UK

Mangwana

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FAR 029

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0
Prix panier: 
15.00
Tracklist: 

Side 1
1. Mangwana
2. Chiiko
Side 2
1. Mangwana (A Vision Of Panorama remix)
2. Mangwana (Paradise 89 dub)

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Non
Forthcoming: 
Non
Origine: 
Re-Issue
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The Far East Transcripts II

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Part Two of the Far East Transcripts series. Hhatri welcomes back more of the house rarities that Soichi Terada & Shinichiro Yokota masterminded in the early 90's. Soichi Terada & Shinichiro Yokota tracks from Far East Recording catalogue. Tokyo XXX on this record is the main version that can be found on the EP as well as the LP.

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HHATRI 002

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0
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12.00
Tracklist: 

Side 1
1. Soichi Terada - Tokyo XXX
2. With Whom I Wanna Be With
Side 2
1. Shinichiro Yokota - How Does It Work
2. How Does It Work (Anthony Brooklyn remix)

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Original
Newsletter: 
Non
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Love with A Stranger

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33 years after it's first release Rick Clarke's street soul simmerdown on Local Records, 'Love With A Stranger' gets a much welcomed official reissue, lovingly remastered from the original tapes.Just peep that OG artwork to get a taste of how this one's about to go down. Written and produced by John Collins, known for producing The Specials - 'Ghost Town', 'Love With A Stranger' perfectly encapsulates that '80s street soul sound. Distinctly soulful, synthy slow jams, heavy on the bass with a touch of the low-slung, lovers rock vibrations about them. Rick Clarke's sultry sweet nothings weave their way irresistibly through this five minute gem, but for those that want to provide their own rendition over the top, the dub has been affectionately cut to the flip.Top tier tackle - reissued to serenade red dressed souls the world over once more.

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LR 11

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0
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17.00
Tracklist: 

Side 1
1. Love With A Stranger
Side 2
1. Dub With A Stranger

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Re-Issue
Newsletter: 
Non
Partager: 

A Gira/Last Tango In Paris

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MEL 12

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0
Prix panier: 
20.00
Tracklist: 

Side 1
1. A Gira
Side 2
1. Last Tango In Paris

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Re-Issue
Newsletter: 
Non
Partager: 

Heavens In The Back Seat Of My Cadillac/Keep The Fire Burnin'

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FDO 002

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0
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14.00
Tracklist: 

Side 1
1. Hot Chocolate - Heavens In The Back Seat Of My Cadillac (The Revenge edit)
Side 2
1. Gwen McRae - Keep The Fire Burnin (The Revenge edit)

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Original
Newsletter: 
Non
Partager: 

Ode to Eddy

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CMC 281

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0
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13.00
Tracklist: 

Side 1
1. Ode To Eddy
2. I Don't Feel
Side 2
1. Never Alone
2. Tale Of Tales (Memoirs Of A Super Freak)

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Original
Newsletter: 
Non
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Dracula

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A Band Called Flash’s third EP on the J4J record label continues to expand with a new group of future funk goodies.With the highly anticipated release of the hypnotic dance track “Dracula” along with the funky vocals “There Will Be A Time” and “VSL”, artist, songwriter and producer Jared Hines doesn’t disappoint. Add to that, the intergalactic groove “Song For Spike” and you have an EP that will surely satisfy listeners and dancers alike.

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J4J 002

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0
Prix panier: 
15.00
Tracklist: 

Side 1
1. Dracula
2. There Will Be A Time
Side 2
1. Song For Spike
2. VSL

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Original
Newsletter: 
Non
Partager: 

Afro-Latin Soul Vol. 2

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Strut continue their essential work with the “Godfather Of Ethio Jazz”, Mulatu Astatke, with the frst offcial reissues of his early classics ‘Afro Latin Soul’ Volumes 1 and 2 from 1966, recorded as The Ethiopian Quintet. Arriving after Astatke’s life-changing years studying at Berklee College in Boston, the albums were the frst experiments in his pioneering sound, fusing Ethiopian cultural music with Afro Latin and jazz forms. “I have always felt a deep connection between Latin and African music,” he explains. “I travelled to Cuba and listened to their musicians, the tempo, rhythm and feeling was very similar to different African forms. In the mid-‘60s, I formed a band called The Ethiopian Quintet in New York comprising Ethiopian, Latin and Afro-american musicians - the band included trumpeter and pianist Rudy Houston who later played with Yambu and Felix Torres who played with La Sonora Poncena.” Supported by Worthy Records’ Gil Snapper who offered to record the quintet,Astatke began to experiment during two separate sessions: “We created a different feel and different arrangements. On the frst recording, I played an adaptation of an ancient Ethiopian warrior song, ‘I Faram Gami I Faram’ - the lyrics were translated so that the singer could sing it in Spanish. Some compositions were important steps for me: ‘Mascaram Setaba’ (‘Summer Is Coming’) ‘Shagu’ and ‘Almaz’. With the second album, a personal favourite is ‘Girl From Addis Ababa’ which worked very nicely as a fusion of Ethiopian modes and R&B rhythms.”Astatke would start to perfect his Ethio jazz sound on his later album for Worthy in 1972, ‘Mulatu Of Ethiopia’ (STRUT129) but the two volumes of ‘Afro Latin Soul’ stand as important recordings documenting his early career. “It was a very interesting time to be in New York during the mid-‘60s. I was there at the same time as Hugh Masekela, Miriam Makeba and Fela Kuti and we each tried to play our part in putting Africa on the map of contemporary jazz.” ‘Afro Latin Soul’ Volumes 1 and 2 come in their full original artwork and are painstakingly remastered by The Carvery. All formats feature personal liner notes by Mulatu Astatke.- First official reissue of landmark Mulatu Astatke albums from 1966- Early Ethio jazz / Afro Latin experiments from the early days of Astatke’s career- Fully remastered by The Carvery- Package includes new liner notes by Mulatu Astatke- Essential addition to Strut’s Mulatu Astatke official reissue series

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STRUT 157LP

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état pochette:

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0
Prix panier: 
32.00
Tracklist: 

Side 1
1. The Panther (Boogaloo)
2. Konjit (Pretty)
3. Soul Power
4. Lover's Mambo
5. Love Mood For Two
Side 2
1. Jijiger
2. Girl From Addis Ababa
3. Karayu
4. Raina

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Re-Issue
Newsletter: 
Non
Partager: 

Afro-Latin Soul

photo: 
a propos: 
Strut continue their essential work with the “Godfather Of Ethio Jazz”, Mulatu Astatke, with the frst offcial reissues of his early classics ‘Afro Latin Soul’ Volumes 1 and 2 from 1966, recorded as The Ethiopian Quintet. Arriving after Astatke’s life-changing years studying at Berklee College in Boston, the albums were the frst experiments in his pioneering sound, fusing Ethiopian cultural music with Afro Latin and jazz forms. “I have always felt a deep connection between Latin and African music,” he explains. “I travelled to Cuba and listened to their musicians, the tempo, rhythm and feeling was very similar to different African forms. In the mid-‘60s, I formed a band called The Ethiopian Quintet in New York comprising Ethiopian, Latin and Afro-american musicians - the band included trumpeter and pianist Rudy Houston who later played with Yambu and Felix Torres who played with La Sonora Poncena.” Supported by Worthy Records’ Gil Snapper who offered to record the quintet,Astatke began to experiment during two separate sessions: “We created a different feel and different arrangements. On the frst recording, I played an adaptation of an ancient Ethiopian warrior song, ‘I Faram Gami I Faram’ - the lyrics were translated so that the singer could sing it in Spanish. Some compositions were important steps for me: ‘Mascaram Setaba’ (‘Summer Is Coming’) ‘Shagu’ and ‘Almaz’. With the second album, a personal favourite is ‘Girl From Addis Ababa’ which worked very nicely as a fusion of Ethiopian modes and R&B rhythms.”Astatke would start to perfect his Ethio jazz sound on his later album for Worthy in 1972, ‘Mulatu Of Ethiopia’ (STRUT129) but the two volumes of ‘Afro Latin Soul’ stand as important recordings documenting his early career. “It was a very interesting time to be in New York during the mid-‘60s. I was there at the same time as Hugh Masekela, Miriam Makeba and Fela Kuti and we each tried to play our part in putting Africa on the map of contemporary jazz.” ‘Afro Latin Soul’ Volumes 1 and 2 come in their full original artwork and are painstakingly remastered by The Carvery. All formats feature personal liner notes by Mulatu Astatke.- First official reissue of landmark Mulatu Astatke albums from 1966- Early Ethio jazz / Afro Latin experiments from the early days of Astatke’s career- Fully remastered by The Carvery- Package includes new liner notes by Mulatu Astatke- Essential addition to Strut’s Mulatu Astatke official reissue seriesSINGLE LP WITH 12” INSERT SHEET

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Année:

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référence du label: 
STRUT 156LP

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état pochette:

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0
Prix panier: 
32.00
Tracklist: 

Side 1
1. I Faram Gami I Faram
2. Mascaram Setaba
3. Shagu
4. One For Buzayhew
5. Alone In The Crowd
Side 2
1. Almaz
2. Mulatu's Hideaway
3. Askum
4. A Kiss Before Dawn
5. Playboy Cha Cha

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Re-Issue
Newsletter: 
Non
Partager: 

This Ain't Really Love

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Kalita Records present the first ever official reissue of the Sophisticated Ladies sought-after 1980 New York disco single 'This Ain't Really Love' backed with a Mighty Zaf extended B-Side edit.Kalita Records are proud and honoured to announce the first ever official reissue of the Sophisticated Ladies' sought-after 1980 New York disco single 'This Ain't Really Love', backed by a Mighty Zaf extended edit of their 1977 release 'Check It Out', and accompanied by interview-based liner notes. Here, the single will be available in its true 12” format, saving collectors and DJs alike from spending triple-digit figures on an original copy.First formed in 1955, the Sophisticated Ladies started their recording life as the R&B girl group The Bobbettes, originally consisting of five female vocalists (Jannie Pought, Emma Pought, Reather Dixon, Laura Webb and Helen Gathers). The group were signed to the Atlantic record label and were most known for their 1957 hit single ‘Mr. Lee’, which peaked at #6 on the Billboard Pop singles chart and remained #1 on the R&B chart for four weeks. They were in fact the first girl group to have a #1 R&B song which also was placed in the top ten of the singles chart.However, by the mid-1970s and with the emergence of the disco era, the Bobbettes changed their name to the Sophisticated Ladies. As Emma Patron (nee Pought) recalled to me in the winter of 2017, The Bobbettes’ success with ‘Mr. Lee’ had been both a blessing and a curse – on the one hand it had provided them with international fame, yet by the 1970s it had become a constant weight and drag upon the group, type-casting and inhibiting their development as artists. Thus, upon the suggestion of their managers and producers Joe Webb and Frank Fair, the name The Bobbettes was lost, replaced now by the Sophisticated Ladies. Not only did this provide the opportunity for a clean sheet, but it also allowed them to have an image change from a girl group to a female disco outfit, as Joe recalls, ‘when we changed the name and gave the band a more soulful, disco sound, it made a huge difference’.The Sophisticated Ladies (by this time consisting of Emma, Laura and Reather) released two singles between 1977 and 1980. They toured the southern states of America (whilst also touring internationally as the Bobbettes) and received radio airtime throughout the country. Here we have chosen to highlight their scarce, choice cut ‘This Ain’t Really Love’ and have invited The Mighty Zaf to re-work their version of Bobby Womack’s ‘Check It Out’, making it perfect for modern disco dancing.- First ever official reissue of sought-after New York disco 12” single- Accompanied by an extended edit by The Mighty Zaf of their 1977 release 'Check It Out' engineered by Phil Asher- Includes extensive liner notes based on interviews with band member Emma Pought and manager/producer Joe Webb

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KALITA 12005

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0
Prix panier: 
20.00
Tracklist: 

Side 1
1. This Ain't Really Love
Side 2
1. Check It Out (The Mighty Zaf edit)

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Original
Newsletter: 
Non
Partager: 

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