Disco/Nu-Disco

All good things come to an end, and The Very Polish Cut-Outs is no different. The fifth sampler will be the last in the much loved & long running series. For the farewell record, label boss Zambon has selected five unique reworks from top producers from Poland and beyond.Side A is aimed at the dancefloor. 'KIEDY BYLEM MALYM CHLOPCEM' was the biggest hit in the long career of Tadeusz Nalepa, the king of Polish blues. The irresistible, smooth guitar groove is combined with conscious lyrics about different views of what's important at different stages of life, served in the form of a conversation between father and son. Miod crew transform this beautiful song into peak-time killer, tailored exactly for the needs of a modern dancefloor.Moscow's man of the moment Beard In Dust edits 'BIALA SOWA, BIALA DAMA, BIALY KRUK' by Kram into a flawless disco funk bomb, fuelled by cheesy synth action. A slice of Eastern European B-Boy disco breaks.Side B brings more ethereal and psychedelic flavours to the table. 'NA KOLANA PASTUSZKOWIE' comes from Laboratorium, Poland's answer to Weather Report. Their unique take on fusion is remixed here by Daniel Drumz, one of the heroes of Polish hiphop & beat scene. This longtime turntablist leaves his rap roots and travels to the psychedelic coast to bring you an amazing piece of Baltic Beat.Last two tracks are chopped and looped by Australian hero Carpentaria in a truly Balearic fashion. 'ZA OSTATNI GROSZ' by Budka Suflera charms the listener with dripping pianos and a misty, endless soft rock groove (with added swirling synths played here by Brennan Green himself), while ZACZAROWNE MIASTO by Kombi is a dark, cinematic piece of slow synth pop.It may be the end, but The Very Polish Cut-Outs finishes off in fine style.

Official re issue of this timeless classic featuring a fantastic update from Australia's Late Nite Tuff Guy - Tuff Cut Records. Their version has already had 62,000 plays on Soundcloud.In LNTG own words of how "No More War Rework" came around : About 6 months ago, just before I set off on my 5 month tour of Europe I got a message from a good friend of mine asking me if I would edit a track that he loves. I said of course, and asked him what track. Turns out its a big favourite of mine also. 'Why Can't We Live Together' by Timmy Thomas is an amazing song with a strong message that is even more relevant today than it was back in 1972. The message is clear, it's simple, it's beautiful. I'm saddened by recent events around the world and I've always tried to spread love through music, because for me, music is love. I hope you share the message and enjoy. LNTG <3

2 Edits from a well known producer under the guise of WYMM. Pressed on limited Red Heart Shaped Vinyl

By all accounts, Whiskey Disco has matured. Each release unique, but compiled meticulously to meet some of the highest standards in the edit community.WD45 continues the trajectory with 4 tracks combining equal parts soul, boogie and disco. Rastanils cuts up cheesy obscurity to reveal heavy disco vibes—this edit was smashed by MCDE at numerous festivals in 2015. Next up, the 'intriguing' Corsican Brothers reappear after a 5 year absence from Whiskey Disco with a sliced version of I Like It, beefed up bass and space on the platters with a touch of dub. Side B exemplifies the weirdness only a b-side can… Albion's Disco Chopper is a stretched and phased party jam that DOES NOT Stop. Move to the inside for the lengthy and epic Big Time, a 9 minute exploration into rocking disco roots, courtesy of the eponymously named Blaxploitation movie from 1977.

Bionic boogie and kryptonite house. Sampled and cleared, sliced and spiced.

Everyone's favourite golfer-baiting cut-up merchants are back, once again plying their trade on the T&W Records label Gerd Jansen set up for them as an offshoot of his mighty Running Back stable. Although their method and style rarely changes - and it certainly doesn't here - the Italian duo also rarely fail to deliver. "Boca" is another killer, with cheery, boogie-era disco loops and vocal cuts being tweaked to perfection over the course of nine mesmerizing, party-starting minutes. Flipside "No More Talking" is arguably even better, with the pair making great use of an extended breakdown and build up. By the time the track drops again - via big vocal loops and piano-laden disco hooks - you'll have stopped wondering about the identity of the source material and be dancing like mad.