2015

Texture Like Sun

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BACK IN STOCK ‘Texture Like Sun’ is the follow up to the much-loved self-titled debut by Anglo-Mauritian producer, singer and percussionist Joseph Deenmamode aka Mo Kolours. NOD! TIP!The Guardian described ‘Mo Kolours’ as “the best album Curtis Mayfield never made with A Tribe Called Quest and Lee Perry”“This record is about cycles. From the tiny cycles of loops within songs to the broader cycle of the whole album, which is designed to take you away and bring you home again at the end. Loops within loops. Loops overlapping in different ways and shifting as they go can take you very far away. You hear it in lots of African music, in jazz and hip hop”.Mo Kolours explores this theme through both music and lyrics. ‘Pass It Round’ is about giving and receiving, and the importance of depending on others. ‘Orphan’s Lament’ is named after a Mongolian folk song, and Mo Kolours' own words urge the listener to “fall to get up again” among a set of inescapably linked opposites. The message may be optimistic or otherwise, depending on the listener’s point of view. The theme also appears in his choice of cover versions as he reinterprets songs absorbed in his youth: ‘Harvest For The World’ by the Isley Brothers and The Stranglers’ ‘Golden Brown’, from which the album title is derived.“The Stranglers are one of my earliest memories of music. I had an auntie who was a huge fan and my parents had all their records. ‘Golden Brown’ always gave me such a beautiful feeling, way before I knew what it was supposed to be about”.Raised on the traditional sega music of his father’s Indian Ocean homeland alongside records by the likes of Jimi Hendrix and Michael Jackson, Mo Kolours adds hip hop, dub, soul and other electronic styles to his individual sound. His approach could find him placed alongside Madlib or The Gaslamp Killer but he would be equally happy in the company of James Blake, Erykah Badu, Theo Parrish or Moodymann.“I've always admired producers who push your ear, who draw you into unexpected elements of a song. I like it when people use a minimal number of elements and find ways of making you re-engage with each of them. It can be subtle, just a drum or the repetition of a word. I was thinking about that in the arrangement of the whole album”.His energetic, improvised live show sees tracks layered up from loops of voice, percussion and drum machine before skewing in new directions. It’s a thrilling approach which has taken him to clubs and festival stages from Brighton to Brisbane, as well as to the BBC’s hallowed Maida Vale studios at the invitation of Gilles Peterson. Mo Kolours will be touring widely in support of ‘Texture Like Sun’.

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HAND 12017LP

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16.00
Tracklist: 

Side 1
1. Pots & Pans Ceremonial Intro
2. Foundation
3. Keep Cool
4. Paradise
5. Club Skit
6. Harvest
7. Where's The Salad
8. Find Out What You Want
9. Sign
Side 2
1. Second Start
2. Breathe
3. Orphan's Lament
4. Foundation Rhythm
5. Don't Poison All The Water
6. B Feeling Skit
7. Texture Like Sun (Golden Brown)
8. Tears & Sand
9. A Soul's Journey
10. Pass It Round

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Back In The Day EP

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BACK IN STOCK !!!!!The two dirty birdies from Hageby are back with the Back In The Day EP!The title cut flips a classic Brooklyn funk sample into a deep house burner, Last Night really gives it to us (baby), and Estrelar showcases the groovy disco side of the 'wo.Rounding out the EP is a Daniel Leseman remix that reworks the title track into a completely fresh production, bringing the deep dance floor heat for which the FOUK member and Outplay Records co-boss is known. All killa no filla!

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RNTR 006

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14.00
Tracklist: 

Side 1
1. Back In The Day
2. Estrelar
Side 2
1. Back In The Day (Daniel Leseman remix)
2. Last Night

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The Very Polish Cut-Outs Vol.5

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All good things come to an end, and The Very Polish Cut-Outs is no different. The fifth sampler will be the last in the much loved & long running series. For the farewell record, label boss Zambon has selected five unique reworks from top producers from Poland and beyond.Side A is aimed at the dancefloor. 'KIEDY BYLEM MALYM CHLOPCEM' was the biggest hit in the long career of Tadeusz Nalepa, the king of Polish blues. The irresistible, smooth guitar groove is combined with conscious lyrics about different views of what's important at different stages of life, served in the form of a conversation between father and son. Miod crew transform this beautiful song into peak-time killer, tailored exactly for the needs of a modern dancefloor.Moscow's man of the moment Beard In Dust edits 'BIALA SOWA, BIALA DAMA, BIALY KRUK' by Kram into a flawless disco funk bomb, fuelled by cheesy synth action. A slice of Eastern European B-Boy disco breaks.Side B brings more ethereal and psychedelic flavours to the table. 'NA KOLANA PASTUSZKOWIE' comes from Laboratorium, Poland's answer to Weather Report. Their unique take on fusion is remixed here by Daniel Drumz, one of the heroes of Polish hiphop & beat scene. This longtime turntablist leaves his rap roots and travels to the psychedelic coast to bring you an amazing piece of Baltic Beat.Last two tracks are chopped and looped by Australian hero Carpentaria in a truly Balearic fashion. 'ZA OSTATNI GROSZ' by Budka Suflera charms the listener with dripping pianos and a misty, endless soft rock groove (with added swirling synths played here by Brennan Green himself), while ZACZAROWNE MIASTO by Kombi is a dark, cinematic piece of slow synth pop.It may be the end, but The Very Polish Cut-Outs finishes off in fine style.

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TVPC 008

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15.00
Tracklist: 

Side 1
1. Miod - Kiedy Bylem Malym Chlopcem
2. Beard In Dust - Biala Sowa, Biala Dama, Bialy Kruk
Side 2
1. Daniel Drumz - Na Kolana Pastuszkowie
2. Carpentaria - Za Ostatni Grosz
3. Carpentaria - Zaczarowne Miasto

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Al Zman Saib

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8 tracks of raw Arabic funk music, none of these have ever been reissued before. So far Fadoul (or Fadaul, or Faddoul, the transcribtion of his name to latin letters differs)& his music had not been rediscovered, as a matter of fact most of those songs still left no trace whatsoever in the world wide web. It took us 2 years and countless trips to Morocco to find the artists family to license the release from them. Vinyl and CD edition come with liner notes, unseen live photos and lyrics translations.From the press release: “There was one record in particular that caught my attention. It was by a band called „Fadaul et les Privileges“ and mentioned James Brown in the writing credits of the song „Sid Redad“ on the a-side. Needless to say my expectations were high. The first time I heard the record I was blown away. A cover of James Brown’s „Papa got a brand new bag“ sung in arabic and backed by a rawly recorded three piece band. It’s hard to describe the music without having listened to it, but as time went by I somehow ended up summarizing it as Arabic funk played with a punk attitude. A description, that I feel, comes fairly close. Soon I became obsessed by the record but nobody seemed to know anything about the vinyl or the artists, even google didn’t help. A true gem forgotten about through the passages of time. I kept on traveling to Morocco trying to find infos about the artists, which did not end up being fruitful during the first couple of trips. What kept me going was the fact that over the course of the next years I kept on finding different records by Fadoul, in the end a total of four. They all had the raw sound aesthetic of „Sid Redad“. Energetic performances, a mighty voice and a very lively atmosphere that was preserved in the recordings.”“Sid Redad” has gotten plays on BBC, Radio Nova and more, our Habibi Funk mixes habe been featured by The Guardian, Radio Nova, Waxpoetics, okayplayer.com, konbini.fr and many more.

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HABIBI 0021

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30.00
Tracklist: 

Side 1
1. Sid Redad
2. Laylat Al Jabda
3. Maktoub Lah
4. Tayeh
5. La Tiq Tiq Latiq
6. Al Zman Saib
7. Kalam Al Nass
8. Taarida

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The Roundup Part II

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BACK IN STOCK !!!!The Round up part 2 marks the end of the 2nd year of Heist Recordings and stays true to it's original format: Put the names of your releasing artists together in a bowl, and let the luck of the draw decide who gets to remix who.The result is this amazing 12 inch + 10 inch heavyweight vinyl combo.The vinyl comes in an inside out sleeve with handmade special artwork by Baster. Sincerely yours, Lars & Maarten

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HEIST 013

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35.00
Tracklist: 

Side 1
1. Fouk - Lefty's Bar (Brame & Hamo remix)
2. Brame & Hamo - Hotshot (Fouk remix)
Side 2
1. Nachtbraker - You're Out Of Your Element (Detroit Swindle remix)
Side 3
1. Detroit Swindle - Alright We'll Be (M Ono remix)
Side 4
1. M Ono - Delaware State Route (Nachtbraker remix)

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Scoring Clubs Part 1

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Bionic boogie and kryptonite house. Sampled and cleared, sliced and spiced.

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RBTW-2

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14.00
Tracklist: 

Side 1
1. The Stopper (The One With The Kano sample)
Side 2
1. Fox In The Box (The One With The Matrix sample)

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The Bomb! (These Sounds Fall Into My Mind)

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The Seminal Henry Street Music bomb by Kenny "Dope" Gonzalez on fresh vinyl.

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HSM 1407

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12.00
Tracklist: 

Side 1
1. The Bomb! (These Sounds Fall Into My Mind)
Side 2
1. I Wanna Know

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Re-Issue
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Old School Junkies

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Armand van Helden's Old School Junkies on the 20th anniversary editions of this classic New York House label. Including the phenomenal "The Funk Phenomena".

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HSM 1405

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12.00
Tracklist: 

Side 1
1. All Right
2. Work Me! (Gadamit)
Side 2
1. The Funk Phenomena
2. Hey Baby

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Show Me The Way

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20th anniversary edition of this classic New York House label. Classic house from Sneak!!! Tip!

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HSM 1402

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12.00
Tracklist: 

Side 1
1. Show Me The Way
2. Show Me The Way (JohNick edit)
Side 2
1. Feels Good
2. Feels Good (JohNick edit)

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Play The World

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20th anniversary edition of this classic New York House label. First off is the great JohNick Classics Play the World and Good Time.

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HSM 1401

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12.00
Tracklist: 

Side 1
1. Play The World
Side 2
1. Good Time

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Re-Issue
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