Netherlands

Shadance Hall

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DKMNTL 076

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14.00
Tracklist: 

Side 1
1. Ventura Phase
2. Squeeze Dogs
3. Theorie Amerikaan
4. Controleer Jezelf
Side 2
1. Controleer Jezelf (Rhythm version)
2. Theorie Amerikaan (Space dub)
3. Squeeze Dogs (Crunch dub)
4. Ventura (dub)

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Non
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Original
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BND Project Vol 2

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BND 008

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11.00
Tracklist: 

Side 1
1. Kai Alce - Dreamin
2. Alex Arnout - Feedback
Side 2
1. Alfonzo Bottone - Mindfully
2. Javonntte - Too High

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Non
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Original
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Yellow River Blue

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Music From Memory are excited to present the debut LP of Kaifeng born, Vancouver based artist Yu Su in collaboration with Chinese label bié Records. Titled 'Yellow River Blue' it is our first release of 2021 and the second collaboration between label and artist, following up on the strongly received EP 'Roll With The Punches' from 2019 on Second Circle.Named after the world’s most heavily silted river, 'Yellow River Blue' is Yu Su's personal musical autobiography, constructed around stories of chasing something inconceivable. Written and recorded in different continents in between August 2019 and March 2020, all songs seek to musically translate years of moving and touring, temporarily settling, and the feelings of both being turned away and accepted. In her own words, “The world is my home and it isn’t, but as long as there is generosity of water and mud...” It is an homage to her home beside the Yellow River.Yu Su's debut album consists of eight songs that are versatile in both writing and aesthetics. Versatile individually, consistent as a whole. Yu Su is in a class of her own, dodging the obvious while combining sounds and inspirations of various origins into a new destination that sounds like her home in the here and now. It's a release that is constantly in motion and moves fluently between contemporary pop, ethereal sound compositions and dance-floor experiments.'Yellow River Blue' comes as part of a collaboration with Yu Su's co-founded new label bié Records and will be released as MFM052 in vinyl format by Music From Memory on January 25th 2021, after seeing a full digital album release via bié on January 22nd in the new Year of the Ox, according to the Chinese zodiac. Both formats come in different exclusively designed artworks.

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MFM 052

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19.00
Tracklist: 

Side 1
1. Xiu
2. Futuro
3. Touch-Me-Not
4. Gleam
Side 2
1. Melaleuca
2. Klein
3. Dusty
4. Melaleuca (At Night)

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Jam Alley/Bafana Bafana

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By 1995 Kwaito was already a well established and distinguishable sound compared to the International House Remixes that preceded. The tempo was slowed down, Soulful vocal samples were replaced by catchy and repetitive hooks and versus sang in vernacular. The new hit sound had a template and studios worked around the clock to pump fresh releases into the demanding market.After the successful 1995 release of Import mixes Vol 4, The Groove City team behind the productions now decided to venture into the territory of Mid Tempo. They would craft an album for a young frontman with the help of Kwaito pioneer Oscar Warona, and without much trouble, the team had their first hit on their hands. Filling the boots of their cars with copies of the cassettes and taking the stock to various townships around Johannesburg the tape quickly circulated and sold out every new batch that was printed. Demand was high for the release but as with much of the music at the time, the fast paced demand for the music moved on. Without a follow up release Scotch failed to ride the momentum built by the debut and remained largely unknown although he is still in the music industry to this day.Even with their first artist release being a success, the following years proved more difficult in reaching such a large audience for the Kaleidosound studio. With popularity for the genre growing, the simple templates for early classics were changing as Kwaito fused with hip hop. Rapping took over as the preferred vocals for the masses. Mysterious production teams and labels that served as guides for music lovers were eclipsed by frontmen and groups that could draw crowds. The fight for fresh sounds continued as the airwaves became the main battleground for artists and the more club oriented music was pushed back underground, eventually evolving into some of the earliest examples of Deep House seen on the continent. The Kaleidosound production team would finally strike gold again in 1997 when reviving Groove City for vol. 5 which acted as the debut for the newly formed group Chiskop. The group would become superstars of the new commercial era that followed, sparking solo careers for the members and creating some of the biggest hits the genre knew.To this day Scotch remains one of the best albums to come out of the golden era of Kwaito. Although it was outperformed by other groups from the time it has a special place for those who knew it and can still be found as a treasured piece in many collections. The various people involved created a one off fusion of sound that has remained fresh for 25 years. Playful lyrics over floaty grooves resulted in favourites like “Jam Alley” which uses catch phrases from the beloved TV show and “Bafana Bafana” guaranteed to get the boys on the dance floor. Here you have these two tracks taken from the album pressed on a club ready Maxi Single for the Deejays

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CASA 1203

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16.00
Tracklist: 

Side 1
1. Jam Alley
Side 2
1. Bafana Bafana

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Non
Origine: 
Original
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Private Life III

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MFM 051

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21.00
Tracklist: 

Side 1
1. Chasing The Clouds Away
2. Hang Glyde
3. Room With A View
4. Timeless
Side 2
1. Memories
2. Pushin'
3. Knowing
4. Watching The Skies

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Original
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Blue Box Sessions

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The eighteenth release on Second Circle is the label's second exploration into an artists archival works; this time presenting a selection of four early tracks by theatre, film and music producer Can Oral under his Khan alias.Can moved to Williamsburg, New York in the early 90's along with good friend and fellow musician Jimi Tenor. Born in Germany of Turkish-Finnish parents, he would frantically start buying equipment (such as a TR808, TB303 and Korg Polysix) from junk shops across New York, becoming greatly prolific in his recordings which he would work on throughout the night. During the daytime though, Can set up and ran the now defunct Temple Records, a seminal Soho record store, and later label, largely importing Techno and Acid from Europe. Though a small store, Temple Records would count musicians and DJs such as Björk, Tricky, Dee-Lite, Josh Wink and Joey Beltram among its regular customers. Also he would host many such guests to play live or DJ at his weekly Techno party “Killer” which was held at Save The Robots in New York’s East Village.Can Oral's nightly studio sessions eventually led to an almost inexhaustible discography with over a dozen monikers each representing a different aspect of his productions. SC018 focuses then on his early electronic works as Khan.Named after the color painted studio where the EP was produced between 1993-1996, 'Blue Box Sessions' is a collection of four analogue machine driven cuts, covering different tempos and ethos within electronic music. Initially live recorded to an old DAT recorder, and without any overdubs, SC018 is a lost and found artefact to Khan's unquestioned raw talent and timeless relevance.

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SC 018

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15.00
Tracklist: 

Side 1
1. Give Me More
2. Sweet Pink Lemonade
Side 2
1. Slow Stepper
2. Warm Leathereth

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Non
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Original
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Shigomase

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Deep and very sought after tracks. Two sultry late eighties South African house inspired gems.

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RHRSS 29

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14.00
Tracklist: 

Side 1
1. Shigomase
Side 2
1. Koshana

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Non
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Original
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Non
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Soweto Soul Orchestra

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The Soweto Soul Orchestra project boasts a variety of funky tracks, all marked with that jazzy South-African sound.Repress from this early eighties album.

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MOCR 005

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14.00
Tracklist: 

Side 1
1. The Girl In The Alley
2. Soweto Dawn
3. Mapantsula
Side 2
1. Take It Easy
2. Medley: Hang Em High/Down-Town

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Re-Issue
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Ultimate Yokota 1991-2019

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The Sound Of Vast imprint offers up a retrospective collection of cuts from Shinichiro Yokota (who had two tracks on Hunee's 'Sounds From The Far East' compilation for Rush Hour). None of these tracks have been pressed on vinyl before now. A loaded compilation full of choice bumps and positive House vibes recorded over the last 28yrs!The twelve-track collection ‘Ultimate Yokota 1991-2019’ traverses through Yokota’s emotive and playful house sound - employing infectious synth hooks, analogue drums, soulful vocals and an underlying positive energy throughout. Sound Of Vast shine a light on one of Japan’s unsung heroes of House. Designed as an introduction those unfamiliar with his impressive back catalogue, and for hardcore fans alike.Shinichiro Yokota: “In the late 80s my obsession towards House music began and the biggest influence I had was through Soichi Terada. I went to his house almost every week, and watched him perform his magic with synthesizers, samplers, and sequencers. I soon learned how to use them as well and started producing a variety of tracks. Many of the tracks produced during this time were released on CD or vinyl through ‘Far East Recording’. This project ‘Ultimate Yokota’ is a careful selection of tracks from the early 90’s which haven’t been released on vinyl ever. It is my 30 years chronicle. ‘TOKYO 018’ is a track Soichi and myself collaborated on for the first time in 15 years. Not all the tracks on this record where produced with Soichi, but it’s safe to say that all my tracks have been influenced by and ‘created’ together with him.Soichi Terada: ‘’Amongst the 90's Japanese house music that’s been re-evaluated in recent years, many people are highly recognizing "Do It Again". One thing that comes to my mind which I contribute to this song's producer, Shinichiro Yokota, is the excitement and cheers of the audience when I perform it in my live show. With just 7 notes of refrain making the dance floor really pop up. Thanks to that I had the opportunity to do over 120 live shows in various European cities. Many people mistakenly think "Do It Again" is a Soichi Terada's production because of the wrong credits on YouTube, but at least those of you who love this record will be reaffirming the beautiful sound that Shinichiro Yokota is creating. And Shinichiro Yokota, you "Did It Again"! That's what you are feeling.’’

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SOVFE 001

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22.00
Tracklist: 

Side 1
1. Bells
2. Night Drive
3. Gaming Man
Side 2
1. Right Here! Right Now!
2. Machibouke
3. Manabu Nagayama & Masakazu Uehata - Sora Sky Magic (Shinichiro Yokota remix)
Side 3
1. Timeless
2. This Moment
3. Time Traveling
Side 4
1. I Know You Like It (Ultimate version)
2. Take Yours
3. Shinichiro Yokota & Soichi Terada - Tokyo 018 (Watashiwa Tokyo Suki) (Ultimate version)

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Non
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Original
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THE UMAMI EP

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Amsterdam based Kid Sublime returns in 2020 with his new record: “The Umami EP” on his own Ballroom Radio Records .Independent release pressed on 180 gram vinylA1 The Tool The opener track of the EP “The Tool” has The MPC running steady with chopped up disco breaks and lush Detroit keys + Soulful vocal samples added on top to hype up the dancefloor.A2 The London Bug Inspired by his trip to London last year and a visit to the Bugz In The Attic studio, Kid steps up his game with a Broken Beat banger. A chopped up Jazz Funk breakbeat with a heavy Moog bassline lick and some keyboard action. This Bruk tune will definitely get the dancefloor moving.B1 Left-Right-Dub Soulful House action! Originally released on his LP The Padded Room as “Heroes“ with vocals from Atlanta’s The Dangerfeel Newbies, Kid remixes this tune in a stripped down Dub version. Smooth and Deep dancefloor vibes.B2 The Force A stripped down minimal Future Funk groove with a Seinfield-esque slap bassline and a spaced out sample. The MPC runs steady here for the deejays and the dancers!

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BRR 001

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12.00
Tracklist: 

Side 1
1. The Tool
2. The London Bug
Side 2
1. Left-Right-Dub
2. The Force

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Non
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Non
Origine: 
Original
Newsletter: 
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