2020

Blue Box Sessions

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The eighteenth release on Second Circle is the label's second exploration into an artists archival works; this time presenting a selection of four early tracks by theatre, film and music producer Can Oral under his Khan alias.Can moved to Williamsburg, New York in the early 90's along with good friend and fellow musician Jimi Tenor. Born in Germany of Turkish-Finnish parents, he would frantically start buying equipment (such as a TR808, TB303 and Korg Polysix) from junk shops across New York, becoming greatly prolific in his recordings which he would work on throughout the night. During the daytime though, Can set up and ran the now defunct Temple Records, a seminal Soho record store, and later label, largely importing Techno and Acid from Europe. Though a small store, Temple Records would count musicians and DJs such as Björk, Tricky, Dee-Lite, Josh Wink and Joey Beltram among its regular customers. Also he would host many such guests to play live or DJ at his weekly Techno party “Killer” which was held at Save The Robots in New York’s East Village.Can Oral's nightly studio sessions eventually led to an almost inexhaustible discography with over a dozen monikers each representing a different aspect of his productions. SC018 focuses then on his early electronic works as Khan.Named after the color painted studio where the EP was produced between 1993-1996, 'Blue Box Sessions' is a collection of four analogue machine driven cuts, covering different tempos and ethos within electronic music. Initially live recorded to an old DAT recorder, and without any overdubs, SC018 is a lost and found artefact to Khan's unquestioned raw talent and timeless relevance.

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SC 018

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15.00
Tracklist: 

Side 1
1. Give Me More
2. Sweet Pink Lemonade
Side 2
1. Slow Stepper
2. Warm Leathereth

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Original
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It's Hard To Get In The Showbiz

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Upstairs, a band from Frankfurt, Germany was active from 1977 to 1983. Though considering themselves mainly a rock group, the band incorporated elements of funk, jazz rock and disco into their music. On their rare and privately released debut album “It’s Hard To Get In The Showbiz” from 1980 they created something that could be called Germany’s definite answer to AOR, yet still with an edgy and unique krautrock flavor.The album starts with "Wontcha Try," a track where core songwriter, guitarist and lead singer Helmer Sauer is telling the story about being dismissed from his job: "They tried to tell me in a fucking gentle way, that the time had come to kick me…". Sauer serves more personal, hard-edged lyrics on the album as well. On "Happy Hooker," for example, he tells the story of a working girl in the red light milieu: "The job is as hard that you really can never imagine, she serves for the money, degradin' herself in a way - if you'd know how she's feelin' you wouldn't laugh at all". An empathetic view on the subject of prostitution rarely heard at that time.But aside from the profound lyrics and songwriting, the album has a lot to offer on the groovy side of things. With catchy bass lines, rhythm guitar, Fender Rhodes, Moog synthesizer, Clavinet and swift crisp drumming "It's Hard To Get In The Showbiz" is one of the best examples of late 70s flavored funky rock from Germany. Additional to the aforementioned "Wontcha Try" another DJ delight should be "Make Your Steps On Better Lines" which showcases a superb synth line and disco funk flavors. We also get the slick mellow latinesque AOR grooves of "Get On A Plane" as well as the now-classic "You're Just Yourself", which marks the most soulful track of the LP. As followers of our label are already well aware, "You're Just Yourself" was featured on the compilation, "Boogie On The Mainline – A Collection Of Rare Disco, Funk And Boogie From Germany 1980-1987" from 2018.The band mainly performed locally and never really had ambitions to release their music on a bigger label. Too bad that Upstairs only released this one album. Of course, the highly sought-after original pressing is almost impossible to find nowadays. Therefore, we are proud to finally make this record available again after 40 years for a reasonable, regular LP price. Only 300 copies of the carefully re-mastered repress have been produced, and included is a printed lyrics insert identical to the original.As this is already the 10th release on our label we want to thank you for your support! Stay tuned for more hidden gems unearthed by The Artless Cuckoo.

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TAC 010

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27.00
Tracklist: 

Side 1
1. Wontcha Try
2. You're Just Yourself
3. It's Hard To Get In The Showbiz
4. Happy Hooker
Side 2
1. Make Your Steps On Better Lines
2. Time To Get Up
3. Get On A Plane
4. She's Back Again

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Re-Issue
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Shigomase

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Deep and very sought after tracks. Two sultry late eighties South African house inspired gems.

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RHRSS 29

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14.00
Tracklist: 

Side 1
1. Shigomase
Side 2
1. Koshana

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Non
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Original
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The Armed Gang

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ESP 015

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27.00
Tracklist: 

Side 1
1. Are You Ready
2. You
3. Hey Girl
4. Say Yeah
Side 2
1. Funky Fever
2. For You My Girl
3. Sexy Night

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Wuddaji

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SS 079/80/81

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50.00
Tracklist: 

Side 1
1. Hambone Cappuccino
2. Radar Detector
Side 2
1. This Is For You (with Maurissa Rose)
Side 3
1. Wuddaji
2. Hennyweed Buckdance
Side 4
1. Angry Purple Birds
Side 5
1. Kung Fu Shoes
2. All Your Boys Are Biters
Side 6
1. Knew Better Do Better

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La Locura De Machuca: Barranquilla Colombia

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Includes two printed inner sleeves, a download code and a large booklet with liner notes and photographs.La Locura de Machuca is the story of one man’s bizarre odyssey into Colombia’s coastal music underground, and the wild, hypnotic sounds he helped bring up to the surface.One night in 1975, a successful tax lawyer named Rafael Machuca had his mind blown in Barranquilla’s ‘Plaza de los Musicos’. Overnight he went from a high ranking position in the Columbian revenue authority to visionary production guru of the newly formed record label that bore his name, Discos Machuca, and for the next six years he devoted his life to releasing some of the strangest, most experimental Afro Psychedelia Cumbias ever produced. La Locura de Machuca is the story of one man’s bizarre odyssey into Colombia’s coastal music underground, and the wild, hypnotic sounds he helped bring up to the surface.The Colombian music industry was thriving in the mid-seventies, but while homegrown bolero and vallenato tunes were doing well on the charts, it was imported African records that were setting crowds on fire at the picos – the sound-systems that fuelled neighbourhood parties – and wherever those records were played there were always a handful of groups who were inspired to plug traditional Cumbia directly into the electric currents coming from across the Atlantic.It was these obscure bands, who fused Colombian and African rhythms with the swirling organs and psychedelic guitars of underground rock, that fired Machuca’s imagination. While the label made its money releasing popular hits by legends such as Alejandro Durán and Aníbal Velásquez, that money was poured back into a unique run of experimental releases by fringe artists such as La Banda Africana, King Somalie, Conjunto Barbacoa, and Abelardo Carbono, one of the godfathers of Champeta Criolla.When Machuca couldn’t find groups to realise his particular vision, he simply created them himself. Drawing on a fearsome roster of musicians associated with the label, he assembled bands that lasted only as long as it took to record an album ,and unleashed the results – complete with arrestingly unusual album covers – under a series of different names such as Samba Negra or El Grupo Folclórico. This unorthodox approach led his longtime recording engineer, Eduardo Dávila, to describes Machuca’s productions as the “B-Movies of Colombian music.”The story of Doctor Machuca and his eccentric exploits tells of one of Colombia’s most atypical and peculiar record companies; a defining pillar of Afro-Caribbean psychedelia. His productions have come to represent the roots of Champeta and set the pedigree standards for Afro and Costeño avant-garde. The seventeen tracks on La Locura de Machuca, harvested from the darkest, strangest corners of the Discos Machuca catalogue, sound like little else recorded before or since.

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AALP 090

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30.00
Tracklist: 

Side 1
1. Samba Negra - Eberebijara
2. King Somalie - Monkey´s Dance
3. El Grupo Folclorico - Tamba
4. Los Viajeros Siderales - El Campanero
5. Rio Latino - Ayu
Side 2
1. Anibal Velasquez - La Mazamorra Del Diablo
2. La Francachela - Mosquita Muerta
3. El Grupo Folclorico - Juipiti
4. King Somalie - Le Mongui
Side 3
1. El Grupo Folclorico - El Tornillito
2. Samba Negra - Long Life Africa
3. La Banda Africana - Te Clavo La Mano
4. Myrian Makenwa - El Platano
Side 4
1. El Grupo Folclorico - Tucutru
2. Grupo Bola Roja - Caracol
3. El Grupo D'Abelard - A Otro Perro Con Ese Hueso
4. Conjunto Barbacoa - Wabali

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Heavenly Sweetness Loves Calypso Rose

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HS 211VL

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11.00
Tracklist: 

Side 1
1. Back To Africa (David Walters remix)
2. Same Boat (feat Patrice & KoboTown - Guts & IZem remix)
3. Calypso Blues (Blundetto & Biga Ranx remix)
Side 2
1. Voodoo Lay Loo (David Walters feat Anthony Joseph remix)
2. Back To Africa (David Walters Voodoo remix)
3. Back To Africa (David Walters remix extended version)

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Adult Themes

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BC 090-LP

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27.00
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Side 1
1. Enfant
2. Adult Theme No 1
3. Kill The Lights
4. Villa
5. Adult Theme No 2
6. Life Of Pablo
7. Adult Theme No 3
Side 2
1. Rubix
2. A Swift Nap
3. Hipps
4. Munecas
5. Adult Theme No 4

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Meliza

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Limited edition 500 copies

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HTML 006 SEC 009

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22.00
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Re-Issue
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Tracks From Silent

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Glenn Underground is back again on Groovin Recordings with four killer deep-house tracks taken from his 2009 album 'Silent'.

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GR 1251

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24.00
Tracklist: 

Side 1
1. CVO's Prelude
Side 2
1. Negro Muzic
Side 3
1. 7 Minutes Of Funk
Side 4
1. Shake It

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Non
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Original
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