Experimental/Electronic

Nuits De Printemps Avec Abdou El Omari

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BACK IN STOCK Re-issue of this unknown Oriental psych monster from the organ king of Casablanca, combining traditional rhythms with spaced out modern sounds. Third part of Abdou El Omari's Nuits-trilogy.

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RMLP 003

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1
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18.00
Tracklist: 

Side 1
1. Alghoroub
2. Nakhil
3. Layali Rabih
4. Raksat Al Atlas
Side 2
1. Angham Chaabya
2. Agadir
3. Marsoul Alhoub

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Non
Forthcoming: 
Non
Origine: 
Original
Newsletter: 
Non
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Nuits D'Ete Avec Abdou El Omari

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BACK IN STOCK Re-issue of this unknown Oriental psych monster from the organ king of Casablanca, combining traditional rhythms with spaced out modern sounds. First part of Abdou El Omari's Nuits-trilogy. Part 2 and 3 will be re-leased in the next few months.

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RMLP 001

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18.00
Tracklist: 

Side 1
1. Rajaat Laayoun
2. Layali Saif
3. Afrah El Maghreb
Side 2
1. Hind
2. Zifaf Filfada
3. Mawa'aid
4. Fatine

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Non
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Non
Origine: 
Re-Issue
Newsletter: 
Non
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Nuits d'Eté avec Naima Samih

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BACK IN STOCK Re-issue of this unknown Oriental psych monster from the organ king of Casablanca, combining traditional rhythms with spaced out modern sounds.Second part of Abdou El Omari's Nuits-trilogy. Part 3 will be re-leased in the next few months.

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RMLP 002

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1
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18.00
Tracklist: 

Side 1
1. Rmani Rih
2. Zifaf Filfada
3. Khallani Ghriba
Side 2
1. Musika Munreal
2. Twahachna Klamak
3. Raksatoun Fillail

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Non
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Re-Issue
Newsletter: 
Non
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Abuja

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Melbourne’s Left Ear Records return with an EP release extracted from a lost ’93 CD only album by famed Nigerian artist ‘Jay U Xperience’. Here, modern technology meshes with timeless African Rhythms and the heartfelt influences of New York City.Jay U Xperience is the pseudonym of acclaimed Nigerian musician Justus Nkwane.His first release ‘Enough Is Enough’ was a heavy blend of psychedelic rock and funk epitomising 1977 and yet foreshadows Justus’ experimental and genre-spanning inquisitiveness. Justus wouldn’t record another album until 1993 while living in New York City. Here he emerged with ‘Ancestral Call’, an album that he describes as a “once in a lifetime event”, something from his “inner spiritual guts”. Equipped with a Roland R-5 drum machine and a Roland U-20 synthesizer to extract melodies he was able to create tunes that encapsulated contemporary technology with timeless traditional African rhythms, creating a work that sounds just as relevant Today as it did then. Tracks like ‘Back To Motherland’ & ‘Ancestral Call’ personify this sound, while ‘Okokobioko’, is an onomatopoeic excursion in losing yourself to the rhythm, the EP is then rounded off with the title track ‘Abuja’, a ghostly striped back piece.

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LER 1019

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12.00
Tracklist: 

Side 1
1. Back To Motherland
2. Ancestral Call
Side 2
1. Okokobioko
2. Abuja

Second_hand: 
Non
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Non
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Original
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Synthétiseurs, Samplers & Polarweiss

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Unheard tracks of french musician Patrick Michaud. A journey from synth to computer, a sequence of the New Wave mutation in between two decades. 1988 - 1992.

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DEL 04

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33.00
Tracklist: 

Side 1
1. Wild Kingdom
2. Crazy
3. The Way
4. Andromeda
Side 2
1. Memory
2. Lamentations (intro - live)
3. Lamentations
4. Computer (intro - live)
5. Computer

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Non
Origine: 
Original
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The Nature Of Human Nature

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Compilation of work from the group, spanning 1986 to 1991.. Dub infused experimental tunes here! Politico dub-collage practitioners Guerilla Welfare came from Edmonton, Alberta, coincidentally the birthplace of prophetic media sage Marshall McLuhan. Armed with vanguard ideas taken from Steve Reich, Fela Kuti, Robert Fripp and Material, the duo of Curtis Ruptash and Brian Schultze adopted the “studio as instrument” mindset of Eno and King Tubby creating complex textural and polyrhythmic sonic insurgencies. They overdubbed drum computers, guitar, bass, noise-makers, mallet percussion, sitars, often accompanied by sampled vocals and found sound taken from TV. Their pan-global, multi-media palette supported zeitgeist commentary — often, with a healthy dose of gallows humour — on gender, power structures, and sexual and geopolitical tensions in the late 80s. Their DIY bunker studio experimentations align them with genre defying dub-infused outfits like African Head Charge, Dome, Lifetones, Naffi, Woo, Negativland and The Residents. The Nature of Human Nature captures Guerilla Welfare’s most formidable output, compiling tracks selected from their entire discography (two LPs and a cassette collaboration with poet Mary Howes), all originally self-released from 1986 to 1991. Remastered from the original tapes.

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MP 005

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30.00
Tracklist: 

Side 1
1. Melting Pot
2. Fear Arises
3. Aggression
4. Thought Breeds Fear
5. Easy Street
Side 2
1. Atom Bomb
2. Rock-A-Bye
3. I Was Born
4. All Things Are Connected
5. So, Today...

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Original
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Dschung Tek Ep

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Music From Memory are back with their first 12” of 2019 in the form of a five track EP from prolific German drummer Curt Cress.Since the early 1970s Cress has worked with a number of high profile German bands such as Passport, Atlantis and Snowball as well as on cult Disco records with studio groups such as Tender Aggression and Chime. Working tirelessly as a session musician for countless German and International Jazz, Rock and Pop acts, Cress has also worked extensively as a Producer, most notably for Nina Hagen. Cress would also record a number of records as a solo artist, with his unique sensibility as a drummer given centre stage.MFM 038 features three deep percussive workouts from his 1983 solo album ‘Avanti’, a record which has been a long time favourite the label. With the tracks ‘Power Vein’ and ‘Sundance’ now finally available on a loud 12” pressing. The EP also features two direct detours into House music by Curt with alternate versions of the forward thinking drum track ‘Dschung Tek’. Released in 1991 under Curt’s ‘C.C’ moniker, ‘Dschung Tek’ has been another big favourite of the last few years at the label after a tip by way of their pal Tornado Wallace.

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MFM 038

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18.00
Tracklist: 

Side 1
1. Dschung Tek (long version)
2. Dschung Tek (No live Drums)
Side 2
1. Sundance
2. Power Vein
3. Flying High

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Original
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Blue Grass EP

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Into the light proudly picks four utterly spellbinding highlights of this totally unheard material. More specifically, the ep offers two long instrumental tales and two somewhat personal songs that all together share the same syncretic blend of European and Southeastern nuance. Swaying rhythms, obscure but hilarious lyrics, pitched up Jean-Luc Ponty influenced bass-lines and proto-dreampop experiments by one of Athens' most promising but short collaborations from the early 80's. Immerse yourself!

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ITL 009

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14.00
Tracklist: 

Side 1
1. Blue Grass 1
2. Little Fox
Side 2
1. Blue Grass 2
2. Sun

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Original
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Content To Write In I Dine Weathercraft

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Former member of Dublin punk band The Threat, Stano released his debut LP on Scoff Records in 1983. Recorded in Alto Studios, the Irish artist eschewed live performances in favour of fusing collaborative, improvised, experimental music with spoken word-poetry. The LP featured contributions from fellow Irish musicians and artists such as Michael O'Shea, Roger Doyle, Donald Teskey, Vinnie Murphy, Detroit born Jerome Rimson and is a seminal document of Irish postpunk

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ACSLPX 1

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15.00
Tracklist: 

Side 1
1. White Field (In Isis)
2. Seance Of A Kondalike
3. Blue Glide
4. Out Of The Dark, Into The Dawn
5. Young Colatic Child
6. Fox
Side 2
1. Melting Grey
2. Whale
3. Emma Wild
4. A Dead Rose
5. Vixen
6. Room

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Non
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Re-Issue
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Walkman

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Music From Memory’s latest release sees the reissue of G.B. Beckers' 'Walkman' album from 1982.A painter and musician from Aachen, Germany, Günther Beckers created his third album ’Walkman' to coincide with an exhibition of his latest body of artwork in 1982. Released on his very own 'Milky Music' label with a run of just 500 copies and original pieces of artwork included with some copies, most copies of the album however remained amongst art collectors and with the painter himself. Rediscovered a few years ago through a friend of Music From Memory in the archives of a local radio station where all but one of the stations copies had been destroyed, it has been an album the label have been in love with since the first listen.Touring as a guitarist with ECM affiliated Jazz musicians such as Alex De Grassi, William Ackerman, Ralph Towner & Larry Coryell to name but a few, Günther Beckers also would record on a number of releases of Klaus Schulze’s cult electronic music label ‘Innovative Communication’.Always exploring new ideas and the possibilities of technology within his music, Günther would record the ‘Walkman’ album utilising the ‘Kunstkopf’ technique of sound recording. Kunstkopf or ‘Dummy Head’ recording is a 3D audio recording technology that enables listeners to define each source of sound as if they were in the original recording situation itself. Using two microphones which are usually mounted in the ears of a mannequin (giving it the ‘Dummy Head’ name in English) the technique exploits certain basic principles of human spatial hearing.Listeners to ‘Kunstkopf’ recordings are in fact encouraged to listen to such recordings on headphones, as the 3D perception is often greatly diminished on speakers. With the title ‘Walkman’ G.B. Beckers was very much hoping the album would be enjoyed on headphones, even portably through a Walkman. Minimalist variations around an acoustic guitar, guitar synth, rhythm box and with wordless female vocals, G.B. Beckers' 'Walkman' drifts in and out of moods; it is a unique and at times hauntingly beautiful album, which the Kunstkopf recording technique further adds to the albums at times often otherworldly feeling.

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MFM 035

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17.00
Tracklist: 

Side 1
1. Klangschwaden
2. Walkman
3. Kichina
4. Torso
5. Farbflugel
Side 2
1. Flugzeit
2. Herzschlag
3. Farbwalzer
4. Vollmond
5. Zeitlupentraum

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Re-Issue
Newsletter: 
Non
Partager: 

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