke out in 1967. As his son Oghene recalls, “when war came, everything just scatter. He lost his house, everything.”Joe King played with a variety of bands in Ghana including Real Ruby’s, a jazz highlife big band, before returning to Lagos in 1971. By the time he recorded the ‘Sugar Daddy’ LP for the tiny Electromat label in 1980, he was one of the older musicians on the circuit. Oghene Kologbo remembers, “My Mum used to say, ‘I hope you don’t go and play guitar everywhere and play around, don’t go and be Sugar Daddy!’ All my father’s friends nicknamed him ‘Sugar Daddy’ so he did the song in a fun way. He was a nice man. He never did ‘playboy’.” “Since he was based in the East during his early days, he was not as well known nationally as some of the other highlife players of the time,” continues Oghene,”so it’s nice that this album is coming out again. It brings back good memories.” Joe King Kologbo’s ‘Sugar Daddy’ is released in its original artwork and features new interviews with Oghene Kologbo and Sonny Akpan of The Funkees. The album comes remastered by The Carvery, with vinyl pressed at Pallas.- First ever reissue of sought-after Nigerian highlife / disco original LP- Officially licensed from Joe King Kologbo estate- Includes the killer 15-minute DJ track ‘Sugar Daddy’- New package features all original artwork and new interviews with Oghene Kologbo and Sonny Akpan of The Funkees

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STRUT 150LP

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15.00
Tracklist: 

Side 1
1. Sugar Daddy
Side 2
1. Come Back Lina
2. All Fingers Are Not Equal

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Calabar-Itu Road: Groovy Sounds From South Eastern Nigeria (1972-1982)

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Limited 2xLP in silk screen sleeve + 44 page booklet"When most people think about Nigerian music, the first thing that comes to mind is Lagos—the country’s main commercial center, the glittering megacity that spawned Yoruba-speaking music luminaries such as Fela Kuti, King Sunny Ade, Sir Shina Peters and Wizkid. But Nigeria is a country of rich diversity, especially in its music: From the Igbo highlife and rock bands of east-central region, to the deep Edo roots rhythms from the midwest, to the keening, ornamented Fulani melodies of the north. But one region whose music has remained largely underexplored is the south eastern land of the Efik and Ibibio ethnic groups in Cross River and Akwa Ibom State—the region colloquially referred to as “Calabar.” A cradle of culture, this region was one of the earliest outposts of Nigerian popular music. Its primordial rhythms traveled across the Atlantic during the slave trade to provide the part of the foundation for Afro-Cuban grooves that would go on to influence the development of jazz, rock & roll, R&B and funk. With the new Calabar-Itu Road compilation, Comb & Razor Sound presents15 heavy tracks recorded in the decade between 1972 and 1982, spotlighting rare music from “Calabar” superstars such as Etubom Rex Williams, Cross River Nationale, Charles “Effi” Duke, The Doves and Mary Afi Usuah. The package features a magazine-style booklet containing a wealth of information about the milieu with rare photographs and illustrations. The Calabar-Itu Road is the major artery linking modern-day Cross River and Akwa Ibom States. And Calabar-Itu Road: Groovy Sounds from South Eastern Nigeria (1972-1982) will link the region’s music to the rest of the world!"

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CRZR 1004LP

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36.00
Tracklist: 

Side 1
1. Isadico Dance Band Of Nigeria Led By Isaiah Disckson - Mbre Isong (intro)
2. Cross River Nationale - Nyong Eyen Unen
3. The Visitors - Eyen Erong Nwa
4. Mansion - Akam Itoro Abasi
Side 2
1. Monica Isaac - Akananwan Isong Idung
2. Emmanual Ntia & His Eastern Star Dance Band - Top Eyop Odo
3. The Sea Lions - Akwa Idim
4. Charles Duke - Suk Usan Idang (Cross River Radio interlude)
Side 3
1. Isadico Dance Band Of Nigeria Led By Isaiah Disckson - Eti Eyeneka
2. The Doves - Akan Anwan Isong Idung
3. Mari Afi Usuah & The South Eastern State Cultural Band - Mma Ama Mbo
4. Sunny Risky & The Vitamin Explosion - Atak Mfat Eyen
Side 4
1. Chief Inyang Henshaw & His Top Ten Aces - Eseme Ikpong
2. Etubom Rex Williams & His Nigerian Artistes - Ererimbot Afayung Oko
3. Bustic Kingsley Bassey's Anansa Engineers - Journey To Luna

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Original
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Friday Night

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Brand new label Odion livingstone, based out of Lagos, Nigeria, presents its debut release, a reissue of the sought after Nigerian disco LP rarity ‘Friday Night’ by Livy Ekemezie. “I was just out of senior secondary school and I wanted to make an album,” recalls Ekemezie. “I was into disco and funk at the time and I was looking for a bassdriven funky sound. The entire idea was to make an album that sounded like something made in London or the U.S. I tried to sound “American” but we ended up with something else: a mix of American and Nigerian.” ‘Friday Night’ was recorded at Goddy Oku’s Godiac 24-track recording studio in Enugu, one of the best studios available in Nigeria at the time. “It took about 9 months to a year to make the album,” continues Ekemezie. “I financed it by myself so I had to resort to friends helping out with loans for session men and studio time. The original LP was released on blue vinyl and that idea came from William Onyeabor. We used his pressing plant and he sold the idea to me. It was different so I said ‘why not?’” The LP has been picked up by many in recent months as the demand for Nigerian disco originals has grown with the track ‘Delectation’ receiving an unofficial edit and DJs like Motor City Ensemble dropping the album into their sets. This first ever reissue of the LP remains faithful to the original issue, remastered and pressed on blue vinyl. It features full original artwork along with new interviews with Livy Ekemezie and contributing musician Jules Elong by Odion Livingstone’s Temi Kogbe.- First ever reissue of sought after Nigerian disco original LP- Blue vinyl edition, echoing the original release which was pressed at William Onyeabor’s vinyl plant- Includes the DJ track ‘Delectation’- New package features all original artwork and new interviews with Livy Ekemezie and musician Jules Elong

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ODILIV 001LP

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30.00
Tracklist: 

Side 1
1. Get It Down
2. Holiday Action
3. I Wan’ My Bab’ Back
4. Friday Night
Side 2
1. Classic Lover
2. Night Party
3. Delectation

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Love In Beats

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Omar has a totally unique, individual style and sound still marks him out as a future thinking and utterly unrivaled artist, who has collaborated with so many legendary names that it would be foolish to deny his worldwide reputation - who would dare contradict the likes of Stevie Wonder, Erykah Badu, Carleen Anderson, Angie Stone, Common and fellow fans and followers like Maxwell and Jarrod Lawson?Following on from 2013's album The Man, 2016 sees his new long player further cement this undeniable reputation. Love In Beats is Omars' 8th studio album of his long, illustrious career and may just be the most eclectic & varied to date. Somewhat more electronic in it's conception and sound than it's predecessor, Love In Beats incorporates soul, Caribbean rhythms, an undercurrent of funk, with touches of zouk, a jazzy waltz, spoken word and also features collaborations with Us soul legend Leon Ware, Blue Note pianist Robert Glasper, grime MC Ty, Guadeloupe born singer Jean-Michele Rotin, and Uk soultress Natasha Watts, The Floacist and Mayra Andrade, the Cape Verdean born singer who lives and records in Paris.Co produced by Scratch Professer, Omars Grammy winning brother,this collection should create excitement worldwide, the sounds are varied - but all have Omars' unique fingerprint on them, style and substance beautifully merged!

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FSRLP 117

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22.00
Tracklist: 

Side 1
1. Vicky's Tune (feat Ty & Robert Glasper)
2. Insatiable (feat Natasha Watts)
3. Gave My Heart/Its So Interlood
4. Feeds My Mind" (Feal Floacist)
5. De Ja Vu (feat Mayra Andrade)
Side 2
1. This Way That Way
2. Hold Me Closer
3. I Want It To Be
4. Doobie Doobie Doo
5. Grey Clouds

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Original
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Ceddo

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For our second release we brought back to life African movie soundtrack "Ceddo" - composed by one of our favourite African artists, Manu Dibango. 6 tracks full of Funk. With a great story behind.... now it's getting a full vinyl re-issue!"The film takes place during the 17th century : period of slave-trading and of the introduction of Christianity and Islam in West Africa. The adherents of these religions all desired and hoped to pack their buildings, mosques or churches,by whatever means necessary. Arms and alcohol began to appear, as well as shoddy godds --- gadgets from another era. Anyone with a rifle tracked down and trated men, women and children. Man became money. After having converted the royal family and government dignitaries, the Imam encounters the refusal of the "Ceddo". For the Ceddo, adhering to Islam or to Catholicism would mean renouncing African spiritualism, giving up being themselves. To accomplish his goals, the Imam usurps the throne with the complicity of the dignitaries --- similar to the coups d'Etat of our days. Combining spiritual and temporal power, the Imam reduces the recalcitrant to slavery in exchange for rifles. He obliges the others by force of arms to accept Islam. Ceddo is a film of reflexion, birnging together bits and pieces of facts and authentic events that took place in a period spanning the centuries up to the present day."

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ASVN 043

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24.00
Tracklist: 

Side 1
1. Ceddo
2. Les Cavaliers
3. Le Reve De Dior
Side 2
1. La Boisson
5. Marabout
6. Ceddo (Cenerique De Fin)

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Spiritual Jazz 7: Islam

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"Spiritual Jazz 7: Islam - Esoteric, Modal and Progressive Jazz inspired by Islam 1957 - 1988"Songs ancient and divine - the seventh volume of our acclaimed Spiritual Jazz series examines the influence and impact of Islam on four decades of jazz innovation.Through Malcolm X and Muhammad Ali, the civil rights era in America saw African American liberation politics famously associated with Islamic belief. This was not the first time that radical developments in African American cultural life had been widely and famously associated with Islam - that distinction belongs not to political or sporting giants, but to the progressive jazz musicians of the bebop generation. Kenny Clarke, Art Blakey, Sahib Shihab, Gigi Gryce, Idrees Sulieman, Ahmad Jamal, Yusef Lateef, all these legendary jazz pioneers - and countless more - were early converts to the spiritually charged Ahmadiyya school of Islam. Their faith profoundly influenced the music that they made, and the presence of prominent and innovative Muslim musicians at the heart of jazz culture in America has been recognised ever since.The tracks on this collection follow the story of Islam and jazz from the 1950s to the 1980s. Recorded by Muslim jazz musicians, they often draw specifically on Middle Eastern or Islamic music, dream of an esoteric or spiritual Afro-East, or invoke the landscape and sound worlds of Islamic Africa. Spiritual Jazz 7 presents a selection of visionary music – inspired by faith, powered by jazz.2LP gatefoldExtensive liner notes & picsCD with 24 page colour bookletMany tracks never before reissued

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JMANLP 092

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28.00
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Side 1
1.Maurice McIntyre - Humility In The Light Of Creator
2. Ritual Trio - Africanos/Latinos
3. Emmanuel Abdul-Rahim - Kalahari Suite
Side 2
1. Creative Arts Ensemble - Uhuru
2. East New York Ensemble De Music - Mevlana
3. Idrees Sulieman - The Camel
Side 3
1. Yusef Lateef - Morning
2. Sabu & Sahib Shihab - Nus
3. Abdelrahman 'Abdo' Elkhatib/Solar Plexus - Ah Ya Zen
Side 4
1. The Lightmen - All Praises To Allah (part 1 & 2)
2. Ahmed Abdul-Malik - Nadusilma
3. Dawan Muhammad - Taumbu

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Original
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Antilles Cheries : Compa/Cadence

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Compilé par Emile Omar, une sélection tropical discoteq.

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FAN34646

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24.00
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Side 1
1. Simon Juran - Si Bon Di Bon
2. Toto Necessite - Cail La Mande Rouse
3. Maxel's - En Las
Side 2
1. Experience 7 - Banzai
2. Coupe Cloue - Plein Caille
3. Gervais Nerva - Marchande
Side 3
1. Rodrigue Millien & Blagueur - Pale Creole
2. Black Affairs - La Vie Musique
Side 4
1. Vikings Martinique - Deposez Les Armes
2. Combo Creole - Kokoye
3. Belles Combo - Coeur A Moin
4. Selecta Martinique - Money First

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Original
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Disco Illusion

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This crew don't do things by half! Following the insanely nice Michael Boothman record a few months back - Invisible City Edition descend to even further depths and give us a fully re-mastered issue of this mythical treasure! BIG Limited Edition"For many this is the ultimate Disco Illusion; a record that should have been epoch making in its day, something that would have been a staple for David Mancuso, Larry Levan & Ron Hardy had it ever gotten distribution when it was originally released 34 years ago. Somehow time passed it by and it was only re-discovered in a warehouse in Trinidad last year. Since then it has been gaining momentum fast, with DJ support from Moodymann, MCDE, Floating Points & Kon, as well as original copies selling for four-digit sums. Part of the illusion is in the structure of the record. The A-side begins with beautiful, but relatively normal disco song, but suddenly an Egyptian sounding bridge turns the things inside out and the song opens up into a proto-house jam complete with bubbling Sun Ra synths and Black Ark tape delay action. The there’s the b-side, which sounds like Bob James after he had a taste of callaloo, with deep electronics and a mind-melting steel pan solo. Finally, thanks to Invisible City this record is getting the life it has always deserved. "

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ICE 004

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30.00
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Side 1
1. Disco Illusion
Side 2
1. Lypso Illusion

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Time & Place

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Lee Moses was a huge talent and if he’d had the big hit album he richly deserved, Time And Place would’ve been it. A self-taught multi instrumentalist, Moses cut his teeth in the clubs of Atlanta, the ‘Motown of the South’, where he frequently performed alongside his contemporary Gladys Knight (who reportedly wanted him for the Pips, but couldn’t pin him down).It was, however, in New York in the ‘60s that Moses made his greatest bid to find the solo fame he desired. Moses began working there as a session player, even playing frequently with a pre-fame Jimi Hendrix, but his close relationship with producer and Atlanta native Johnny Brantley eventually saw him getting his own break via a series of 45s in 1967 – most notably with covers of Joe Simon’s "My Adorable One", The Four Tops’ "Reach Out, I’ll Be There" and The Beatles’ "Day Tripper".It was 1971 before Moses’ dream of being at stage front was realized, when he released his Brantley-produced LP Time And Place for Maple Records. Recorded with a band including members of The Ohio Players and Moses’ own backing group The Deciples, it was, nonetheless, Moses himself whose star quality shone through, via his scratchy guitar riffs, his throat-ripping vocals and the stirring mood that permeates the LP’s heady mix of funk, soul and R&B.The LP did no business, and Moses’ dream quickly crumbled. Though details on his life are scarce, it’s believed he fled New York disenchanted with the music industry, feeling he’d been double-crossed by Brantley both in credit and remuneration for the countless records he’d played on. Back in Atlanta, Moses returned to playing the clubs, married twice, and fell into depression and drug dependency. He died in 1997 at the age of 56.Time And Place soon became a much-sought-after item for collectors, and its cult has continued to grow over the years. Here, we re-present it on deluxe vinyl, with brand new liner notes from Sarah Sweeney including interviews with Moses’ sister and his closest collaborator, the singer and guitarist Hermon Hitson. Through them, Moses becomes a little – but just a little – less of an enigma.

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FDR 630

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38.00
Tracklist: 

Side 1
1. Time & Place
2. Got That Will
3. What You Don't Want Me To Be
4. California Dreaming
5. Every Boy & Girl
Side 2
1. Hey Joe
2. Free At Last
3. Would You Give Up Everything
4. Adorable One

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Hop Dedik

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Years before Baris and even before the fame of Erkin Koray, Erol's flamboyant outfits and spontaneous behaviour brought a youthful, pop-oriented world to Turkish audiences.Here's his first proper album from 1976.While not exactly psychedelic, Erol's album shows how far the mix of Anatolian melodies and Western production could reach and you can find here some great examples of Turkish pop spiced with psych, disco and funk.

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PHS 040

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30.00
Tracklist: 

Side 1
1. Oldu Olacak
2. Dandini
3. Bile Bile Lades
4. Sen Mi O Mu
5. Öyle Mi Böyle Mi
6. Güz Şarkısı
Side 2
1. Şaka Maka Derken
2. Hop Dedik
3. Hep Sen Varsın
4. Civciv Çıkacak Kuş Çıkacak
5. Dedim Dedi
6. Sevgiye Tutsak

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