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Under Burning Skies

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Canada’s fastest moving and hardest working collective are back with one of their finest albums to date, a brand new journey into tropical, soul and jazz styles on their scorching new release, ‘Under Burning Skies’.Turbulent times call for strong voices and The Souljazz Orchestra’s new set packs a suitably heavy lyrical punch, with wry observations and an urge for progressive change. Musically, the band continue to push the limits, dusting off ‘80s vintage synthesizers and early drum machines for the first time, bringing lo fi disco, boogie and electro touches to their trademark horn arrangements and earthy analogue sound. The fruits are a-plenty and the group sound at their confident and versatile best from start to finish.Opener ‘Dog Eat Dog’ powers in with Mabinuori Idowu and Philippe Lafrenière lambasting the powerful and the corrupt over an infectious Afro-disco groove, ‘Lufunki’ takes the group right back to their B-Boy roots, bringing the Afro vibes to Beat Street and ‘Is Yeelyel’ delivers a killer rework of an obscure original by Somalian super-group Dur-Dur Band. The band go on exploring their passion for French Caribbean styles on the beautiful, lilting ‘Oublier Pour Un Jour’ and ‘Tambour À Deux Peaux’ and they take time for reflection on the potent instrumental title track and poignant closer ‘Aduna Jarul Naawo’, featuring the vocals of Élage Mbaye. The Souljazz Orchestra continue to be an unstoppable force. Nominated for a Canadian Juno award for the third time in 2016, the band regularly tear up venues worldwide through their punishing touring schedule – they have played to audiences in over two dozen countries across the globe and have shared bills along the way with heavyweights as varied as Stevie Wonder, Bob Dylan, and Femi Kuti. Not many bands out there have been going for 15 years with their original line-up still intact while still sounding as fresh as this. As saxophonist Ray Murray says, “Souljazz is more than just a band for us, it’s a way of life.” ‘Under Burning Skies’ is released on LP, CD, cassette and digital formats. The LP is pressed on bright yellow vinyl and all formats feature superb illustrated artwork by The Souljazz Orchestra’s Pierre Chrétien.- Great new album from groundbreaking Canadian collective exploring Afro, Latin and tropical styles- Includes new version of Dur Dur Band’s ‘Is Yeelyel’- Striking artwork and pressed on yellow vinyl- Full European tour accompanies release of album during Autumn 2017

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STRUT 155LP

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Dog Eat Dog
Lufunki
Adawe Boogie
Prix panier: 
30.00
Tracklist: 

Side 1
1. Dog Eat Dog
2. Lufunki
3. Is Yeelyel
4. Oublier Pour Un Jour
5. Under Burning Skies
6. Holla Holla
7. Adawe Boogie
8. Sorrow Fly Away
9. Tambour A Deux Peaux
10. Aduna Jarul Naawo

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Jungle Music (Mixed With Love: Essential & Unreleased Remixes 1976-1986)

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Strut present a new reissue of Walter Gibbons’ ‘Jungle Music’ compilation LP, the definitive collection of Gibbons’ groundbreaking remixes during the heyday of New York’s disco era.Walter Gibbons remains one of the most important and unheralded DJ / remixers in New York dance music history, a pioneer of reel to reel edits and the art of the remix and a tangible link between early hip hop and disco through his quickfire turntable skills developed during the mid-70's.At his famed residency at Galaxy 21 (alongside a then young percussionist, Francois Kevorkian), Gibbons perfected his turntable prowess, mixing two copies of records seamlessly at a similar time to Kool Herc's famed block parties across town in the Bronx in 1975. He was among the first to make his own reel to reel edits of tracks, extending breaks and restructuring tracks specifically for the dancefloor. As a direct result, he was the first DJ to be granted access to multi-track tapes as Ken Cayre's Salsoul Records brought him in to re-work Double Exposure's 'Ten Percent' in '76, a mix that would set the blueprint for disco, the 12" format and all future dance music mixes.This compilation focuses on some of the more adventurous and ground-breaking mixes that Gibbons produced during the disco era including a freeform treatment of Dinosaur L's 'Go Bang', Paradise Garage favourite 'You Are My Love' by Sandy Mercer and underground disco rarity, 'I've Been Searching' by Arts & Craft.- Reissue of the definitive compilation of 12” mixes by Walter Gibbons- Features rare and acetate-only mixes released widely for the first time- Includes full Walter Gibbons biography by author Tim Lawrence + rare photos- Original LP release in-demand and now fetching large sums on Discogs

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STRUT 066LP

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It's A Better Than Good Time (Walter Gibbons Acetate mix)
Go Bang (Walter Gibbons unreleased mix)
Moon Maiden (12" mix)
Prix panier: 
38.00
Tracklist: 

Side 1
1. Jakki - Sun... Sun... Sun (Walter Gibbons original 12" edit)
2. Gladys Knight - It's A Better Than Good Time (Walter Gibbons Acetate mix)
Side 2
1. TC James & The Fist O'Funk Orchestra - Get Up On Your Feet (Keep On Dancin') (Walter Gibbons mix)
2. Sandy Mercer - You Are My Love (12" version)
Side 3
1. Bettye Lavette - Doin' The Best That I Can (Walter Gibbons 12" mix)
2. Arts & Craft - I've Been Searching (Walter Gibbons 12" mix)
Side 4
1. Dinosaur L - Go Bang (Walter Gibbons unreleased mix)
2. Luv You Madly Orchestra - Moon Maiden (12" mix)

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Non
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Re-Issue
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World Wide Funk

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M75141

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Pusherman
Illusions
Thera-P
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32.00
Tracklist: 

Side 1
1. Worldwide Funk
2. Bass-Rigged System
3. Pusherman
4. Thera-P
Side 2
1. Hot Saucer
2. Heaven Yes
3. Ladies Nite
4. Candy Coated Lover
Side 3
1. Snow Bunny
2. Hi-On-Heels
3. A Salute To Bernie
4. Boomerang
Side 4
1. Worth My While
2. Come Back Bootsy
3. Illusions

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Afternooners

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Dark Entries and Honey Soundsystem Records have teamed up once more to release the final volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. One of the most revolutionary and influential figures in the canon of disco, Cowley created his own brand of Hi-NRG dance music, “The San Francisco Sound.” Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in 1971 to study at the City College of San Francisco. He founded the Electronic Music Lab at the school, where he would make experimental soundtracks by blending various types of music and adapting them to the synthesizer.

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DE 185

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Big Shot
Surfside Sex
Hot Beach
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28.00
Tracklist: 

Side 1
1. Big Shot
2. Surfside Sex
3. Hot Beach
Side 2
1. The Runner
2. Furlough
3. One Hot Afternoon
Side 3
1. Leather Bound
2. Bore & Stroke
3. Cycle Tuff
Side 4
1. Jungle Orchids
2. Take A Little Trip
3. Love Come Set Me Free

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Non
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Original
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1 By 1

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Music From Memory's final compilation of 2017 sees the release of the double album “1 by 1”, which brings together the works of American experimental musician Geoffrey Landers. During a period spanning from 1979 to 1987, this Denver, Colorado based multi-instrumentalist, composer, record producer and engineer, conceived several solo albums. Only two of these, “The Ever Decimal Pulse” and “Habitual Features” along with the single “Breedlove” were ever released on vinyl.Being heavily involved in the local industrial/punk/new wave scene and wanting to create a recording studio “available to record artists regardless of their financial circumstances” Landers set up “The Packing House Studio” in 1981. This analog 8-track recording facility was located in a former slaughterhouse in the stockyards of Denver and was a place of significant activity for the next three years with the studio releasing recordings from numerous artists most notably Allen Ginsberg.It was here that Geoffrey Landers also started his own aptly named “Cauhaus” label. Indicative of the underground/DIYculture, “Cauhaus” was a subsiduary of a label called Local Anaesthetics which was started as an in-store label by independent Denver record store Wax Trax. Typically Cauhaus releases were only pressed up in small quantities and independently distributed, making Lander's music essentially elusive to a wide audience. After relocating in 1984 to an art district of Denver Landers opened the “Cauhaus Institute of Recording” studio where he continued to produce music for soundtracks, art and multi media projects for the next three years, after which Landers stepped out of the music industry entirely. He currently creates and exhibits mixed-media glass art.Throughout the twenty tracks of "1 by 1", of which six previously appeared on CD only, we are submerged into a wide diversity of musical approaches from Geoffrey Landers. From the proto-house track “Logarhythms” and the heart breaking New-Wave Boogie/Funk of “Say You’ll Say So” to the more contemplative pieces such as the oriental insprired “Nisei” and the drenched in sunshine dub/reggae track “Mack” Landers shies away from musical expectations again and again; searching continually for innovative and new forms of expression.

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MFM 025

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So
Breedlove
Camella
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20.00
Tracklist: 

Side 1
1. So
2. Logarithms
3. Breedlove
4. Sex Music
5. Carry Me Off
Side 2
1. Say You'll Say So
2. Camella
3. It's Telling On Me
4. Sandbars Alone
5. Don't Push Me Away
Side 3
1. Anodyne
2. Minored Birds
3. Brian's Having A Party
4. Nisei
5. Smooth Edges
6. Overhead Glass
Side 4
1. The Alluring Pause
2. Excerpts From Ground Zero
3. 1 By 1
4. Mack

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Break At Home (Original Studio Recordings 1981-1991)

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‘Break at Home’ is the collected recordings of the mysterious group ‘2 Katara’ which was formed in Athens, Greece in 1978 by George Theodorakis (keyboards, percussion, vocals) with his close friend Dimitris Papangelidis (bass, guitars, percussion, vocals).This musical-duo recorded quietly over a decade between Theodorakis’ family idyllic home studio in the Philopappou hill of Athens and the nearby studios Theta and SR. For some part, the tracks seem like adventurous experiments or even unfinished samplers or riffs the band starts to develop, but at the same time there are productions that are clearly meant to be the backbone of an album that never came out.Into the light proudly presents 14 sun-soaked productions from the above-mentioned sterling material from 1981 until 1991 where the band split. This sixth installment is meant to be enjoyed as a journey from proggy pop to TR-909 drum driving compositions to Mediterranean disco-not-disco and further futuristic synth-scapes.The many elements from the Greek traditional folk music - especially in ‘I Can Not’ which is an ambient take on a folk lament song from Epirus area and the reverse play recording of a Greek orthodox priest chant on their last ever recorded epic 17min track ‘Greek lady’ -, the unusual but clever combinations of colorful styles and the intense improvisation put the group in the first line of Athens’ best kept secrets

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2 Katara

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Travel 7
Lazy Girl
Mr Blase
Prix panier: 
26.00
Tracklist: 

Side
1. Break At Home 1
2. Break At Home 2
3. Break At Home 3
4. Break At Home 4
5. Break At Home 5
6. Break At Home 6
Side 2
1. Travel 7
2. Lazy Girl
3. Mr Blase
4. Mr Blase 2
Side 3
1. Go Go Carid
2. I Can Not
3. Sunrise
Side 4
1. Greek Island

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Non
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Original
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Digital Zandoli Vol.2

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The follow up of the acclaimed first volume of this compilation, a real discovery for many DJs and music lovers worldwide who didn’t know that much about Zouk or DIY electronic music of the french west indies.The selectors Julien Achard and Nicolas Skliris continue the excavation of French Antillas vinyl from the 80’s and the 90’s and for this second volume, they found some really exciting new references which should be soon « classics » on the dancefloors.

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HS 169VL

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Coco & Fabert - Ban Di Fwan
Wach´da - Confrontation (instrumental)
Juliane - Blanc E Noir (instrumental)
Prix panier: 
23.00
Tracklist: 

Side 1
1. Coco & Fabert - Ban Di Fwan
2. Wach´da - Confrontation (instrumental)
3. Michel Alibo - Pou Jaloux
Side 2
1. Osmose - Melodi
2. Juliane - Blanc E Noir (instrumental)
3. Champagn' - L' Anmou Aw
Side 3
1. Jo Star - Demare Mwen
2. Alex Rosa - Sistem
3. Patrick Nuissier - Pou Qui Ca
Side 4
1. Vik'In - Tension La Ka Monte
2. Joyeux De Cocotier - Pina Colada Coco Loco
3. Djeminay - Sun Plash

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Non
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Original
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Crown Ruler Sound

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Compiled by Jeremy Spellacey

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STKLP 002

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Let Your Body Move (Oba Balu Balu)
Slippery People (club version) (6:31)
Move On Up
Prix panier: 
35.00
Tracklist: 

Side 1
1. Ezy & Isaac - Let Your Body Move (Oba Balu Balu)
2. Stimela - I Love You
3. Kosmik 3 - I'm Gonna Pack (Jeremy Spellacey edit)
4. Mike Fabulous - Wang East (instrumental)
Side 2
1. Feladey - Forest Music (Anambra Na-imo)
2. Larry Maluma & Kalimba - Kamusale
3. Acayouman - Funk Around
4. JK Mandengue - Afrika
Side 3
1. The Staple Singers - Slippery People (club version)
2. Brother Resistance - Can I Get A Witness
3. Legacy - Monday Blues
Side 4
1. La Banda De Martin - Mi Dueno
2. Devon Russell - Move On Up
3. Costa & Chyps - Detroit City Cats (instrumental long version)
4. Wilfred Percussion - Andei

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Non
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Original
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In Praise Of Mitochondria

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Oddball Japanese electro-fueled vocoder funk with occasional raps from the 80s, including unreleased material... .Japanese Electro original, Minoru Hoodoo Fushimi, self-released four albums. Two vinyl LPs and two CDs between 1985 and 1992. Melbourne`s Left Ear Records have selected twelve tracks, for a double vinyl retrospective. 10 tracks from Minoru`s four albums and a further two unreleased tracks from the archives.Minoru set out to combine his love of all things Funk with traditional instruments and song from his homeland. He uses shamisen on Thanatopsis. Where Parliament`s Flashlight, George Clinton`s Atomic Dog, ride with Osamu Kitajima`s Masterless Samurai. Shakuhachi on Mizuko No Tamashii Hyakumademo. Nohdashi puts koto with a Jimmy Castor riff. All set to popping and locking beats.Minoru`s vocals switch between raps about cellular metabolism and haemoglobin, Soul croon and vocoder. On Shinz-San he adds Metal guitar to vintage Sugarhill. And he goes crazy with his sampler. Scratching in cats, frogs, babies, laughter, giggles, traffic jams, failing ignitions, opera singers, and amorous sighs. Furarete mixes elephant roars and Go-Go. Creating unique avant grooves that share something with Tackhead`s ON-U Sound System, Savant`s tape experiments, and fellow countrymen EP-4.Co-compiled by Left Ear Records and Jerome Qpchan

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LER 1009

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Nikuzukue (Living Desk Of Flesh)
Thanatopsis
In Praise Of Mitochondria (Mitochondria San)
Prix panier: 
33.00
Tracklist: 

Side 1
1. Nikuzukue (Living Desk Of Flesh)
2. Thanatopsis
3. In Praise Of Mitochondria (Mitochondria San)
Side 2
1. Ai Wa Nohshintoh (Love Hits Like Concussion)
2. Shinzo-San (Respecting My Hardworking Heart)
3. Mizuko No Tamashii Hyakumademo (Unborn Fetus' Dream Lives For One Hundred Years)
Side 3
1. Furarete Nambo (It's Ok To Get Dumped)
2. Sutten Tenmari (Me After The Bubble Economy Crashed)
3. Nohdashi (Taking Out The Brain/The Man Who Was Only A Brain)
Side 4
1. Dompan (Private Funk - alternate version)
2. It Isn't Because Of Hemoglobin (Hemoglobin No Seijanai)
3. Zennotized Funk

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Non
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Re-Issue
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Oté Maloya - The Birth Of Electric Maloya On Reunion Island 1975-1986

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Strut present a brand new compilation documenting the groundbreaking maloya scene on Réunion Island from the mid-‘70s, as Western instrumentation joined traditional Malagasy, African and Indian acoustic instruments to spark a whole era of new fusions and creativity. Compiled by Réunionese DJ duo La Basse Tropicale, ‘Oté Maloya’ follows up last year’s acclaimed ‘Soul Sok Séga’ release on Strut.Traditional maloya, originally called “séga”, described the songs, music and dances of slaves on the sugar plantations of Réunion Island in the 17th Century – maloya ceremonies paid tribute to ancestors and mediated between the living and the dead. The music and culture began to be more widely accepted by Réunionese society from the 1930s as folklorist Georges Fourcade began to play maloya songs. By the ‘50s, maloya tracks were appearing on 78rpm releases and, in the ‘60s, it was used as a form of cultural protest music.In the mid-‘70s, a new generation began exploring new directions in the music, using Créole language, many were self-taught and learned their craft in 1960s dance band “orchestres”. André Chan-Kam-Shu’s Studio Royal in the south of the island became the main hub for experimentation and collaboration. Most notably, the band Caméléon honed their sound here – with maloya legends Alain Peters and vocalist Hervé Imare involved, Caméléon became the leading collective on the scene, using poetic lyrics and creating their own potent fusion of maloya, jazz and psychedelia. ‘Oté Maloya’ tells the story of this fertile period in Réunion Island music for the first time and features the full spectrum of maloya styles. From Caméléon’s genius to the teenage Michou’s classic ‘Maloya Ton Tisane’, Daniel Sandié’s breakbeat sleeper ‘Défoule 3e Age’ and more traditional styles from Maxime Lahope and Pierrot Vidot, this is an essential trip through a lost era of Indian Ocean blues and soul. ‘Oté Maloya’ is released with an extensive booklet on CD and LP featuring a history of maloya by Nathalie Valentine Legros of 7 Lames Lamer. All tracks are fully remastered by The Carvery.- 12” INSERT BOOKLET 12pp - First ever international compilation of 1970s maloya scene on Réunion Island- Includes extensive sleeve notes tracing the history of the culture across four centuries- DJ support from Gilles Peterson, Lauren Laverne, Mr Scruff and more- Essential follow up to Strut compilation ‘Soul Sok Séga’

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STRUT 151LP

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La Rosee Si Feuilles Songes
Sega Le Sport
Maloya Ton Tisane
Prix panier: 
35.00
Tracklist: 

Side 1
1. Cameleon - La Rosee Si Feuilles Songes
2. Michou - Maloya Ton Tisane
3. Jean Claude Viadere - Moin La Pas Fait Tout Sel
4. Daniel Sandie - Defoule 3e Age
5. Cormoran Group - P'tit Femme Mon Gate
Side 2
1. Marie Helen Et Ses Creol's - Sega Le Sport
2. Francoise Guimbert - Tantine Zaza
3. Vivi - Toe Meme Maloya
4. Pierrot Vidot - Commandeur
5. Herve Imare - Mele-Mele Pas Toue P'tit Pierre
Side 3
1. Groupe Dago - Reveil Creole
2. Ti Fock - Se Pi Bodie
3. Gaby Et Les Soul Men - C'est Le Meme Cadence
4. Vivi - Mi Bord' A Toe
5. Maxime Lahope - Sous Pied D'Camelias
Side 4
1. Gilberte - Serre Serre Pas
2. Gaby Et Les Soul Men - Oh Maloya
3. Herve Imare - Mi Donne A Toue Grand Coeur
4. Carrousel - Ote Maloya

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Non
Origine: 
Original
Newsletter: 
Non
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