LP

Addis 1988

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First released in 1992, available for CD only and out of print for many years, Addis 1988 is now remastered and available as limited edition on vinyl for the first time, a stunning reissue 180 grams for audiophiles and collectors.Addis 1988 is the document of a moment in time when Mulatu Astatke was not yet the global Ethiojazz superstar he is today, but a change was gonna come for him, and for the whole world. In Ethiopia, the Derg had started to tumble and fall, Europe saw the wall between East and West gain more and more holes until it came down, Southern Africa witnessed Apartheid taking its final lap before Nelson Mandela was finally set free. With Ofra Haza's Yeminite Songs and Mory Kanté’s ‘Yéké Yéké’ high on the international charts, music of the wider world finally entered the house of Western pop, giving high hopes and deep inspirations for many musicians who were previously excluded. Fuelled by Mulatu Astatke as artistic director, composer, arranger and collaborating musician, Ethio Stars and Tukul Band's Addis 1988 recordings vibrantly sustain the innocence of these musical originators, yet hold up to modern standards with timeless aplomb. The album also helps to fill a gap: the period when Mulatu and his music were largely forgotten outside of his homeland. First released in1992, available for CD only and out of print for many years, Addis 1988 is now remastered and available as limited edition on vinyl for the first time, a stunning reissue 180 grams for audiophiles and collectors.QUOTES: »A fascinating album with a disarming blend of soul, jazz, funk, rock ,reggae and carefully plotted tracks. Great stuff!« fRoots (Aug 1992) »Innovative musicians that deserve greater exposure. The Ethio Stars and Tukul Band work strikingly diverse variations on Ethiopian popular music by performing xperimen-tal sonic surgery on traditional styles and instruments.« SPIN (Feb 1993) »Quality music, capturing the energy and passion of the soul-influenced traditional Ethiopian sounds.« CMJ (Aug 1992)- Mulatu is featured as artistic director, composer, arranger and collaborating musician- Helping to close the gap in Mulatu’s discography between 70s and 90s- A classic – high on the European World Music Charts in 1992- Two very different bands – Ethio Stars & Tukul Band - that emerged out of the cultural melting point Addis- Released for the first time on vinyl- High-quality reissue and remaster for collectors on 180 gram vinyl- Download code included- Released for the first time digitally on all download and streaming services

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PIR 3060LP

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30.00
Tracklist: 

Side 1
1. Aderech Arada, Befikir/Menged Lay Wodike
2. Kermosew
3. Yetentu Tez Alew
4. Tiz Balegn Gize
Side 2
1. Bugalu
2. Akale Woube
3. Konso Music
4. Wallel Beli
5. Sound Of Washint & Masinko

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Friendship Train

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SJOB Movement's Friendship Train was the second LP by the group and one which saw the group rise to new heights. It's a masterpiece of African music with it's fluid afro beat grooves and spaced out Moog synthesizer sounds. Here is an excerpt from the liner notes written and researched by Uchenna Ikonne:"Prince Bola Agbana might hardly be the most immediately recognizable name in the constellation of Nigerian music stars, but for a significant portion of the last half-century he labored in the shadows, dutifully serving as one of the key movers in its development: An in-demand session musician. An early and respected exponent of funk. A catalyst in the retrofit of juju into a modern pop genre. Most of all, though, he is recognized as the founder, leader, drummer and principal vocalist of the SJOB Movement.SJOB: Sam, Johnnie, Ottah, Bola. For a moment in the mid-1970s, they were le dernier cri in modern Nigerian music, representing the next step in the evolution of afro rhythms, and a new paradigm for the band economy. Their first album, 1976’s A Move in the Right Direction, was a minor sensation and was swiftly followed by Friendship Train in 1977. Then it appeared that the movement stopped moving, and SJOB disappeared from the scene."

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COS 019LP

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30.00
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Side 1
1. Friendship Train
2. Love Affair
3. What Could It Be
Side 2
1. Odiaria
2. Let's Do It
3. Halleluyah !!

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Re-Issue
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Tuxedo II

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"The only time you wear a Tuxedo is when it's time to party." So says legendary West Coast player Snoop Dogg on the opening track of Tuxedo II. The blessing of the Doggfather is of special importance to Mayer Hawthorne and Jake One, whose second album as a duo finds them at the forefront of a new wave of gangster boogie - one that owes as much to G-funk as P-funk. This is the territory of pre- and post-hydraulic low riders: a mélange of Cali boom-bap, analog synth bass and elegant disco that resonates truth and authenticity in an era where so many are faking the funk. Bonding over a shared love of Chic, Parliament, and the other signs in the greater funk Zodiac, Mayer Hawthorne (Aquarius) and Jake One (Taurus) were early predictors of the sea changes that American music would undergo in 2016. Their first release in March of 2015 debuted at #1 on iTunes America's RnB charts, christened as “Dance Floor Catnip” by the Boston Globe, and “Pure disco-funk hot fire” by Okayplayer. Considering their individual successes (Mayer's four solo albums, Jake's production work for the likes of Drake, Future, The Weeknd, and De La Soul) and five GRAMMY nominations between the two of them, it's no surprise that their powers combined have yet again yielded a bevy of absolute slappers that are packaged perfectly for dance parties in 2017. The material here, while wholly original, is an exercise in honoring its forebears. Tuxedo’s II recalls the future funk wobble of Zapp, Gap, Jam/Lewis and Junie Morrison, while nodding lyrically to Mtume, Jodeci and Cameo. The crystallization of the album's concept comes courtesy of its message of universal love, thanks to the signature combination of soul and pop sensibility that have come to define Mayer's hooks. "You gotta do what you love..." says Mayer in a recent interview with Nordstrom's style blog, one of the many fashion outlets to cover Tuxedo's rise. After all - the transcendental ritual of the party and the rippling self affirmation of the funk are of one spirit: the spirit of self-love...of self expression. Tuxedo II is a modern testament to unity and positivity in trying times. It is a reminder that the dance floor will always be there to welcome you, whoever you are. Do you Fux with the Tux?

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LSTH 2382

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32.00
Tracklist: 

Side 1
1. Fux With The Tux
2. 2nd Time Around
3. Take A Picture
4. Rotational
5. Shine
6. Scooter's Groove
Side 2
1. U Like It
2. Back In Town
3. Special
4. Livin' 4 Your Lovin'
5. July

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Motor City

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The late, great J Dilla is widely regarded as one of the greatest hiphop producers of all time. An innovator who pushed the genre in new sonic directions, the Detroit native born James Yancey crafted timeless soundscapes for the likes of Slum Village, Busta Rhymes, Common, Erykah Badu, A Tribe Called Quest, The Roots, and many more. Since his death in 2006, Dilla’s mother Maureen “Ma Dukes” Yancey has worked tirelessly to further her son’s legacy, and her latest effort is the new posthumous album Motor City. Inspired by Dilla’s beloved hometown, Motor City is a collection of rare and unreleased Jay Dee instrumentals, hand-selected and sequenced by Ma Dukes. Conceived as a “letter” to her son, Motor City is packaged in a limited-edition mailing envelope, complete with a handwritten message from Ma Dukes to J Dilla inside. Both CD and vinyl formats also include access to an exclusive mix of the album by Dilla’s close friend J Rocc, a world-renown DJ and founder of the Beat Junkies.

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NSD 170LP

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30.00
Tracklist: 

Side 1
1. Motor City 1
2. Motor City 2
3. Motor City 3
4. Motor City 4
5. Motor City 5
6. Motor City 6
7. Motor City 7
8. Motor City 8
9. Motor City 9
10. Motor City 10
Side 2
1. Motor City 11
2. Motor City 12
3. Motor City 13
4. Motor City 14
5. Motor City 15
6. Motor City 16
7. Motor City 17
8. Motor City 18
9. Motor City 19
10. J Rocc Mix

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Freedom TV

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After two incredible EPs, Wayne Snow — the Nigerian-born, Berlin-based vocalist and songwriter — now presents his debut album on Tartelet Records.Freedom TV is the natural sequel to the Max Graef-produced tasters Red Runner (2014) and Rosie (2015), a project marinated in Afro-Caribbean, soulful grooves and topped by Wayne’s effortless falsetto acrobatics.As the title suggests, Freedom TV is an album with themes of liberty, struggle and creative identity pumping through its veins. Within ten tracks, Snow fluently meanders between musical styles: from low-tempo soothers like album opener “Cooler” and “Fall” to the syncopated bruk of “The Rhythm” and cosmic funk escapades found on “Nothing Wrong”.Production comes from three varied and solid sources. The tag-team between Snow and fellow Berliner, Max Graef — which started on Graef’s 2014 debut Rivers of the Red Planet — is in full effect. The result is six tracks (“Cooler”, “Still In The Shell”, “Drunk”, “Red Runner”, “Rosie” & “Fall”) anchored by Graef’s now-signature brew of warm-to-the-touch boom-bap, soul, jazz and house. Elsewhere, trips to see the French capital and Neue Grafik yielded three stormers: “The Rhythm”, “Freedom R.I.P” and “Nothing But The Best”.Naples-formed, Berlin-based duo Nu Guinea also lend a hand on “Nothing Wrong”, an uptempo jam which will receive remix treatment from Francis Inferno Orchestra as well as the pair themselves. The works of criminally overlooked, Zimbabwean guerilla fighter-poet, Freedom Nyamubaya (?1958-2015), bind everything together. It’s her verses, which occupy the end of soul-searching, Peven Everett-esque joint “Freedom R.I.P” and provide a regular referential touchpoint. More than anything, Freedom TV is the soundtrack for anyone seeking a wholesome exploration of groove.Smooth and contagiously danceable at points, Wayne Snow has arrived in album territory with an assured cool.

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TARTALB 007

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26.00
Tracklist: 

Side 1
1. Cooler
2. Still In The Shell
3. Drunk
4. Red Runner
5. The Rhythm
Side 2
1. Rosie
2. Fall
3. Nothing Wrong
4. Freedom RIP
5. Nothing But The Best

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Return to The 37th Chamber

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The wait is over, Return To The 37th Chamber is El Michels Affair’s highly anticipated follow up to 2009's underground cult classic Enter the 37th Chamber. Churning out classic records since then for the likes of Lee Fields, The Arcs, The Shacks, and tons more, it is clear that EMA's signature sound is stronger & sharper than ever.This time, in addition to re-interpreting the Wu compositions for a live band, EMA pays homage to the production and sonic fog that makes a RZA beat so recognizable. Producer and bandleader Leon Michels recorded the album completely analog, sometimes hitting 6 generations of tape before it was ready for mixing, giving the Return to The 37th Chamber it’s own hazy sound. Adding to the unique fidelity, the record is laced with psychedelic flourishes, “John Carpenter” synths, heavy metal guitars, triumphant horns, and traditional Chinese instruments that make up for the lack of the Wu’s superlative vocals. From start to finish it’s a dark trip that walks the line between RZA’s timeless hip-hop aesthetic and the cinematic soul EMA has become known for.El Michels Affair tackles some classics like 4th Chamber and Wu Tang Aint Nuthin to Fuck Wit, as well as some deeper cuts like Ol Dirty Bastard’s Snakes, Raekwon’s Verbal Intercourse, and Shaolin Brew, Wu-Tang’s contribution to the St. Ide’s Hip Hop endorsement campaign from 1994. This time El Michels brings some of the Big Crown family along for the ride. Lee Fields handles vocal duties on Snakes and is joined by Shannon Wise of The Shacks for their version of Tearz, which pays as much homage to the Wendy Rene sample as it does to the Wu-Tang Clan. Lady Wray makes an appearance on the cover of Method Man’s hit, All I Need, lending her vocal prowess to what gave the Wu one of their biggest hits of all time. Interspersed throughout the record are some original interludes that are like the “rug that ties the room together,” giving Return To The 37th Chamber a cinematic narrative that makes it a proper El Michels Affair record and not just a collection of covers.From the music to the presentation, this album is a perfect example of what can only be achieved through diversity. The end result is as much a kaleidoscope of influences and multiculturalism as the city it was recorded in. El Michels Affair is once again, “sounding out the city” that raised them, pulling elements of art and culture from across the country and around the globe to create an album truly unique in it’s own right.

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BC017-LP D

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34.00
Tracklist: 

Side 1
1. 4th Chamber
2. Iron Man
3. Shaolin Brew
4. Pork Chop Express
5. Snakes
6. Drums For Sale
7. Shadow Boxing
Side 2
1. Sipped Up
2. Tearz
3. Verbal Intercourse
4. Wu-Tang Clan Ain't Nuthing Ta F' Wit
5. All I Need
6. The End (Eat My Vocals)

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Anagrams

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VRLP001

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14.00
Tracklist: 

Side 1
1. Intro
2. Suite Pour Nina
3. Dwarfs, Eagles & Igloos
4. Ma Chanteuse Adoree
5. L'Avenue
6. Samba De Amor
Side 2
1. Palette Money
2. Anagrams
3. Concrete Walls (feat Djela)
4. Moi Je
5. Les Douves (feat Duchesse Art Ensemble)
6. Tout Bas

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Non
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Dead End

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Stuck in the depths of a dark alley, blocked by yet another breeze, hitting a stone wall, road sign ahead: Dead End. Impasse. “Cul-de-sac”.Hip‐hop. The original, some would say, official music of the late 20th Century Bronx. Some say it has endured it’s fair share of distractions, detractors and defectors. Some say it has murdered itself, having been abandoned by its so‐called best men, those who have gone off in other directions, or who have, simply, just beat‐retired. Yet, there are plenty of Soldier Monks still out there, prepared to sweat it out in the Temple of Machinery and Mics. Low Cut honored this cause four years ago, with his MPC crafted minimalist version of NY Minute and he’s back to ring the bells and unsheathe the samples!The starting point of Dead End’s production remains the 90’s boom-bap, but the will to carry it even further brings it to its destination. By decorating it with rich samples flushed out after digging through vinyls pressed several decades ago, it is guided by a compass pointing deposits to the East. With sound quality inherited from a fastidious composition and mix works, using inspiration rather than just being a copycat, Dead End celebrates it without setting it up as a museum piece.Picturing the beatmaker stuck in the depths of a dark alley, ended with a brick wall, is easy. But far from isolated in his Parisian basement, Low Cut has rung phones in New York, Baltimore and Detroit, rounding up the faithful. He magnetized the hidden but sharp forces, and gained attendance of legends. The casting of Dead End : Ruste Juxx & Nutso, Dirt Platoon, Guilty Simpson, Torae, Rasheed Chappell and the stainless Masta Ace, among other beat crushers. Also starring DJ Duke, Nix’on, Topic and Ordoeuvre with their DMC titles crates, for a deep beatfight on bars scarified of scratches.Heavy atmosphere, martial beats and street soul, Dead End is also the final episode of the projects initiated by Low Cut, based on the model of a producer inviting various MCs.He will then replace his turntable needles, refresh his sample banks, and settle the BPMs of his productions on more abstract frequencies.

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RRLP 05

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25.00
Tracklist: 

Side 1
1. Dante Inferno (Intro)
2. All Alone Feat Masta Ace & Torae
3. Lyrikal Landslide Feat Nutso & Ruste Juxx
4. What's Done Is Done Feat Ide & Jise One
5. Déjà Vu Feat Rasheed Chappell & Soul The American Dream
6. I'm Here Feat CF & Dontique
Side 2
1. The Mecca (Interlude)
2. Disobedience Feat Clever One
3. Call Of The Wild Feat Team Thoro
4. She's Broke Feat Guilty Simpson
5. Believers (Interlude)
6. Ambition Of The Shallows Feat Napoléon Da Legend & Paloma Pradal
Side 3
1. Just Listen Feat Wildelux
2. Longevity Feat G.O.D. Pt. III ,Jamil Honesty & Jmerk
3. Who Be The Realest ? Feat King Magnetic
4. Making Cuts Feat DJ Nix'on, Dj Topic,Ordoeuvre & DJ Duke
5. Hell's Storm Feat Hex One & Milez Grimez,Q-Unique
Side 4
1. Maniac Feat Xplicit Content (Unkn?wN, Fatha Death, Eternel & Apacalypze)
2. Damned (Interlude)
3. Other Shit Feat Dirt Platoon & Wyld Bunch
4. Projects Feat Eff Yoo & Spit Gemz
5. The Payback Feat EMS

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Non
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Maskeraad

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PPU's debut compilation from our favorite femme, Maryn E. Coote. Previously released material featured on PPU-061 with her son Uku Kuut, "Suggestive" gave us access to the endless trove of studio recordings, out-takes, demos, and new material from the estonian-swedish singer/songwriter. Maryn is dedicating this album to her son Uku, who has been living with A.L.S. for several years now. The sale of this album will directy support his care, and support further research on the disease.

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PPU 082

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20.00
Tracklist: 

Side 1
1. Dreamboy (Reserva 9th version)
2. I Don't Have To Cry
3. Emotion (First English Tune)
4. Dream A Little Dream (feat Jonnyboy)
5. Living Love (demo)
Side 2
1. Wild Men (video version)
2. Maskeraad (instrumental Commercial Beat)
3. One Who Care
4. New Day (Added A Guitar)
5. Dreamboy (1st version)

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Criola

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An mini LP of works by Denis Mpunga and Paul K. Combining elements of traditional African music with experimental electronics, the Belgian/Congolese duo released only a handful of tracks, scattered across a few rare LP and cassette compilations that were put out in the mid eighties by obscure european labels . This release also includes a few previously unreleased songs that were found on the original master tapes. 180gram pressing. Artwork by Denis Mpunga.The work of the Belgian/Congolese duo Denis Mpunga and Paul K. is the subject of Music From Memory's latest compilation EP, ''Criola''. Combining elements of traditional African music with experimental electronics, the pair recorded and released only a handful of tracks, scattered across a few obscure LP and cassette compilations. Bringing together this material for the first time ''Criola'' includes both released as well as unreleased material from the musician's archives dating from between 1980-1984.Relocating with his family from the Congo to Belgium in 1973 at the young age of 13, Denis Mpunga grew up in the industrial city of Liege and quickly became deeply embedded in it's musical scene, forming the group Gomma Percussions in 1979; a percussive group driven by West African influences that would also experiment with found objects and improvised musical instruments. The group released only one 7' but toured and performed frequently up until as late as 2000. A side project Eko-Kuango formed by the Gomma Percussion members also saw the release in 1985 of the now much sought after 12'' ''Fura'' which also includes Denis Mpunga on vocals.As well as a later career as a comedian and actor with roles in television and cinema, Dennis has continued to produce and compose music, perhaps most notably writing the soundtrack for ''La Promesse'' (1996) a highly regarded film by the Dardenne brothers; currently probably Belgium�s most celebrated of contemporary film makers.Patrick Stas who would release with Denis under the �Paul K.� moniker was a well-known local musician in Liege and considered something of a luminary figure in the electronic and experimental music scene in Belgium. Patrick would set up the independent cassette and vinyl label ''Home Produkt'' releasing amongst others, the work of Tara Cross, who has herself been the subject of a compilation in recent years.Both well known figures in Liege's music scene the two of them would join forces in 1980 to work together on a soundtrack for a children's animation company called ''CAMERA etc'', recording the ''Intermezzo'' tracks which are included here. Keen to experiment further as a duo, Denis would propose the idea of combining some more traditional songs or percussive African elements with Patrick's experiments with drum computers and synthesisers. Working around more conventional instruments such as guitar and bass, Denis would also bring Balafons, Senzas and a Zither to their recordings whilst Patrick would work with an array of synthesizers and drum machines such as Roland�s MC 202, TB 303 & TR 808 and Korg�s MS20 & Monopoly amongst many others.At a time when world-music was becoming hugely popular across Europe especially so in Belgium and France, the pair were keen to try and explore African music in a new contemporary way. Much like the intentionally provocative archival image, which Denis selected for the sleeve of Criola, the recordings set out to play with and challenge preconceptions and expectations of African music and African culture. Together, Denis Mpunga and Paul K's, if somewhat brief, musical adventure would create a fascinating new musical language, African music born out of an industrial European landscape; music which the compilation ''Criola'' reveals as both wholly unique and visionary.

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MFM 019

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12.00
Tracklist: 

Side 1
1. Intermezzo III
2. Criola
3. Intermezzo II
4. !!! KWE
Side 2
1. Dou-Niya
2. Intermezzo I
3. Funyaka
4. What
5. Veronika

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