Disco Funk

O.k Straight up disco banger that is way beyond most paycheques on 45. As featured on the Numero Group compilation Ultra-High Frequency's. Numero actually just beat me to a punch doing a deal on this. I has spoken to Donnell loads, he always seemed to be in a restaurant car park when I called, he was always happy to sing down the phone and talk about his recordings but we never got round to signing a deal. Anyway back to the record, if you don't know this buy it and if you do you already got it in your bag. Disco / Modern royalty

First ever official reissue of this mythical Nigerian-American Afro boogie album !It’s grail time. Kalita are honoured to officially release for the first time since 1983 Marcy Luarks & Classic Touch's mythical American-Nigerian Afro boogie masterpiece 'Electric Murder', accompanied by extensive liner notes based on interviews with Marcy's family and producer Daniel Irabor. The product of the then husband and wife team of Marcy and Dan, 'Electric Murder' brought together both the former's American and the latter's Nigerian roots; recorded in London with UK-based session musicians, this mix of heritage and styles resulted in an Afro disco album unlike any other.With original copies turning up for sale roughly once every few years, and with an eye-watering four-figure price tag to match, Kalita for this year's Record Store Day saves you the never-ending search for this true holy grail.Released on black vinyl, with printed insert detailing Marcy's life and musical career.

Another rare gem from Record Shack gets its first officially licensed 12” release – the absolutely killer early ‘80s jazz funk tinged, boogie bomb from The Oceans – ‘Bad Guy, Good Guy’, fully remastered for maximum audio pleasure.With the release only ever being a whitelabel there was much confusion over the correct titling due to the stamp simply stating ‘Pacific Dream’, however the actual track titles are those housed on this release - ‘Bad Guy, Good Guy’ and the instrumental ‘Synth Good Guy’. Those original whitelabels command prices of up to £120 and it’s no surprise when you hear those infectious guitar riffs blended with buoyant synth flurries and sensuous vocal harmonies. For those that would rather leave the vocals at bay, the B side houses the instrumental mix in all its glory.A radiant release that still sparkles as bright as it did back in 1980 – an essential buy!

New import label from Seance Centre & Smiling C, Toronto.Eros’ Go For It is a fearlessly original take on Paradise Garage disco, mixed in a way that feels equally Mad Professor and Walter Gibbons.The story of Eros begins in a high school in Vauxhall, New Jersey in the mid 70s when four kids began a friendship based around their mutual love of soul, funk, rock, disco, and bands like Earth, Wind & Fire and Funkadelic. Assanouan G’Bado, Fletcher Gaines, Bobby Jones and Mike Freeman started off jamming after school, playing occasional gigs in New York and honing in on an original sound. When the group graduated, Assanouan and Bobby went off to the service and Fletcher went to university.Eros reunited in the late 70’s and began taking things more seriously, producing a set of songs with the intention of getting a deal with Motown. The morning after recording a full album’s worth of material, the group flew to Detroit hoping to sign a record deal. The legendary label was interested in the songs, but made them an offer that didn’t feel right for the group. The songs were shelved and Fletcher and Bobby moved on to new ventures.Mike and Assanouan pursued a self-released single on their own DAP records, reinterpreting two of their Motown demos with drum machines and overdubs to fill in for their two missing bandmates. Go For It was their individual take on disco, and the new 1985 remake took the AOR-oriented demo version, and transformed it into a transcendent dance floor illusion, that, in an alternate universe, would have turned dancers at the Paradise Garage upside down. Similar to Stephen Encinas’ un-classic, the song mutates deftly at the half-way point, opening up into a stripped-down and dubbed-out denouement, adorned in cascading electronics and the soaring vocals of Barbara Green.Go For It is the first of two releases from Eros on Mixed Signals, and pairs the group’s expanded electronic remake with the original Motown version, rescued from the last surviving demo cassette. Stay tuned for the unreleased demo album Motown missed out on, slated to come out later this year.