UK

10" label that delves deep into the jazz vaults and this series opens up with a cracking double header from Willis Jackson. An essential purchase for anyone who does not own these masterpieces currently, do not miss the chance to do so now. Limited pressing, so don't snooze...

NOW REPRESSED !!! To catch the attention of our discerning, critical and cynical ears, any demos that people send to us here at Jazzman have to be pretty damn good. Yes they all get listened to, but very few make it this far as an official Jazzman CD and vinyl release. In fact the last time we released some recently-recorded music was a couple of years ago with the Natural Yogurt Band, which we were happy to see become an instant success.You see, we’re quite fussy because in this day and age we can’t afford to lose money by putting out a so-so record. We also have to like it a LOT, not just because we’ll have to listen to it over and over again, but because we want you to too! So here is our next attempt at world domination, the debut album by The Greg Foat Group.DARK IS THE SUN Recorded in Sweden, ‘Dark is the Sun’ is a concept album based on themes and variations by British pianist/composer/arranger Greg Foat, who has created an intriguing blend of non-contemporary jazz sounds with classic scoring techniques. An exotic array of unorthodox instrumentation was utilized, including harpsichord, tubular bells and a 15 piece choir. With musical reference and influence from such luminaries as Bruno Nicolai, Michel Legrand and Serge Gainsbourg as well as a firm nod towards UK jazzmen Michael Garrick, Keith Mansfield and Alan Hawkshaw, the result is highly-listenable, enduring and fulfilling for those who like real music played with real instruments.KEY POINTS .Debut album by outstanding British jazz musician.Original artwork by House of Traps.Digipack CD or SCREENPRINTED & NUMBERED vinyl LP, recorded direct from the original analogue tapes.RARE and FINE music heard

The latest MY RULES sees label boss, Justin Van Der Volgen apply his considerable sonic skills to The Creams. Some classic 99 Records / Ze style early 80's NYC vibes afoot here! Vinyl only.

FOMDO011 is the latest in a series of vinyl only 12" remixes and edits on Far Out. Previous producers providing their re-works to the series include Theo Parrish, Marcellus Pittman, Mark Pritchard, 4hero, Isoul8, LTJ Xperience and more.The Far Out Monster Disco Orchestra, Far Out's 20th anniversary disco project, released its double LP last year. It features the arrangements of Azymuth's late Maestro José Roberto Bertrami and the legendary Arthur Verocai alongside a host of other Brazilian musical icons. FOMDO011 is the latest in a series of vinyl only 12" remixes and edits on Far Out. Previous producers providing their re-works to the series include Theo Parrish, Marcellus Pittman, Mark Pritchard, 4hero, Isoul8, LTJ Xperience and more.Unreleased material from the Far Out Monster Disco Orchestra vaults. 'Step Into My Life' sees the elite of Brazil's jazz, funk and samba musicians come together in a scorching disco blaze. Brought to light by the deft touch of NYC disco king John Morales, who channels the joyous hedonism synonymous with the late 70's Paradise Garage and Studio 54 era to create two tight, punchy and dubbed-out floor fillers. Morales himself is a veteran of that era, alongside the pioneering likes of Larry Levan, Francois K and Tom Moulton, a key player in the development of the remix and its wider proliferation in clubs across the globe. Using a classic cut and paste technique with reel to reel tapes, Morales helped transform classics by the likes of Jocelyn Brown, Class Action and Shalamar, extending disco gems to nearly double their running time, emphasising and intensifying their emotion and drama in the process. His certified disco credentials make Morales the perfect man for the job of remixing this alternately classic and modern disco cut, marrying dance music's past and future in a thrilling blend while simultaneously bringing the supreme musicianship and beautiful arrangements of Betrami and Verocai to the fore. A future classic Brazilian disco masterpiece!

Two monumental South African groove-beauties for the latest installment of the Afro Funk Gems series from Mukatsuku. First up is a trip back to 1970, just three years after Letta Mbulu escaped apartheid and moved the US (and fifteen years before she collaborated with Michael Jackson on "Librarian Girl") the horn-laded, feel-good "Mahlalela" came from her third album and was licenced by Tamla Motown in South Africa too for a rare as hen's teeth 45. Flip for an edit from Mr Mukatsuku himself as he breaks down Dick Khoza and the Pelican Club house band's politically charged "Chapita". Stunning.

Claudia - GarraRich, sweet, orchestral bossa nova/MPB from the excellent Claudia, another of our favourite artists and featured several times in this series. Taken from her 'Você, Claúdia, Você' LP released in 1971 by Odeon Brazil.Os Tres Morais - Freio DynamicoUptempo, cinematic, vocal MPB/Jazz with muted trumpets, pinging bass guitar strings and even a little bit of fuzz for good measure! Os Tres Morais we’re two brothers and a sister, Jane Vincentina, Sidney and Roberto do Espírito Santo. They formed in 1963. 'Freio Dynamico' is taken from the groups self-titled LP on Odeon 1971.

Noelita - SambalancaQuirky, upbeat samba, originally released in 1973 on Copacabana. Organ and horn lines bubble under the drum groove and percussion. Taken from her only LP 'Quando Me Sinto Só' released in 1975. Sought after and expensive in it's original form.Doris Monteiro - E Isso AiThe instantly recognisable, original version of the classic and much covered 'E Isso Ai'. Beautiful laid back samba/MPB, drenched in horns and percussion. Taken from her 1971 Odeon LP. This is the second time the hugely prolific Doris Monteiro has featured in our Brazil 45's series, previously with 'Se Vocé Quiser Mas Sem Bronquear' on number 9.

In the 70's one of the most Unique Texas band Emerged on the Scene, 'Tortilla Factory ' whilst primarily in the Texas Chicano scene they produced a couple of funk bangers dispersed amongst their many eclectic LPs, the band was renowned for their high calibre is Musicianship and whilst the might now be not typical of their sound they still bring it to the table better than some straight funk bands. Big shout out to Alfredo Guerrero for making this happen. I no longer have to drag around the LPs.

Two gold standard musical compositions I won't insult by labelling with a genre. 'Truth is the key' is one of my favourite tracks period, the Arp solo just does it for me in every way. The vocal will be familiar as Irene Datcher also sang on the James Mason LP (who also features on these tracks) . 'Dreamflower' should need no introduction, famously Sampled by Erykah Badu's 'Didn't Cha Know ' and many others. This is a sublime landscape is notable for Ryo Kawasaki's dreamy guitar work, Stone cold classic. Both sides surprisingly have never graced the 7" format until now , absolutely essential 45.