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Uzelli Elektro Saz 1976 - 1984

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Included a printed inner sleeve with liner notes and a second, separate insert.After Uzelli released its Psychedelic Anadolu selection in 2017, we began working on this second album with our dear friend Osman Murat Ertel. When we opened up this archive to Murat, a lover, aficionado and player of the electric saz, we supposed that he would make a selection under that title. But multifaceted artist that he is, Murat went far beyond merely making a selection, and took on the project in its entirety. His wife Esma, who had contributed her energy and experience from the beginning, handled every detail. I consider this album evidence of the magic these very special people possess. This album is a selection of performances on the electric saz, an instrument that some hold in contempt. Simple, calm and dignified villagers, forced to leave their villages behind, carried the saz to new lands. As they called out to the crowd of fellow exiles and struggled to adapt to a new way of life, their traditional acoustic saz transformed into the electric saz and rang out with a new and different urban sound. It is our hope that this compilation will inspire a new group of musical explorers. Metin Uzelli About the Label: Uzelli Kaset was established in 1971 by Muammer and Yavuz Uzelli in Frankfurt, Germany. Their music resonated not only with the longing that Gastarbeiter (guest workers) felt for the homelands and families they had left behind and the melancholy brought by their difficult living and working conditions in Germany, but also with the joy that welled up at village weddings on their days off, and the long car or train journeys home. Reaching the remotest corners of Germany as well as Turkey, Uzelli Kaset was soon more than just a music company; it became a companion to Turkish workers living far from home. Not counting the handful of 8-track tapes and 14 LPs released in the early days, the catalog consisted entirely of cassettes. When they opened their Istanbul office in 1977, Uzelli moved beyond production and became successful in the areas of reproduction, distribution and marketing. Taking the catalogs of other production companies under its umbrella, it continued its rapid growth. The 90s became the CD decade, and because Uzelli Kaset had not released its catalog in CD format, hundreds of albums remained unavailable to an entire new generation. Because the albums had not been released in LP form either, musical explorers ran into the same problem. Remaining active and serving in various areas of the music industry, Uzelli carefully preserved its visual, audio and document archives, ensuring their survival to the present day. After an immense amount of work, this catalog, which had long awaited discovery by new generations, was finally released in digital format. For record collectors seeking the spirit of those times, we also began offering this special selection of compilation albums in vinyl format. As we created this series, our goal was to guide listeners toward new discoveries, and open new pages for music lovers to explore. Leaving our rich, multifaceted catalog to genuine musicians, curators and artists, our desire became to approach the recordings of that period from a different perspective. We are overjoyed to know that our continuing meticulous work will bear fruits whose taste and aroma have been long forgotten. Uzelli

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1324-3

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25.00
Tracklist: 

Side 1
1. Akbaba Ikilisi - Darildim Darildim
2. Kina Gecesi Ensemble - Misket
3. Mehtap Tuna - Gonul Dagi
4. Sari Zeki - Topal
5. Handan Yazgan - Karanfilli Yar
6. Mehmet Karakoc - Yine Gonlum Sende
7. Sultan Sumbul - Mercanlar
Side 2
1. Gulcan Opel - Yaz Dostum
2. Mehtap Tuna - Nar Tanesi
3. Sari Zeki - Dom Dom Kursunu
4. Handan Yazgan - Mavilim Hangi Ellidir
5. Kina Gecesi Ensemble - Ari Yildiz
6. Asik Emrah - 20 Asrin Bozuk Duzeni

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Give Me The Night EP

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George Benson's "Give Me The Night" gets a NU Jazzy-Brazilian re-touch under the production umbrella of the Los Charly's boyz: Juan Laya & Jorge Montiel, featuring Jazz Funkster: Xantone Blacq for this uplifting update.As B side J & J features their debut collaboration with the amazing: Heidi Vogel for a deeper excursion into Latin-Jazz fusions with the track: "Fly Me With You"

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IMAGENES 0094V

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13.00
Tracklist: 

Side 1
1. Give Me The Night (feat Xantone Blacq - Re edit)
Side 2
1. Fly Me With You (feat Heidi Vogel)

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The Invisible Soldiers

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Limited to 400 copies worldwide

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OMNIVLP 11

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19.00
Tracklist: 

Side 1
1. The Welcoming/This New World
2. Justifiable Reasons
3. The Crow Flies
4. The 761st
5. Black Buffalo
6. Miss Wilson (To Know)
7. Red Ball Express
8. Dying For The Cause
9. Ledo Road
Side 2
1. Intermission/Time To Live
2. A Greatful Nation
3. Tuskegee Symphony
4. Movement
5. A Second Victory
6. Blazing Flyers
7. The Last Leg
8. Shells Like Rain

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Ladies Of The Eighties

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EIGHTIES LADIES: This vocal ensemble comprised Denie Corbett, Marva Hicks, Susan Beaubian, Sylvia Striplin and Vivian Prince. In 1979 Denie had recorded a disco solo single “What You Won’t Do For Love” and was featured lead with group Station Break on another disco release “Be What You Are. Marva Hicks had recorded a debut solo single “Looking Over My Shoulder” in 1978 and would later infiltrate the modern soul world with “One Good Reason” from her 1991 self titled debut and only solo album. Vivian Prince recorded a boogie track “Gotta Get A Hold On You” in 1982 and of course Sylvia recorded a solo project “Give Me Your Love” (also reissued by Expansion) for Uno Melodic. As Eighties Ladies they are best known for “Turned On To You”.Produced by the legendary Roy AyersReissued on iconic Uno Melodic labelRemastered

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EXLPM 66

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26.00
Tracklist: 

Side 1
1. Ladies Of The Eighties
2. Tell Him
3. He Is Mine Forever
4. Ladies Of The Eighties (instrumental)
Side 2
1. I Knew That Love
2. It's Easy To Move
3. Sing Me
4. Turned On To You

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Club Meduse

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STKLP 004

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34.00
Tracklist: 

Side 1
1. Bastion - Molitva
2. The Keyboys - Savannah
3. Ara Macao - Canyon
Side 2
1. Chris & Kylie - Feelin' Good
2. The One O Ones - Radio Cosmos 101 (Bals edit)
3. Gemini - Take A Chance
Side 3
1. The Clean Hands Group - Night Fly
2. The CVQ Band - Whatever You Do (instrumental)
3. Miss - Hip Hop
4. Metal Voices - At The Banks Of The River
Side 4
1. The Clean-Hands Group - Shake It On
2. Gigi Flag - Nymphomaniac (instrumental)
3. Eddy La Viny - Havan' Hamac

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Houses

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BFR 004

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23.00
Tracklist: 

Side 1
1. Rawl Aredo
2. Waiting 4 You
3. Where We Go
4. Tell Me
Side 2
1. African Dream
2. Songlife
3. Higher Place
4. Single Stream
5. Love 4 Nano

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Black Focus

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BACK IN STOCK !!!!The borders between London's musical tribes have always been porous. For Yussef Kamaal, the sound of the capital - with its hum of jungle, grime and broken beat - has shaped a selftaught, UKtipped approach to playing jazz. In the states, the genre’s longrunning to-and-fro with hip hop - from Robert Glasper to Kamasi Washington - has reimagined it within US culture. On Black Focus, Yussef Kamaal frame jazz inside the basssaturated, pirate radio broadcasts of London.Taking inspiration from the anything-goes spirit of ‘70s jazzfunk, on albums by Herbie Hancock or the Mahavishnu Orchestra, it’s a loose template with plenty of room to experiment. The pair, made up of Yussef Dayes and Kamaal Williams (aka Henry Wu), have had little in the way of formal training. Instead, their musical tastes – and approach to playing – are indebted to Thelonious Monk’s piano as much as the drum programming of Kaidi Tatham.“It's all about the drums and the keys,” Williams says. “Not to take anything from anyone else, but that's where it all originates from: the chords, the rhythm of the chords and the drums.” Born out of a oneoff live session to perform Williams’ solo material for Boiler Room, it soon became a project in its own right. Coming together as Yussef Kamaal, they played a series of live shows where little more than a chord progression would be planned before taking to the stage.Bringing that unspoken understanding to the recording sessions (engineered by Malcolm Catto of The Heliocentrics), the unplanned, telepathically spawned grooves retain the raw energy of their live shows. “It's not so much about complete arrangement, it's more about flow,” Dayes says. “A lot of the tracks are just made spontaneously – Henry will be playing two chords, I'll fill in the groove and we'll just leave the arrangement naturally.” Both hail from South East London, crossing paths in 2007 as teenagers playing their first pub gigs around Peckham and Camberwell. Dayes drums for cosmicallyinclined, afrobeat outfit United Vibrations, while Williams – on top of drumming and playing keys in different incarnations over the years – has made waves with his solo, synthdraped house 12"s for muchfêted labels like 22a and Rhythm Section.Moving in the same circles but never playing together previously, rhythm underpins an innate musical understanding. As Williams explains, “The way we approach it is all about the energy and the feeling. We just get in there and we feel it out.” Drawing influence from all corners of London’s shapeshifting musical makeup, the sound of Black Focus is distilled – or focused – down to the core interlock between drums and keys.

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BWOOD 0157LP

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27.00
Tracklist: 

Side 1
1. Black Focus
2. Strings Of Light
3. Remembrance
Side 2
1. Yo Chavez
2. Ayla
3. OG
4. Lowrider
5. Mansur's Message
6. Wing Tai Drums
7. Joint 17

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Maria Maria

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FARO 215LP

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17.00
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Side 1
1. Maria Maria
2. Cozinha
3. Pilar (Do Pila)
4. Trabalhos (Essa Voz)
Side 2
1. Lilia
2. A Chamada
3. Era Rei E Sou Escravo
4. Os Escravos De Jo
5. Tema Dos Deuses
Side 3
1. Santos Catholicos X Candomble
2. Pai Grande
3. Seducao
Side 4
1. Francisco
2. Maria Solidaria
3. De Repente Maria Sumiu
4. Eu Sou Uma Preta Velha Aqui Sentada No Sol
5. Boca A Boca
6. Maria Maria

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Cry Babies

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FORDIS 06

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19.00
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Side 1
1. It's My Thing
2. Kool & The Gang
3. Daydream
4. Hey, Blood
5. Questions 67/68
Side 2
1. Blas, Blas, Blas Soul
2. More Today Than Yesterday
3. Caminhos Diabolicos
4. I'll Never Fall In Love Again
5. Midnight
6. Good Golly Miss Molly

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Make Me Believe In You /Ain't No Love Lost (Tom Moulton Mixes)

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For the first time on 12” single, two Curtis Mayfield songs given the Patti Jo treatment and mixed by Tom Moulton. While originally from the early 1970s, these versions were previously only available on 7” originally from the Scepter/Wand labels. Patti came from Florida and sang in her own group P.J. Smith & Co before releasing just four songs across two singles as a solo artist. Released in brand new Soul Brother 12” range bag.

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12SBT 12

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14.00
Tracklist: 

Side 1
1. Make Me Believe In You (Tom Moulton mix)
Side 2
1. Ain't No Love Lost (Tom Moulton mix)

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