LP

Grammy nominated producer Like (Kendrick Lamar, Curren$y & Anderson .Paak) releases his follow up solo album with Jakarta Records.From their youthful mixtapes Sealed For Freshness, Church League Champions to their breakout mixtape Mania! and two studio albums The Div and G.M.B., the trend-setting California trio Pac Div (brothers LIKE & Mibbs and BeYoung) have always been a little ahead of the curve. In the meantime Like has officially stepped into the forefront and has been quickly establishing himself as a multi-faceted solo artist, producer and DJ.Never one to be relegated to just one creative medium, the mic isn’t the only vehicle of expression for this renaissance man. Eager to put his sonic stamp on the game, Like secretly honed his skills behind the boards for years before making his presence as a producer known to the world. With an eclectic sound inspired by everything from J Dilla and DJ Premier to Chicago juke and Radiohead, he would soon begin cooking up sound creations for up and coming emcees. One of those tracks, “Dying of Thirst” would land on Kendrick Lamar’s breakout 2012 LP good kid, m.A.A.d city. The track earned him a much coveted Grammy nomination as well as solidified Like as a new force on the production side. Continuing to build on his synergy with the TDE camp, he also produced Anderson .Paak’s “Room In Here” featuring The Game & Sonya Elise from Paak’s runaway smash album “Malibu“.LIKE: „It takes me a long time to create. Especially when I thrive on inspiration. I need the experiences of life to help push me artistically. The reason I titled this album 'Songs Made While High' wasn't because I'm a pseudo-druggy (I only smoke weed and occasionally take shrooms). As cliche as it may sound, music gets me high. I'm addicted to sounds and melodies, Chords and samples- colors and soundscapes my brother and I heard growing up in church, or cleaning our parents home Saturday mornings (mom always played Sade and Anita baker). My dad always played and sang beautiful songs on his upright piano.” Ready to show his full potential and further imprint his name on the culture, Like is reminding fans across the world of why they fell in love with hip-hop. „Songs made While High“ marks the follow up to his solo artist debut „Emeralds“ he released through his own imprint „Squatch Records“ earlier 2016. The record features the upcoming super star vocalist Anderson .Paak & Kali Uchis. The music videos for “Vice” (Sep.6th), “Miss Me With That” (Sep.20th) & “Lamped”(Oct.3rd) will be featured widely in the www.

Wally Badarou released his debut solo album ‘Back To Scales’ in 1980 on Riviera LM Recording System, which was a subsidiary of classic French label Barclay. The album has been long out of print for a very long time and is deemed by connoisseurs as a classic album of it’s time because of it’s fusion with the emerging electronic sounds with Wally’s enchanting melodies. Here made available again through the UK imprint Love Vinyl. 500 copies on the initial pressing

Straight from the northwest 1980, Freeway was the band you could catch any weekend playing gigs in Portland and Seattle.. Their coveted AOR boogie debut 7" on Nebula Circle "Get The Feelin" is what originally started this project with PPU records, Mark J (keyboardist/songwriter/vocalist) had some original copies in the safe deposit box.. Nebula Circle was a local Oregon label that released Shock and Nu Shooz's first recordings! Freeway had another vinyl LP debut in the 80s, but it only made limited local waves, impossible to find today, so Mark J went back in the studio and pulled all these recordings from the archives, and luckily found other solo projects featured on this LP. Limited to 500 copies.

Jazz and Gnawa fusion album recorded in Morocco by Bologna-based Fawda Trio and London duo LV (under their SwamiMillion alias).The album began with a live collaboration between Fawda Trio and SwamiMillion in Bologna in 2013 and culminated with a ten-day recording session in the old city of Essaouira in 2014, featuring local musicians including the acclaimed Gnawa master Maalem Soudani.The album is conceived as a journey to Essaouira and features original compositions by Fawda Trio, who work at the nexus of African-American traditions and Gnawa music with keyboards, percussions, and gimbri, as well as two electronic pieces based on sampling by SwamiMillion and covers of traditional Gnawa and Morrocan pieces.Following the recordings in Morocco, the album was produced and mixed by LV in London and mastered by Ian Carter (Various Productions, Stick In the Wheel, Cosmic Bridge).A unique take on Gnawa that spans jazz, hip-hop, electronic music, and modern classical.