Soul-Funk

C'est Tout

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For almost 10 years and with 3 albums on the clock, Voilaaa has established itself with a unique style, reviving African rhythms and atmospheres in the colors of Disco dancefloors and Funky arrangements, all often accompanied by lyrics and vocals tinged with humor and commitment.As a result, the Afro-Tropical adventure launched by producer Bruno “Patchworks” Hovart today leaves behind a host of hits (“On te l’avait dit”, “Spies Are Watching Me”, “Ben Bene La”, …), as well as trips around the globe and as many gigs and festivals, but also and above all numerous and lasting collaborations with singers like Lass, Pat Kalla, Sir Jean, Ayuune Sule, Rama Traore, or Fouley Badiaga, the latter which also marks its great return on two tracks of the album.With C'est tout, Voilaaa returns to us without revisiting this unstoppable recipe, while seasoning things with a more Latin and Caribbean inspiration, brought back in Bruno Hovart's suitcases after several stays in South America in recent years. Introduced last spring with the release of a first maxi single, this new opus once again delivers hit after hit.As on the already famous “Faché” alongside Pat Kalla, which displays all the classic assets of Voilaaa’s sound: punchy Afrobeat horns, woozy chords and crunchy clavinet licks rising above a low-slung, hypnotic, dub disco-meets-Afro-boogie groove. The rest of the album is not to be outdone with a total of 14 wild tracks entirely composed by an unstoppable Bruno Hovart.Two exceptions confirm the rule, a beautiful interpretation of the song "Love and Death" by Ebo Taylor, where Voilaaa's Afro skills perfectly melt with Angolan and Brazilian vapors, beamed by Joao Selva's lovely vocals; as well as a magical cover of “Too Young to Die”, transporting Jamiroquai to the crossroads of Africa and the Antilles, carried by the superb vocal performance of singer Olivya (Dowdelin) for a first collaboration.Well, Voilaaa is back as its best, “that’s all” (C’est tout).

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C'est Tout

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30.00
Tracklist: 

Side 1
1. L'Intro
2. System System (feat Lass)
3. Love & Death (feat Joao Selva)
Side 2
1. Trouble Travel (feat Nai-Jah)
2. Anna Est Partie (feat Pat Kalla & Ayuune Sule)
3. Too Young To Die (feat Olivya)
Side 3
1. Mtae Rock
2. Sane Kunda (feat Lass)
3. Jolie Sarah (feat Pat Kalla)
4. Les Temps Ont Change (feat Fouley Badiaga)
Side 4
1. Fache (feat Pat Kalla)
2. Tu Nous Fatigues (feat Fouley Badiaga)
3. C'est La Danse
4. Life

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Panorama: French Soundtracks & Rarities 1969-1980

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Transversales Disques proudly presents PANORAMA, an excursion through rare French soundtracks & other rarities mostly never reissued or compiled.11 forgotten nuggets recorded between 1969 and 1980 by famous masters like Francis Lai, Alain Goraguer and Michel Magne alongside underrated composers like Jean Schwarz, Christian Gaubert or Maurice Lecoeur. A cinematic journey overflowing with moody strings arrangements, funky drum breaks, typical French basslines and psyched atmospheres.Deluxe Tip-On jacket LP including exclusive and extensive liner notes.Vinyl Only / No DigitalRemastered from the original master tapes

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TRS 31

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30.00
Tracklist: 

Side 1
1. Gilbert Becaud & Christian Gaubert - The Organization
2. Christophe - Le Dernier Des Mauvais Jours
3. Andre Popp - Sweet Mary
4. Michel Magne - Prophets (instrumental)
5. Jean Schwarz - Final Maison Rouge
Side 2
1. Vladimir Cosma - Menuet Spacial
2. Francis Lai - Theme De Simon
3. Jacky Chalard & Gilbert Deaez - L'agonie (instrumental)
4. Maurice Lecoeur - Conte Au Fil De L'eau
5. Janko Nilovic - Mouvements Aquatiles
6. Alain Goraguer - La Vie Sentimentale

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The DoctorSoul Reworks

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Limited turquoise vinyl 12"

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Michael Franks

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17.00
Tracklist: 

Side 1
1. Chain Reaction (DoctorSoul's "You Can't Fake It" - extended intro Re-Therapy)
Side 2
1. When Sly Calls (DoctorSoul "Don't Touch That Phone" - extended Re-Therapy)
2. When Sly Calls (DoctorSoul "Don't Touch That Phone" - radio Re-Therapy)

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III

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35.00
Tracklist: 

Side 1
1. It's Our Life
2. Amen
3. What A Feeling
4. Don't Cry
Side 2
1. Here You Are
2. It's Not Over For Me
3. Prove My Love
4. I'm Ready
5. Celebrate

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For You

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BVJL 90

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55.00
Tracklist: 

Side 1
1. Sparkle
2. Music Book
3. Interlude A (part I)
4. Morning Glory
5. Interlude A (part II)
6. Futari
Side 2
1. Loveland, Island
2. Interlude B (part I)
3. Love Talkin' (Honey It's You)
4. Hey Reporter!
5. Interlude B (part II)
6. Your Eyes

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Ramble In The Rainbow (green marbled vinyl 12")

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A four-piece band based in Tokyo. Initially playing reggae/dub music, the band gradually developed into an innovative fusion of diverse musical influences, such as jazz, soul, psyche pop, new age, and exotica. The sound is based on groove and euphoria, with nostalgic melodies.They have performed at iconic events in Japan such as Fuji Rock Festival, and also have been looking overseas since they performed in Canada(Toronto, Montreal, and Vancouver) in 2019. The new EP "Ramble In The Rainbow"(2024) is their first international release on the US label Peoples Potential Unlimited.The work shows their musical maturity, drawing inspiration from Sun Ra, Lee "Scratch" Perry, and Yasuaki Shimizu.

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green marbled vinyl 12"

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34.00
Tracklist: 

Side 1
1. Doors
2. Go Down The Mountain
Side 2
1. Ramble In The Rainbow
2. Nue
3. Distant Look

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Operazione Sole - Italian Pop Reggae, Dub & Summer Love Affairs

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Operation Sole like the summer, hopefully, imminent; “Operazione Sole” like the 1967 song by Peppino Di Capri, considered, perhaps wrongly, the first ska in Italy, but certainly the first to talk about Jamaica and upbeat rhythms.The record you have in your hand is intended to be a testimony to how much the sounds born in Kingston between the '60s and '70s had a significant influence on local pop.With the first explosion of reggae in England between 1968 and 1970, as well as with the rise of Bob Marley to a worldwide cult phenomenon, parallel to the all-English phenomenon of Two Tone and the ska revival, Italy, always attracted by the new trends not only English, he certainly couldn't stay on the sidelines. Therefore these innovative and unknown upbeat sounds, derived from the blues of the 1950s and mixed with a Caribbean sauce, have also taken hold in the Bel Paese.It began as early as 1959 with the song “Nessuno” by Mina, considered to all intents and purposes a Jamaican shuffle, to arrive in a few years at blue-beat (I4 di Lucca, Claudio Casavecchi) and ska (Margherita, Peppino Di Capri , Silvano Silvi, Renzo and Virginia) and be exposed to the first reggae (for example Jo Fedeli and his Italian version of “Israelites” by Desmond Dekker). Thus, we quickly reach the end of the decade of the economic boom and the culture, styles, references change: everything becomes more busy (on a cultural, artistic and political level).After a stalemate phase that lasted more than five years, Bob Marley's reggae (considered a sort of new Messiah) conquers the planet, including Italy: the producers and artists, even at a high level, for a few years do not remain at all indifferent to this novelty and decide to introduce the "upbeat", primarily reggae, into the various pop repertoires: well-known names such as Loredana Bertè, Mario Lavezzi, Rino Gaetano, Ivano Fossati, Ilona Staller, Adriano Celentano, Edoardo Bennato throw themselves headlong into new sonic adventures, in a pioneering way, but often with excellent results.The "Operazione Sole" collection wants to take the credit, instead, of proposing and discovering lesser-known artists (with the exception of Gino Santercole, former associate and relative of Il Molleggiato), often real meteors in the Italian musical panorama, who have tried to achieve (or achieve again) success by adapting the pop that was so popular in those years to the new black sounds prevailing in the West.We are in the early 80s and we range from the most classic reggae, to Italo-disco contaminated by dub up to the true Neapolitan style which, on more than one occasion, in its being endemically "black" and full of groove, has wrung out the watch out for agreements made in Kingston and London.“Operation Sun”: a pleasant philological work, but surrounded by an equally pleasant aura of disengagement.

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MD 33006

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32.00
Tracklist: 

Side 1
1. Diana Morini - Nella Mia Mente La Tempesta
2. Miro - Canne Di Bambu
3. Fiammetta - Azzurre Stelle
4. Stefano Fani - Nun T'arratta
5. Aerosol - Disco Joga
Side 2
1. Genio 84' - I Dinero
2. Feliciana - Non Ci Credo
3. Nino Forte - Piezze E Fetente
4. Gino Santercole - Ancora Noi

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Danse Cette Zik (reissue)

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‘Danse Cette Zik!’ by Parbleu is the debut LP from this enigmatic group of musicians and is a multi-cultural fever dream, wherein energized expanses of dynamic disco, futuristic funk, and cinematic jazz fusion are colored over by warming vibes of Caribbean dub, Latin tropicalia, and sunshine Afrobeat. Evocative instrumentals intertwine with breathtaking vocal performances, which move between sleepy-eyed soul serenades, mystical melodic chants, and expressive diva enchantments while pads swell in support—sometimes sparkling like ocean glass, other times raining down like a Morricone symphony.Pianos and guitars converse via funk flourishes, reggae riffs, and jazz rock solos as blazing fusion synthesizers set the air aflame. Drums move between kinetic dancefloor urgency and islander rhythm relaxation and hand percussions both organic and electronic evoke rainforest ceremonials while basslines revel in 70s fusion fire and Italo synth-funk squelch. And the entire experience has been expertly captured and magically crafted by the sorcerers of sound at the West Hill Studio, resulting in a thrilling adventure of imagined exotica, one equally adept at scoring coastal paradises, filmic deserts, riviera cruises, or nightclubs sweltering in the light of a mediterranean moon.(Words by Octagon Eyes)

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HPI 001

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28.00
Tracklist: 

Side 1
1. Danse Cette Zik
2. Atlas
3. Venus S'endort Et Moi Avec Elle
Side 2
1. Soweto
2. Pas De Saints Au Paradis
3. Le Chant Des Creatures
4. Port Royale

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Soul Makossa (Black Version)

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Second in a series of reissues from Pierre Jaubert’s Parisound studio archive on Strut Record IS Lafayette Afro Rock Band's elusive funk/Afro original album, 'Soul Makossa' originally released in 1973.Black vinyl LP In 1971, an undocumented seven-member Afro-American ensemble known as the Bobby Boyd Congress made a transformative journey from the United States to France. Bandleader Frank Abel recollects, "We sensed that the soul and funk market was saturated back home, and our original plan was a brief 6-month stint in Paris. Surprisingly, we ended up staying for a decade." Upon lead singer Bobby Boyd's return to the U.S., the group rebranded as Ice and crossed paths with independent producer Pierre Jaubert, a seasoned studio professional with credits on groundbreaking recordings alongside Charles Mingus, John Lee Hooker, and Archie Shepp, among others.Drawing inspiration from Motown's work ethic, Jaubert initiated regular rehearsals with Ice. He recalled, "I didn't want to mimic Berry, but with seven talented musicians collaborating daily, something unique emerged." The band, residing in Paris and immersed in the African-dominated Barbesse district, began infusing African elements into their music frequently performing with Paris-dwelling Camaroonian and legendary composer Manu Dibango.Rechristening themselves Lafayette Afro Rock Band, the group's musical direction shifted towards predominantly instrumental compositions, characterized by a weightier, more intricate Afro-funk sound. Their debut recording under this new moniker, 'Soul Makossa,' made a powerful impact with a dynamic rendition of Dibango's classic, coupled with the intense break of 'Hihache' and the contagious 'Nicky.' Initially released by Musidisc in France and later in the U.S. via Editions Makossa, the album omitted the title track due to publishing clearance issues.Despite modest sales upon its initial release, the album's enduring influence became evident as hip-hop culture surged in the '80s, establishing it as a primary source for samples and riffs. The iconic 'Hihache' break found fame in Biz Markie's 'Nobody Beats The Biz,' and tracks from the album were lifted by LL Cool J, The Beatnuts, Kruder & Dorfmeister, and numerous others.

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STRUT 300LPB

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32.00
Tracklist: 

Side 1
1. Soul Makossa
2. Azeta
3. Oglenon
Side 2
1. Voodounon
2. Hihache
3. Nicky

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Malik

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First in a series of reissues from Pierre Jaubert’s Parisound studio archive on Strut Record IS Lafayette Afro Rock Band's elusive funk/Afro original album, 'Malik,' originally released in 1974. Black vinyl LPIn 1971, an undocumented seven-member Afro-American ensemble known as the Bobby Boyd Congress made a transformative journey from the United States to France. Bandleader Frank Abel recollects, "We sensed that the soul and funk market was saturated back home, and our original plan was a brief 6-month stint in Paris. Surprisingly, we ended up staying for a decade." Upon lead singer Bobby Boyd's return to the U.S., the group rebranded as Ice and crossed paths with independent producer Pierre Jaubert, a seasoned studio professional with credits on groundbreaking recordings alongside Charles Mingus, John Lee Hooker, and Archie Shepp, among others.Drawing inspiration from Motown's work ethic, Jaubert initiated regular rehearsals with Ice. He recalled, "I didn't want to mimic Berry, but with seven talented musicians collaborating daily, something unique emerged." The band, residing in Paris and immersed in the African-dominated Barbesse district, began infusing African elements into their music frequently performing with Paris-dwelling Camaroonian and legendary composer Manu Dibango.Under the new moniker Lafayette Afro Rock Band, the group's music transitioned to predominantly instrumental compositions, featuring a denser Afro-funk sound. Their inaugural recording with the new name, 'Soul Makossa,' included a compelling rendition of Dibango's classic and the impactful break in 'Hihache.' The subsequent release a year later, 'Malik,' refined their sound with the percussive Afro party jam 'Conga,' the atmospheric vocoder and piano-led piece 'Djungi,' and the robust funk of 'Darkest Light.' Despite a limited impact upon its initial release, 'Malik' found appreciation as hip-hop culture flourished in the '80s, establishing itself as a rich source of samples and riffs. 'Conga' was featured in the 'Ultimate Breaks And Beats' series, while the opening horn line from 'Darkest Light' became a pivotal hip-hop motif, employed by Jay-Z, Public Enemy, Wreckx 'N' Effect, and many others

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STRUT 299LPB

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32.00
Tracklist: 

Side 1
1. Djungi
2. Raff
3. Conga
4. Avi-vo
Side 2
1. Malik
2. Darkest Light
3. Baba Hya

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