Les Disques Bongo Joe

Azerbaijani Gitara

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Rüstəm Quliyev was born in 1969 in the village of Kosalar, Nagorno Karabakh. At the age of seven he had already mastered the tar before moving on to play the saz. He first encountered the guitar whilst doing his military service for the USSR in Russia and quickly made a name for himself as a guitarist after returning to Azerbaijan. During the early 1990s, after years of intense fighting, he had to flee his home due to the conflict in Karabakh and settled in the capital city Baku where his guitar playing took on a new character. Here he played at weddings, made TV appearances and recorded numerous cassettes with small labels in the city.Rüstəm’s guitar playing not only drew on the rich traditional music of Azerbaijan but his thirst and passion for music also meant that he incorporated styles from across the globe into his repertoire- from Bollywood disco tunes and Afghan pop songs to Iranian street melodies and Spanish flamenco. He crafted a unique sound within an already idiosyncratic subculture of Azerbaijani electric guitar music. Sadly his career was brought to a sudden end in 2005 after a short battle with lung cancer. His music, however, lives on remaining popular throughout the country.This cassette of archival recordings, produced in collaboration with Rüstəm Quliyev’s family, marks the first international release of this guitar legend's music.Since the late 1960s the guitar has been adopted and transformed by musicians across the Caucasus. Inspired by traditional genres, such as the courtly mugham and the songs and tunes of ashiq bards, guitarists have developed a unique sound, new techniques and styles of playing. Gitara traces the development of this musical subculture, following the lives of guitarists from the suburbs of Azerbaijan's capital Baku to the rural villages of Borçalı (Kvemo Kartli) in Georgia.

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BJR 53

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25.00
Tracklist: 

Side 1
1. Ay Dili Dili
2. Aman Tello
3. Efqan Musiqisi
4. Iran Teraneleri
Side 2
1. Tancor Disko
2. Fars Musiqisi
3. Yaniq Keremi
4. Neycun Gelmez

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Maghreb K7 Club : Synth Raï, Chaoui & Staifi 1985-1997

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BJR 045

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22.00
Tracklist: 

Side 1
1. Zaidi El Batni - Malik Ya Malik
2. Nordine Staifi - Zine Ezzinet
3. Chabati Le Jeune - Mani Mani Maane
4. Rabah El Maghnaoui - Kountie Ghalia
5. Rabah El Maghnaoui - Amayna Alik Anti
Side 2
1. Nordine Staifi - Goultili Bye Bye
2. Bnat El Maana - Hata La Lile Ya Moul Jalab Tayfiya
3. Rachid Staifi - Ya Lekbida
4. Salah El Annabi - Hata Fi Annaba
5. Mokhtar Mezhoud - Kharjet Mel Haman
6. Mokhtar Mezhoud - Rahoum Yegoulou Sabirine

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Léve Léve : Sao Tomé & Principe Sounds 70s-80s Vol.1

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Comes with a 38 pages bookletThe two Portuguese-speaking African islands of Sao Tomé & Principe, located in the Gulf of Guinea, created an unique music called Puxa : a refined mixture of various musical components from both sides of the Atlantic Ocean. A blend of Semba, Merengue, Kompas, Soukouss, Coladeira patterns, often pushing forward with a voodoo-like energy, solid bass lines, delicate melodies and backing harmonies of the rich Sao Tomean melodic traditions. Very first compilation focusing on the golden age of these island’s sounds, the 16 tracks selected will surely set fire on all dance floors

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BJR 040LP

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Tracklist: 

Side 1
1. Africa Negra - Mino Bo Be Quacueda
2. Africa Negra - Zimbabwe
3. Sangazuza - Sun Male
4. Os Untues - Chi Bo Sa Migu Di Vede
Side 2
1. Sum Alvarinho - M'konveta Dedo
2. Conjunto Equador - Mado
3. Tiny Das Neves - Cladenco Pade Cluco
4. Conjunto Mindelo - Taji Ocedo
Side 3
1. Africa Negra - Aninha
2. Pedro Lima - Nga Ba Compensadora
3. Sangazuza - Corticao
4. Os Untues - Piquina Piquina
Side 4
1. Conjunto Equador - Meu Dy Ploco
2. Sum Alvarinho - Tola Muandgi
3. Pedro Lima E Conjunto Os Leonenses - Esatela Licu
4. Agrupamento Da Ilha - Bo Gosa Di So Txi

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KAR YAGAR

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Two years after the success of „Nem Kaldı“, outernational psych-pop sensation Derya Yıldırım & Grup Şimşek deliver their debut album, „Kar Yağar“! Over the course of it’s 12 tracks, the powerful sound of the Bağlama (Turkish lute) and Derya Yıldırım’s stunning vocals, builds and unravels stories together with the guitars, organs, drums, flute and bass. Kar Yağar (which translates as „Snow Falls“) has the dynamics of an epic journey through the Anatolian highlands; where deep-rooted folk effortlessly switches to sparkly improvisation or dancy pop tracks. The album was self produced at their studio in the French Alps, and the band's tour de force resides in their ability to develop their personal sound and approach whilst keeping their heart tuned to Derya Yıldırım's Anatolian roots. Original songs and instrumentals - all composed and arranged by the band - are scattered throughout the album. Notably „Seni Hala“, a tear-drawing ballad with stripped-down acoustic arrangement and haunting choir… And Graham Mushnik’s dreamy instrumental „Çocuklar“, in which the band chose to feature a poem by one of Turkey's most renowned 20th century poet Nâzım Hikmet Ran whose title translates as „give the world to our children“. The poem is meaningfully read by Derya’s father Mustafa Yıldırım. The LP also contains a string of Turkish folk songs, that the band entirely re-arranged whilst preserving their original spirit and soul. In „Ey Şahin Bakışlım“ Grup Şimşek pay tribute to the Alevi culture, a minority community in Turkey for which music - and particularly the Bağlama instrument - has a sacred value. A powerful and majestic version of Mahzuni Şerif’s „Dom Dom Kurşunu“ - one of Grup Şimşek fans’ favourites at live shows - is also featured.

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BJR 028LP

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22.00
Tracklist: 

Side 1
1. Uc Kiz Bir Ana
2. Kurk
3. Kar Yagar
4. Nefes
5. Dom Dom Kursunu
6. Cocuklar
Side 2
1. Seni Hala
2. Bir Kardesim
3. Cocuklar 2
4. Hekimoglu
5. Ey Sahin Bakislim Bulbul Avazlim
6. Oy Oy Emine

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Oy Oy Emine

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BJR 45010

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14.00
Tracklist: 

Side 1
1. Oy Oy Emine
Side 2
1. Kurk

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Spirit Rejoin

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Listening to the music of Al Doum & Faryds is always like staying in the pristine nature of an exotic desert island, in the sacred harmony of a New Organic Society; imaging all brothers and sisters singing and dancing in the unity of the brotherhood. This is the message of love and joy that seems to pervade the fourth album of the Milanese band.Compared to previous works, the substantial characteristics of the sound remain a powerful rhythmic basis and the prestigious skill in the poly-rhythmic dynamics; everything is however moved towards accents of more markedly jazzy ancestry. Basically the Faryds absorb and re-elaborate with remarkable insights disparate elements and influences of certain Electric Jazz or Rock- Jazz-Blues of the ’70 (Miles David, Dr.John, Graham Bond, Jeremy Steig) and Spiritual Jazz (Sun Ra, Pharoah Sanders, Don Cherry, Brother Ah), marrying them with the forceful instances of certain Afro-Free (Pyramids, Alkebu-Lan) and the more Freak-Jam plots typical of Space Rock. The sense of complete unity is also rooted in the balanced synergy and chorality of the instruments, which enjoy a perfect osmotic reciprocity and complementarity. A very important role is played by the entry of Fender Rhodes that chromatically emphasizes the parts as counterpoints and hypnotics ostinatos chased by the dense timbral mixtures of alto-sax and flute (Light Up) and roaring wah-wah guitars with flowing acid trajectories. The Holy Magic of the Faryds can lead to states of hypnotic trance in the inner abyss of infinite echoes (Drums Odyssey), open spaces of whirling freepsychedelia with unbridled and hyper-vibrating dilatations (Satieva), give moments of intense ritual concentration with accurate inserts of choral-religious invocation (Unity Is Brotherhood and Weed And Love) or more solemn orchestral sections with precious brass arrangements (Solchi). A pure joy scented with warm oriental radiance is reached with a touching final Raga-Folk (the titletrack) for sitar, acoustic guitar, percussions and rattles, chant and clapping hands. It’s the ideal evocation of music for the heart, mind and body in a journey of total pranic breath. Spirit Rejoin is the celebration of a new collective soul, a great cathartic ritual and an endless party with birds, plants and all the animals in the circle of devotion.

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BJR 032

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26.00
Tracklist: 

Side 1
1. Weed And Love
2. Jimmy's Gun
3. Light Up
4. Solchi
Side 2
1. Satieva
2. Unity is Brotherhood
3. Drums Odissey
4. Spirit Rejoin

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Tatli Dile Güler Yüze/Hababam

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New 45t from Altin Gun Turkish psych heroes: A side features the killer first song of their album Tatli Dile Guler Yuze B side features the unheard yet instrumental track Hababam

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BJR45 006

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14.00
Tracklist: 

Side 1
1. Tatli Dile Guler Yuze
Side 2
1. Hababam

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On

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Debut album by dutch act Altin Gün, offering an exciting mix of Turkish folk, psychedelia, funk and rock.Altin Gün was found ed by Dutch bass player Jasper Verhulst (a.o. Jacco Gardner's band), who is fascinated by Turkish '70s artists such as Selda, Baris Manço and Erkin Koray. Together with Ben Rider (guitar), Nic Mauskovic (drums), Jungle By Night's energetic percussionist Gino Groeneveld and Turkish musicians Merve Dasdemir and Erdinc Yildiz Ecevit, he revives the spirit of the Turkish '70s scene and also includes influences from western rock.

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BJR 025

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23.00
Tracklist: 

Side 1
1. Tatli Dile Guler Yuze
2. Kirsehir'in Gulleri
3. Goca Dunya
4. Halkali Seker
5. Caney
Side 2
1. Sad Olup Gulmedim
2. Cemalim
3. Cicekler Ekiliyor
4. Kaymakamin Kizlari
5. Seker Oglan

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Chenar Le Blues

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Bongo Joe’s 45s series continues, presenting for the first time music from the past. This fifth single focusses on legendary Algerian kabyle rock band Abranis founded in 1967.The band pioneered the fusion of chaabi (traditional) music with 60s-70s western rock, proudly singing in their own berber kabyle language while wearing hippy rockers outfits. Their shows - in deeply influenced by Pan-Arabism conservative Algeria - were often cancelled by governors and the band once was arrested by the police, generating riots. They kept on playing and recording until mid 90s.This 45 presents two majors tracks from the band:Chenar Le Blues, released in 1977, was a big hit on Algerian national radio. The band’s response to The Doors.Avehri, released in 1983, shows the band’s obsession with merging different music styles with the North African tradition. This one goes strangely reggae.

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BJR 45005

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11.00
Tracklist: 

Side 1
1. Chenar Le Blues
Side 2
1. Avehri

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Goca Dunya

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Reviving Turkish brews of folk, psychedelia, funk and rock in the 1970s — legends like Selda, Barış Manço and Erkin Koray — with a mixture of covers and new arrangements.

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BJR45 002

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14.00
Tracklist: 

Side 1
1. Goca Dunya
Side 2
1. Kirsehir'in Gulleri

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Original
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