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Reissue of this rare Nigerian/Ghana funk record. Incl. the jam African Soul Power which you might have heard getting spins in the clubs...Incl. a poster + extensive liner notes...Fela Kuti believed the identical twins of BASA BASA to possess magical powers, bringing luck and prosperity. Fela co-produced their first LP, and played on their second. But the wondrous powers of the Nyaku twins from Ghana reached their summit on their third album, which BASA BASA recorded with producer and multi-instrumentalist THEMBA “T-FIRE” MATEBESE in Nigeria. This collaboration resulted in the bewitching HOMOWO album, which combines the earthy mood of the twins and the futuristic vision of Themba Matebese as well as the hot and sweaty afro disco sound of Lagos, where the album was recorded. From the blue title track HOMOWO to the afro disco floor burner AFRICAN SOUL POWER, the album makes a consistent listen. Amsterdam based DJ collective and vinyl shop VINTAGE VOUDOU makes the highly sought-after LP available again after almost four decades, working in close collaboration with the artists.

Ras G's My Kind Of Blues is a proper sound follow up to the Baker's Dozen styled release.

Night Palms is the first compilation from Hobo Camp. It explores the vibes of Adult Oriented Rock, G-Funk, Jazz, Boogie, and Soul, synthesizing these genres to a form more loaded and laid-back (perhaps on a careless night time stroll, returning from the dispensary or watering hole, to the jacuzzi, houseboat, or waterbed). A smoother approach to funk, similar in production ethos to many classic G-Funk tracks (where producers created or sampled the smoothest yacht-rock and jazz-funk moments to create bass heavy rap), Night Palms takes it one step further, offering original tracks that return more to the inspiratory sources of G-Funk... sonically and chillingly cruising at the perfect tempo. A vibe perpetuated by perfect night-time temperatures, mist, ocean breeze, the sound of flowing water, and the laid-back grooves that seemingly accompany it under the silhouettes of California Palm.Brian Ellis kicks off the compilation with Tides, a drifting instrumental opus of melodic currents that glide and weave in and out of each other. BOY DUDE introduces the first vocal with Modern Day Confusion, a wavy, pitch-bending journey describing the mental woes and issues in modern society. XL Middleton and Ghost close out the A side with Forgot About Each Other, a mid-tempo, keyboard-forward groove, echoing the notions of dying or diminishing love, accompanied by his signature emotive driving keyboard lead. On the B side, Mat/Matix starts it off with the deeply aquatic Bay Breeze, which swings along with textured padding with an epic wet guitar solo by Liam Kevany. Moon B pours Marina Player directly into the harbor with a beautifully mutant and tranquil theme that would seem perfectly-placed in a moody montage scene of a speedboat cruising silkily along the waters at night. Jomeo Pugz ups the ante in Hidden Zone, a drum machine love anthem that describes the nerve- racking and inspiring aspects of new lust, romance, and the possibilities created between two potential mates sharing space together—yet alone. Deregulate by Elegant Borzoi closes it out with sweeping synths, loose grooves, and the subtle and sweet vocal accompaniment of Megan Doherty (of Social Lovers).This LP is dedicated to designer, artist and friend, Trevor Tarczynski (RIP). The title “Night Palms” was a recurring theme in his work, and the jacket cover was created from his archives.- Night Palms is a compilation LP dedicated to Night Palms’ artist Trevor Tarczynski (RIP)- 7 individual tracks written, performed and produced by Brian Ellis, BOY DUDE, XL Middleton feat. Ghost, Mat/Matix, Moon B, Jomeo Pugz, Elegant Borzoi feat. Megan Doherty- Cover/Jacket Artwork by Trevor Tarczynski with layout by Margaux Solano and inner label artwork/layout by Michael Steffen

The Good Is A Big God, by singer, composer and multi-instrumentalist Domenico Lancellotti, features contributions from Nina Miranda, Moreno Veloso, Pedro Sá and Sean O’Hagan. Son of composer Ivor Lancellotti, domenico has collaborated with various MPB (Música Popular Brasileira) names such as Adriana Calcanho]o, Marcos Valle, Caetano Veloso and Fernanda Abreu, and also participates in several projects such as Orchestra Imperial, the +2’s (with Moreno Veloso and Kassin) and Ritmistas.A collection of re?ective samba partially inspired by a trip taken to a Brazilian national park called The Serra dos Órgãos, The Good Is A Big God frst began to take shape when Domenico was asked to take part in an artistic collaboration in the city of London during the 2012 Summer Olympics. There, he reunited with Sean O’Hagan after previously meeting during a show that paid homage to Tropicália. Before he took o? for London, Domenico sent O’Hagan a few musical sketches he’d done on guitar, by the time the Brazilian made it to the U.K., O’Hagan had string arrangements to accompany Domenico’s music. Domenico added lyrics to some of these songs once he returned to Brazil and with help from friend and label mate Kassin, and additional assistance from O’Hagan, the record was fnished. One can hear a sense of isolation and oneness with nature when listening to The Good Is A Big God. It’s the type of art that arrives in a calming stream of thought and is a much- needed respite from the rigors of everyday life.