Afro

Official, remastered reissue of this disco tinged, afro funk treasure and the first time the ‘Karam Bani’ single has been cut to 12” – maximising every ounce of highlife soul from Sidiku Buari’s productions.That undeniable US funk flavour coupled with Buari’s Ghanaian rhythms bring a zest to these grooves even the tangiest of forbidden fruits couldn’t draw out. Those fuzzed keys and dusty highlife guitar licks sprinkle the West African flavour, whilst drumming demi-god Bernard Purdie provides the wizardry behind the infectious, yet precision like beats that make the track so unique. Purdie’s killer breaks combined with Buari’s jubilant vocals give a spirituality to this cut that’ll liven up any dancefloor - alongside being a gold mine for samples.Flip it over and you’re hit with the joy filled jam, ‘Ye Koaba’. Tribal drums lead the way for a chorus of jubilant chants supplemented by glistening synth sounds and funk fuelled guitar riffs. It’s a feel-good slice of Ghanaian sunshine, capturing that community spirit and good-hearted nature Ghana’s famous for.Two afro funk sensations sure to put a smile on your face, even when the skies are grey and you’re 5000 miles away from the glorious West African coastline.

2nd pressing - Limited edition 250 copiesRed sticker (different than on the first pressing) :"Paris DJs Featuring 20 guests including Tony Allen, Oghene Kologbo, Sandra Nkaké, RacecaR and members of Antibalas, The Breakestra, Brownout, Fela Kuti's Egypt 80, Jungle Fire, Les Frères Smith, Ebo Taylor's Afrobeat Academy… 2nd Edition"

Lungile Masitha was the short-lived studio name for renowned SA artist Sello ‘Chicco’ Twala, who played with such iconic bands as Harari and Umoja. However, in the mid 80’s his name was under license to one of the major labels and in an effort for self-expression recorded under the name ‘Lungile Masitha’, here he linked up with long term friend Jimmy Mngwandi to co-write and arrange the two tracks ‘Vuyani’ & ‘Makoti’, both sung in his native Tsongan tongue. Vuyani is an upbeat tune that matches Chicco’s unique vocal style with percolating drums and distorted choruses to incredible effect, while Makoti is a mellower blend of floating keys and choruses sung by local kids in an effort to expose “emerging talent”.

40 years after its first release, Cameroun born artists Zogo reissues for the first time his EP 'Africa' on Banquise. This release includes new versions by Dan Shake (Mahogani Music), Folamour (FHUO Records) and Tvfrom86 (In The Box Records).

In 1972, Orchestre Abass released two incredible singles on Polydor. These records - featuring Samarin Banza, Haka Dunia and other afrofunk masterpieces - were powerful enough to knock any music head out, but it wasn’t until the discovery of some unreleased material by the band that the seeds for this project were planted.It all happened in 2008 in Ghana. I was going through some tapes that had previously been the property of PolyGram one of the major record companies based in west Africa. In the late 80s political instability and curfews had paralysed the music industry forcing Polygram to close their Ghanaian subsidiaries leaving all of their recordings behind. These recordings had been packed in boxes and left vegetating in an Accra warehouse for three decades until I came along. To my surprise all of the tapes looked unharmed and I was particularly relieved to hear that the Orchestre Abass tape was in an excellent state of condition. I began fiddling around with the idea of releasing an album of the band and that plan got an additional boost with le “coup de grace” which had landed in the form of an ultra rare tune called Honam discovered in Sotoboua, a small northern Togolese town in the middle of nowhere. That find completed this selection.I had previously discovered some similar music in Northern Benin and in Nigeria and I started picturing an area that spread all the way from Northern Ghana to Northern Cameroon, an area I dubbed ‘The Islamic funk belt’ due to the fact that Super Borgou de Parakou, Napo De Mi Amor, Uppers International and Hamad Kalkaba just to name a few - all from that ‘belt’ - were groups made up of musicians with an Islamic background. This can be felt and heard in the music and particularly in the singing since many of the musicians had attended koranic schools and the languages used in the songs often had Arabic elements fused in - Orchestra Abass was one of them. With their heavy, organ-led sound combining with the deftest of musical touches, these records were the work of a rhythmic powerhouse and we are honoured to be in a position to present the recordings of Togo´s funkiest Band.Unfortunately Malam Issa Abass, the founder, guitarist and organ player of the band, was killed in 1993 by a grenade thrown into his bedroom and to help me reconstruct the biography of the band I tracked down Thon Komla, one of the band´s songwriters and Abderaman Issa, the guitar player of the band.All the music was licensed directly from the various composers of these songs. The vinyl is pressed on 180 High Quality Virgin Vinyl and the gatefold contains previously unseen pictures and a detailed biography of the might band.

Kêtu records started as a project which sells original vinyl discs with the aim of promoting African music of the Golden Age (1960-70). We have developed a large network in Africa to trace these original vinyl discs. We also organize events and sell the discs. Part of the profit is reverted to support local initiatives such as local orchestras, O.N.G. that help disables and schools.For this first single release, NKOTTI FRANCOIS, great Cameroonian artist of the 70s-80s and still active on the African scene, signs for a reissue of “MUWASO MWA LONGE” and “NJA KA”; two amazing titles from the LP Retro 2000.

Having remained continuously active since 1971, the Yoruba Singers are the longest-running musical group in Guyana. Emerging from a music scene mostly dominated by slick, commercial entertainment, the Yoruba Singers brought a new dimension to Guyana popular music, cooking up a potent stew of afrocentric vibes, steeped in a committed invocation of the country’s African heritage. The Yoruba Singers released several recordings during their imperial period in the nineteen seventies and eighties, but what is broadly regarded as the group’s magnum opus is the 1981 album Fighting for Survival. The album sums up the group’s first decade of operation, serving up a heavy mix of calypso, jazzy funk, reggae and afrobeat. Initially released on the short-lived Interculture label and later reissued on a Guyana-only compact disk, the album has long been more talked about than actually heard. But thanks to Cultures of Soul a new edition is now available in wide release, and with it comes the opportunity to experience some of the deepest grooves the Caribbean has to offer!

South African disco release. The title track ‘Dance’, written by Belgian composer Frank Degrijse, was released by Night Force and became a hit throughout Europe in 1980.In South Africa the song was released with permission at a slower tempo (the original 45rpm was ‘officially’ slowed down to 33rpm). Added to this are four tracks by Music Team’s in-house production team the Tom Cats - including dub reworkings of recent Afrosynth releases ‘Burnin Beat’ and ‘Searchin’, here released as ‘Hot Stuff’ and ‘Search For Love’ respectively. Synth-heavy oddities ‘You Are My Fire’ and ‘Shake Shake’ make up the rest of the tracklist.