UK

Sampler 1

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NCL 2017001

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Side 1
1. Climax(original extended mix)
2. Doctor's Housecall (Vol III)
Side 2
1. Your Mind Is So Crazy (Vol III - original extended mix)
2. Retrospace (Vol II - original extended mix)

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Re-Issue
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Wait... No Hurry

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First official reissue of Nigerian Boogie Disco Grail LP produced by Grotto for EMI Nigeria and originally released in 1978. Contains dance classic‘Bad city Girl’. Liner notes by Nigerian Music expert Uchenna Ikkone, include previously unpublished photos and extensive interviews by Temitope Kogbe.“Odion Iruoje was the A&R manager at EMI at the time,” Benson says, “and he auditioned us, liked he material and signed us.” Odion Iruoje of course had groomed and produced Ofege. Now he was looking to repeat the formula with other high school groups such as Tirogo, Apples and Question Mark. Grotto’s deep rock would be a welcome addition to this “schoolboy rock” series. Work on their album started immediately, with Iruoje in the producer’s chair. Adapting to the tastes of the times—as well as their own maturing musical sensibilities—Grotto started transitioning from acid rock towards sleeker, more dance floor-friendly grooves. “As I grew older I think I got a bit jazzier,” Benson says. “I also listened to Curtis Mayfield, James Brown, Isley Brothers, Prince and a lot of funk groups from that era.” “Hard rock was the content of the first album,” Amenechi agrees, “and funk/jazz/R&B the focus of album number two. Especially with the late Toma Mason Jr. joining as bassist.” The group’s second album, Grotto II: Wait… No Hurry (released in 1979) reflected the growing sophistication of its members’ musical outlook. Fat, funky bass grooves rubbed shoulders with jazzy flute lines; space-age synthesizer tones punctuated good, old-fashioned crunchy rock riffs.

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LIVST 004

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30.00
Tracklist: 

Side 1
1. Wait... No Hurry
2. Maya
3. When Will I Learn
4. Who Gives A Damn
Side 2
1. Bad City Girl
2. Yeah Runnin'
3. Freestyle

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Re-Issue
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Duomo Sounds Ltd: Nigerian 80s Disco Music To Move Your Soul

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Amazing collection of Disco Music released in the 80s (1980-84) on the Nigerian label Duomo Music Ltd. and reissued here for the first time.The late 70s, the thrust of mainstream music had changed from the indigenous highlife to a more international funky disco sound. Keyboards and drum machines were the key components of the new sound. The implications on sales was real as names like Bunny Mack, Chris Okotie, Christy Essien, Jide Obi replaced Osita Osadebe and the Oriental Brothers on the charts. It was in this effervescent climate that Duomo Sounds Ltd was established by Mr Humphrey Aniakor, a business man with no prior investment in the industry. It was simply the in-thing for a young monied businessman. The name suggested European sophistication, modernity and a little abstraction. D U O M O Sounds, the kids loved it. The first release was Bassey Black’s “Someone to love” (DSL 001) which sold over a 100,000 copies, a big hit at the time. The success of the album attracted several artists the most influential of which was Mike Umoh. He aimed for the pop market with accessible, funky arrangements. However his affinity for funk and disco has made him a reference for collectors worldwide. His LP entitled, “Honey, Honey” (DSL 002) was the label’s second release and his most successful album. Also produced the labels 19th release, Bindiga’s, “No More Starvation” (DSL 019), an afro-boogie funk masterpiece. The album in its original format is very sought after by collectors and djs and changes hands for huge sums. Its been described by many as cosmic funk at its finest. Christy Ogbah´s disco soul/highlife records on Duomo are also very highly sought after. This new Livingstone Studio release presents the best of Duomo Sounds Ltd. for the first time.

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LIVST 005LP

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35.00
Tracklist: 

Side 1
1. Christy Ogbah - Advice
2. Johnny O - Bazz Xmas Eve
3. Mike Umoh - Look At Me
Side 2
1. Mike Umoh - Shake Your Body
2. Bindiga - Disco Connection
3. Christy Ogbah - Aimiuugwia
Side 3
1. Bindiga - Perfect Disco Machine
2. Bassey Black & The Natty Messiah - On My Mind
3. Christy Ogbah - Azomonfe
Side 4
1. Godfrey Odili - You Do Good For Yourself
2. Eunice Mokus Arimoku - Ariro

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Fenix

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With all the cosmic energy and masterful musicianship you’d expect from the three-man orchestra, Azymuth rise from the ashes! Continually pushing the boundaries of jazz, funk, electronic music and disco, as expressed through their signature samba swing, the Brazilian mavericks have recreated the energy of those seventies’ sessions which would launch them into international recognition and confirm their status as one of Brazil’s most successful bands.Since the passing of keyboard maestro Jose Roberto Bertrami in 2012, remaining members Ivan Conti and Alex Malheiros have worked tirelessly to keep the spirit of Azymuth alive, and to continue the legacy of Bertrami’s genius. But Fênix also marks a new era as the Azymuth trio is complete once again, by special guest keyboardist Kiko Continentino. A hugely talented pianist, composer and arranger, Kiko has worked with the likes of Milton Nascimento, Gilberto Gil and Djavan, and the fresh energy and inspiration he has brought to the group is undeniable. The album also features Brazilian percussion legend Robertinho Silva, one of Brazil’s most important and influential players.From the disco-carnival title track to sunny jazz-funk head-nodder Orange Clouds, through to the deep-space samba Corumbá, Azymuth have drawn upon five decades of consummate craftsmanship - which coupled with their endless desire for experimentation and improvisation - has resulted in a 10-track journey encapsulating the full spectrum of Azymuth’s brilliantly coloured expressionist fusion.

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FARO 194LP

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28.00
Tracklist: 

Side 1
1. Batucada Em Marte
2. Papa Samba
3. Neptunians (Short version)
4. Rio Doce
5. Corumba
Side 2
1. Fenix
2. Villa Mariana (De Tarde)
3. Orange Clouds
4. O Matagal

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Children Of Nu

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Reginald Omas Mamode IV follows last year’s self-titled debut album with "Children Of Nu".The 20 track album draws influence from the world around us, everyday life. As we witness rising poverty, global events, political and ethnic divisions - these factors prompt some of Reginald’s themes and call for humanity to recognise we are all interconnected. “We are all related. We're all brothers and sisters with common ancestry, common history and a common origin regardless of race, geographic location or belief systems. Love and compassion are universal feelings/practices we all should embrace and apply to all aspects of our lives, our interactions and our relationships, regardless of the kinship”.Reginald Omas Mamode IV ‘Children Of Nu’ encompasses Reginald’s musical and sonic influences - Afro Roots music through to jazz and soul. It draws from Africa as much as the west, an attempt to make a record that can exist in many contexts, the present, the future and past. Recorded with freedom - most tracks remain from the first take - the process of creating ‘Children Of Nu’ was an open ended development from a natural, intuitive, starting point. Made with minimal thought of how tracks would end up, the music was led through the creative process. Born of a moment, each track is an attempt to capture that instance, mood, feeling or subject.Last year’s self-titled debut album was warmly received, collecting critical success including Mojo (“A brand-new-retro delight”), Mixmag (“Peckham beat brilliance”), Record Collector (“Equal parts D’Angelo to J Dilla”), The Wire (“Soul music turned all the way inward”) and a Bandcamp Album of the Day (“Breathing lifeforms that are equally steeped in hip-hop, funk, soul and jazz”). It was also nominated for ‘Album of the Year’ at Gilles Peterson’s Worldwide Awards 2017. Along with Mo Kolours, Jeen Bassa, Henry Wu, Al Dobson Jr and Tenderlonious, he’s helped forge in the 22a co-operative that The FADER calls “a kaleidoscopic patchwork of hip-hop, house, and groove investigations bound by one thread: a timeless belief in rhythm as a universal language”.

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FEP 024

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35.00
Tracklist: 

Side 1
1. Rollin In
2. Put Your Hearts Together
3. Afrika Crunk
4. Us Two (interlude)
Side 2
1. Question They
2. Nu
3. Do Right
4. Peoples Pattern
5. Working...
Side 3
1. Unity
2. Don't You Know?
3. Poor Man
4. I Guess (interlude)
Side 4
1. We Must Learn (skit)
2. Wake Up
3. Children Of Nu
4. Satisfied
5. This Light - Omas Sextet

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The Invisible Man: An Orchestral Tribute To Dr. Dre

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With "The Invisible Man: An Orchestral Tribute to Dr. Dre" multi-instrumentalist and producer Sly5thAve releases one of his most accomplished works to date. The album comes from a place of collaboration and pioneers an openness to improvisation and experimentation, resulting in a collection of visionary jazz cross-over tributes to Dr. Dre's work. A significant marker of the collaborative process can be heard in the many link-ups and vocal features which hit home throughout the record, from Will “Quantic” Holland (‘The Edge’) and Marc de Clive-Lowe (‘Drelude for Woo’) to Jimetta Rose (‘Let Me Ride’) and Melissa McMillan (‘I’d Rather Be With You’), each significantly contributing to the album’s rhythmic and melodic flair.Honing many of his chops through former projects and on the road as a session musician, Sly5thAve has also worked as a collaborator and session musician with such legendary and established artists such as, Prince, Stevie Wonder, Janelle Monáe and Quantic.

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TRULP 346

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33.00
Tracklist: 

Side 1
1. Shiznit (feat Jesse Fischer)
2. California Love (feat Cory Henry)
3. Drelude For Woo (feat Mark De Clive-Lowe)
4. Forgot About Dre
5. Interlude #2 (feat Zach Brock)
Side 2
1. No Diggity (feat Sydney Driver)
2. The Jam (feat Matthias "Pedals" Loescher)
3. Who Am I (feat Paul Wilson)
4. The Jam (feat Paul Wilson - part 2)
5. I'd Rather Be With You (feat Melissa McMillan)
6. Curtis (feat Patrick Bailey)
Side 3
1. Still DRE
2. The Jam (part 3)
3. My Name Is (feat Robert "Sput" Searight)
4. Interlude #3 (feat DJ Center)
5. Guilty Conscience
6. Interlude #4
7. Nuthin' But A "G" Thang (feat Brad Allen Williams)
Side 4
1. Interlude #5
2. Let Me Ride (feat Jimetta Rose - radio edit)
3. The Edge (feat Quantic)
4. Next Episode
5. Peace

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John Armstrong Presents Afrobeat/Brasil

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The African beat's always been essential to Brazil's music. But now the new generation of musicians, singers and rappers are tweaking the basics of Fela's funk to fit with samba swing, bossa tempo and nordestino nous.John Armstrong's new compilation Afrobeat Brasil features 14 blazing tracks from 2011 to 2017 that nod towards Nigeria, Ethiopia, Mali and beyond – with feet firmly in Brazil. For the first time outside Brazil, a careful selection of modern Afrobeat- inspired tunes from across several Brazilian genres, taking in cutting-edge players from Rio, São Paulo, Salvador, Porto Alegre –and even Paris. No slavish Fela Kuti copycats these, but rather Afrobeat and other specific African tempos and rhythms used as a blueprint, a buildingblock for new directions in Brazilian music.

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BBE411CLP

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33.00
Tracklist: 

Side 1
1. Andre Abujamra - Origem
2. BNegao & Os Seletores De Frequencia - Bass Do Tambo
3. Camarao Orkestra - Afoxe
Side 2
1. Bixiga 70 - 5 Esquinas
2. Tassia Reis - Desapegada
3. Rodrigo Campos - Sou De Salvador
4. Meta Meta - Logun
Side 3
1. Andre Sampaiao & Os Afromandinga - Wababa
2. Trabalhos Espaciais Manuais - Farofa De Banana
3. Thiago Franca - Etiopia
Side 4
1. Lucas Santtana - Musico
2. Ifa - Salva Dor
3. Otto Nasca - Democracia
4. Ellen Oleria - Afrofuturo (remix)

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The Library Archive: Vaults Of Cavendish Music

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Join two of BBE’s most prolific artists and compilers, Mr Thing & Chris Read on a voyage into the mysterious, strange and wonderful world of Library Music, courtesy of Cavendish Music. Founded in 1937 and originally known as Boosey & Hawkes Recorded Music Library, Cavendish Music is the largest independent Library Music publisher in the UK and also represents a host of music catalogues across the globe.During the Library Music heyday of the 60s and 70s, thousands of original instrumental tracks were produced across a broad range of genres for companies like Cavendish, who then created vinyl and tape collections, often arranged by theme or mood, for their customers in radio, television and film. Cult British TV shows such as The Sweeney and The Professionals as well as documentaries and feature films relied heavily on these catalogues, and companies like KPM, De Wolfe and Boosey & Hawkes went a long way toward defining the sound of British popular culture at the time. Never commercially available, music created for these libraries that never made it to the promised land of TV or Radio was destined to languish in Cavendish Music’s vast London vault, only recently unearthed by a new generation of DJs and producers searching for rare gems or a perfect sample. Mr Thing & Chris Read were first invited to examine the contents of the Cavendish Music archive in 2014 as part of WhoSampled’s ‘Samplethon’ event in which producers created new tracks against the clock using sample material mined from the catalogue. Whilst digging through box upon box of records and tapes looking for interesting sounds, the pair also discovered a host of 70s library music which has not only stood the test of time, but deserves to be heard in its original form.From dramatic big band numbers reminiscent of Lalo Schifrin’s film scores to atmospheric proto-hip hop instrumentals produced before the genre’s existence, right through to fairly straightforward jazz and funk cuts, this amazing collection of music is sure to inspire and delight DJs and beatmakers the world over.

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BBE 435CLP

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33.00
Tracklist: 

Side 1
1. Sound Studio Orchestra - Southbound
2. Sound Studio Orchestra - Snowmobile
3. The Cavendish Orchestra - Funkrund
4. Unknown Performer - Milky Way
5. Unknown Performer - Star Voyage
6. Unknown Performer - Kaleidoscope
Side 2
1. The New Dance Orchestra - "he Trackers
2. Sound Studio Set - Two Bars
3. Sound Studio Set - The Scape Goat
4. The Cavendish Orchestra - Riff-Raff
5. The New Sounds - The Big Score
6. The Latin American Orchestra - Come Cuban!
Side 3
1. Sound Studio Orchestra - The Rally
2. The New Dance Orchestra - Pardon
3. The New Dance Orchestra - Night Driver
4. The New Dance Orchestra - Border Incident
5. The New Dance Orchestra - Lady Killers
Side 4
1. The New Dance Orchestra - One Way Trip (Warm version)
2. The New Dance Orchestra - One Way Trip (Cool version)
3. The New Concert Orchestra - Night Shade (long)
4. The New Concert Orchestra - Night Shade (short)
5. The New Sounds - Smile Of A Stranger
6. The New Percussion Octet - Graphics (part 2)

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Save Me (Ashley Beedle Mix)

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Jo Wallace's house label, F*CLR Music is proud to release 'Save Me' from the Moscow studio of international DJ/Producer Stan Serkin.The North Street Crew (Ashley Beedle, Darren Morris & Jo Wallace) give a nod towards Mr Knuckles by adding a BIG slice of piano action from keyboard supremo, Darren Morris.The Original Mix, with its warm trumpet riff, is reminiscent of 80's Herb Alpert, and Stan's mix of 'Save Me' is an epic, soulful house track.

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FCLR 005V

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13.00
Tracklist: 

Side 1
1. Save Me (Ashley Beedle North Street remix)
Side 2
1. Save Me (original mix)

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Non
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Original
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Sub Tropical

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Norm De Plume (Kolour Ltd, Delusions Of Grandeur, Sideways Recordings, Plumage) debuts on Black Riot serving up four deep disco bombs in his signature style.

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BR 008V

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13.00
Tracklist: 

Side 1
1. Sub Tropical
2. Come & Play
Side 2
1. Nouvelle Cuisine
2. Waiting For Manon

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Non
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Non
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Original
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Non
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